From the Notebook

  • Down at the River

    Down at the River

    I took a stroll down to the river this evening, at the shady little park off the beaten path where men go cruising for blowjobs. The view there isn’t great, but no one’s coming for the scenery.

    On the way in, I checked out the stickers and plates in the gravel lot. I could see I was in the presence of several God-fearing, gun-toting men from the suburbs. Those are the hardy, virtuous men that America was built on: the kind that hate fags, but love a good cock in their mouth.

    I took a seat on a little knob in the bushes. A limp condom hung from a limb above me, and the pages of a crumpled porn mag were scattered on the ground, still wet with some guy’s jizz.

    I watched all the men sitting in their cars and trucks, several of them leaned back and smoking weed, poppers no doubt stashed in their glove compartments.

    One of these guys hasn’t been here as much since he made a homemade glory hole in his garage. While his wife is running the kids around to soccer and gymnastics, he invites over some of his married buds and discreetly sucks their shafts in rapid-fire succession. He’s something of an exhibitionist, so he films it with his phone and posts the videos online. His virtual friends love to see all the cum exploding on his face.

    “So hot, bro”.

    He’s hoping to score some sweet, young ass this evening and film it for fresh material — he’d prefer a tall guy with an athletic build, firm cheeks, not too much hair in his crack. He’s thought about starting an OnlyFans for extra income, but isn’t sure how he’d hide it from his wife.

    Another guy is a contractor. He shops at Home Depot. A lot. His wife hasn’t put out in years, and he’s straight as an arrow, but a hole’s a hole, man. Any guy can tell you how skeevy Home Depot restrooms are, but only those in the know can tell you about the secret signals that pass between men at the urinals.

    The man in the beat-up sedan is a long-distance trucker. If you’ve ever walked into a rest area around 3 a.m., well, you know what he gets up to. His erections are a little sluggish lately, but cock rings are doing the trick so far. He’s thinking about buying some discount Viagra from an online pharmacy in the Pacific.

    The one man puffing on a vape in his compact truck is insecure about his size. The bi and downlow guys are usually OK with his 5-incher, but some of the gays can be real size queens. He shaves his pubes to look bigger, but no one’s fooled by the trick. His manly bush was once his glory, but now his cock just looks like a plucked and boiled chicken.

    He mostly gets off by talking to strangers online, using pics of other guys’ dicks that he’s collected in his porn stash. “Hi” he says shyly as he pops up in chat with a stranger’s penis. It often works.

    A lot of the guys out here are pretty accepting. Many of them are shackled to dried-up cunts and so hard up that they appreciate a cock of any shape or size, unlike the prissy queens who look you up and down judgmentally before sneering.

    Some of these men believe God will punish gays in the fires of hell, but in the meantime, they’ll mete our their own punishment by fucking them in their hot holes.

    One of those men got his first girlfriend pregnant — twice — and they quietly aborted both times. Quietly, because he’s always been staunchly opposed to abortion. Just this week, he posted a rant on social media about the millions of babies lost since Roe v. Wade. He got dozens of likes for that one.

    “Praise God! Let’s take our country back for Jesus!”

    Recently, a friend was staying at his house. He knew his friend had some queer ideas, and he wasn’t too sure about his political affiliation.

    Finally, he got up the courage to ask his friend: “Do you believe in a woman’s right to choose?”

    “Yes I do”, his friend replied.

    “Get out of my house!” he screamed.

    His friend knew about his girlfriend’s abortions and called him a hypocrite.

    This was the witnessing moment he had been praying for.

    What his friend failed to understand, he explained to him, is that God hates abortion, but forgives those who believe in him, even when they get abortions. So, problem solved.

    And that, friends, is how you win the world for Christ.

    The guy takes his wife and children to church every Sunday, imperfect but sanctified vessel that he is. As the praise band plays, he clutches his wife with one arm while raising the other to the sky. “More power, God”, he cries out, his eyes closed and head tilted back, much like when he’s getting his cock sucked.

    Of course, power to him means a strong, Republican-led government — and money. Always money.

    When Jesus lay dying on that cross, that’s what he was thinking: “I do this so that in 2,000 years you can drive nice cars and own a custom-built house in a top school district with conservative values. This is how you will know my love for you.”

    Besides choking on a thick, veiny dick, the guy also enjoys listening to the news. “What is happening to this country?” he rages absently, as he swipes quietly through Grindr.

    He waves away his sexuality and infidelity with the juvenile logic of a Christian: It’s not really sex if it’s in the mouth; the Bible says David loved Jonathan more than women; God gave me needs, etc.

    Sometimes his wife feels like something’s “off” in their marriage, but she’s too afraid to address the issue. She doesn’t want to risk losing her 5-bedroom house and the approval of her friends, and besides, the Bible says wives must submit to their husbands.

    The guy in the BMW is a well-traveled businessman — he knows all the best spots in the country to cruise. He’s scored a couple times in that hidden restroom in the Union Station basement, and the one in 30th Street Station with that long row of open urinals is ground zero for cock worship. And then there’s nighttime in the Ramble — hoo boy. You just gotta watch out for those park cops.

    His husband thinks they’re both monogamous, and when he first started fucking around with other guys he’d take off his wedding ring out of guilt. Then he realized he could get more action with it on, especially since he can pass as straight.

    I can’t blame anyone who deals in darkness — we all do it. I’ve spent much of my life on the periphery of shadow, observing the dark proceedings, curiously, often joining in.

    The friends made in darkness can be fun — exciting, playful, unpredictable, chaotic. I’ve flirted with the low-level gremlins, adopted some of their cute tricks, and even (unwisely) let them follow me home — never, however, have I allowed them in my inner sanctum.

    Others I’ve met in darkness aren’t so kind — gruff, demanding, and crude, they try to force their way in like violent thugs. I don’t even open the door for them.

    The problem with dabbling in darkness is that it leaves my soul in disarray — messy, disorderly, and above all, distracted. Darkness can be thrilling, but it throws me off balance, saps my creative energy, numbs my passion, robs my inner fire, and disrupts my life’s work.

    I think that’s why most of us embrace darkness — it keeps us distracted from the hard, disciplined, and often boring task of attending to our souls, and more importantly, it prevents us from making active, creative choices.

    I believe each of us knows in some deep level of our soul that every choice we make has consequence — every decision contains within it the power to create or destroy — and that scares the shit out of us.

    It’s something I think about often right now, as the United States is proving itself to be a nation of infants who delight in the duplicity and chaos of darkness and despise the simplicity and purity of truth.

    Americans have zealously and self-righteously built an empire on beliefs concocted in sheer fantasy to hide the truth of our actual natures. Thinking ourselves exceptional and clever, we’ve become convinced that we can hide our deals in darkness — from each other and the universe — and somehow get away with it.

    We are an irrational, schizophrenic nation of frauds who claim innocence, and those who scream their virtue the loudest are the most consumed by darkness. We have embraced deception as the natural condition, and if we’re called out on our delusions, we point fingers and blame others like lying toddlers.

    Frightened by our own innate power, we have surrendered our souls to demons so we don’t have make one goddamn decision on our own. We love the predatory men who violently fuck us in the ass, and we keep begging them for more. Their deep thrusting destroys our interiors, but it gives us the excuse to play the role of powerless victims.

    The infantile reasoning of our souls is this: at the end of our brief journeys, when we’re forced to give account for the choices we’ve made, we can simply say: “I couldn’t do anything. They robbed me of my power.” As if God or the universe can be duped by such pissant foolishness.

    To ensure we all remain stuck in darkness, to prevent ourselves and others from making any choice of consequence, we have collectively formed anchors for ourselves, all of them illusory nonsense: wealth, status, comfort, security, acceptance.

    Better to remain closeted than to lose numbers on a screen; better to appear straight then risk the approval of people who don’t give a fuck you about you anyway.

    We surrender our minds to tribal demons so that we can shut off our brains: the tribe makes our choices for us, we glom onto their power, and we foolishly believe we can escape the consequences of our passivity.

    “Why didn’t you feed me when I was hungry? Why didn’t you give me a drink when I was thirsty?”

    “Well, the tribe said I shouldn’t, so….”

    Our tribes feed us a steady diet of fear, envy and rage through our devices: we walk around staring at them all day, entranced by their spell, our minds consumed with their chaos and bullshit.

    We cloak ourselves with our tribal affiliations to conceal our true identities — from ourselves and the world.

    “I suck cock but I’m not gay– I’m a Republican.”

    “I’m not a queer. I’m a Christian. Thank you, Jesus!”

    Don’t think for a second that each of us won’t have to answer for the decisions of our political, religious, and social alliances. Don’t be so stupid as to believe that we won’t be held accountable for handing over our souls and identities to monsters.

    The decision to surrender power is still an active choice — one of willful annihilation and destruction. And so we find ourselves in perhaps the darkest moment in earth’s history, as we actively and gleefully destroy ourselves, each other, and our shared home, with the bottle-fed zombies of the United States leading the way.

    There’s only one way out of the chaos we’ve created for ourselves: It’s time to grow the fuck up.

    We’ve all made friends in darkness, we’ve all brought them home with us. Now it’s time to man up and see them out the door. Each of us has to take responsibility for our choices, acknowledge the role we’ve played in our own destruction, and clean out our internal chambers.

    I’m not convinced there are enough people with the balls or the desire to do that — particularly in my own country. Better to be repeatedly fucked in the darkness, they reason, than to grapple with the light of truth.

    For that reason, I fully expect to witness the collapse of the United States in my lifetime. Will the entire human race follow? I wouldn’t be surprised.

    My outlook for the rest of the world is grim, but for myself, I refuse to fuck around in darkness any longer, and I will not allow my power to be suppressed, controlled or stolen by another. Have fun in the shadows.

    As night falls over the river, I walk back over the rickety, old bridge from the park. A beat-up old sedan crawls slowly beside me.

    “Do you want your dick sucked?” a voice drawls to me from inside.

    I shift my eyes to the right and see an overweight man with thinning, gray hair, his arm resting casually on the door. He looks like someone’s father.

    I say nothing, look forward, and keep walking.

    The car pulls beside me again.

    “I said, do you want your dick sucked?” he repeats slowly, in a sort of sing-song fashion.

    Fuck, he’s persistent.

    He keeps asking, 2 or 3 more times.

    I just keep walking.

  • Midway School – DeKalb County, Georgia (1956)

    Midway School – DeKalb County, Georgia (1956)

    Midway Elementary School in DeKalb County, Georgia was built in 1956 and designed by John Portman (1924-2017), a decade before he achieved fame for his soaring atrium hotels, of which Atlanta’s Hyatt Regency Hotel (1967) is the prototype.

    Midway School was the first of many school buildings Portman designed in and around Atlanta through the 1980s. Most still stand, and most are unremarkable — the casual observer would never guess they were from the same firm that produced many of Atlanta’s landmark towers. Look closely though, and you’ll find they share the same core concept.

    Born and raised in Atlanta, Portman made millions off the very Atlanta idea that instead of solving the problems of a dysfunctional city, you could just turn your back and pretend they don’t exist.

    This idea was fundamental in Portman’s development of Peachtree Center in Downtown Atlanta, consciously designed to present blank, faceless, hostile exteriors to the person on the street, while concealing dramatic, cavernous (and privately-controlled) spaces for customers inside.

    Portman replicated this concept for San Francisco’s Embarcadero Center, the Westin Bonaventure hotel in Los Angeles, Renaissance Center in Detroit, and the New York Marriott Marquis hotel — among many other large-scale projects — enjoying widespread acclaim from the late 1960s to the mid-1970s as a master of urban renewal.

    By the 1980s, however, Portman’s designs fell out of favor when it became apparent that they ultimately destroyed the life and fabric of cities. Atlanta suffered the worst — its center remains a hollow void.

    You can see the beginnings of Portman’s inward focus in his early work like Midway School. The solid brick walls at the front of the building seal off the interior from the outside world — looking in the narrow clerestory windows, you only glimpse the ceiling.

    The courtyard spanned by beams is particularly notable, as Portman would repeat this design in later projects like the Dana Fine Arts Building (1965) in nearby Decatur. There, he lined the courtyard with brick walls, effectively creating an exterior room. Two years later, the courtyard design evolved into the landmark Hyatt atrium.

  • Outer Banks Memory

    Outer Banks Memory

    Arriving in darkness was disorienting. The endless stream of bridges from the mainland to the shore was dimly lit — beneath it was an abyss.

    The evening was abnormally warm for December. This is probably the new normal, I said to myself, as I removed my outer shirt and loosened my pants.

    A steady wind blasted sand around in thick swirls, clouding my view as I rolled down the highway, rarely passing another car. If I were a fugitive, this would be a great place to hide.

    I stopped at the visitor center on Roanoake Island, praying to God there was an open restroom. If not, I’d be shitting in the bushes. One car was parked in the lot — I didn’t see anyone in it.

    I rushed into the restroom, girding myself for company. The room was brightly lit and spotlessly clean, as if it had never been used. It got used that evening.

    When I walked out, I noticed the other car was gone — our paths had intersected, but we never saw each other.

    I drove through a scattering of secluded towns — outposts, more like it — clustered with flimsy wood houses, tacky shops, and dingy seafood restaurants. Most buildings had the look of abandonment; many had “CLOSED” signs.

    Are they closed for the season, or forever? It was hard to tell.

    A sign on the road pointed to a public parking area — where? I could only see sand. I took a blind turn and was pleased to find myself in a tiny lot surrounded by large dunes.

    Cutting off the headlights, I stepped out of the car, tossed my shirt on the seat, and unzipped my pants. As I took a deep breath of the salty air, I looked around at a trillion bright stars.

    I am not a beach man. I find bodies of water dubious: slimy, polluted, full of trash, and swarming with strange creatures.

    Yet as I plodded across the dunes in my sandals, a small flashlight in hand, I felt instinctively that I had entered a sacred space. I treaded quietly and solemnly, as if entering a temple.

    I could hear nothing but the roaring waves, and at first glance, saw only the stream of moonlight shining on the water. In the distance, I spotted the bright beacon of a ship — a hostile intruder.

    The tide was low — the water was too far away for my liking, and my feet sank into the wet sand, which isn’t a sensation I prefer.

    I returned to the car and drove to the most practical stopping point for the night: where the main road turns abruptly, and a large parking area stretches out beside a lighthouse.

    The lot was deserted and swept over with streams of sand. I parked in the corner by a pair of Porta-potties and some trash cans.

    The lighthouse once stood here but was moved a little further up a few years ago, away from the encroaching water.

    One day, everything here will be swallowed by the sea, I reflected. Possibly during my lifetime.

    Accustomed as I am to the lights and noise of the city, the absolute darkness and silence were unsettling. Any crazy person could have been out there, silently watching me from behind the dunes and scrub brush, ready to attack in my most vulnerable moment. It was a risk I was willing to take.

    I took another walk across the dunes and down to the water, this time serenaded by a chorus of crickets and frogs. One lone cricket chirped much louder than the others, unceasingly.

    When I returned to the car, I leaned back in my seat, took off my clothes, and snuggled under a blanket, softly drifting in and out of consciousness.

    The revolving beacon of the lighthouse broke the darkness at regular intervals, and every time the light passed over my body, I felt a twinge of fear, as if I were a fugitive who had escaped from prison, hiding from the searching light of the guard’s tower.

    A few minutes before midnight, I heard the sound of an approaching car. I panicked — it had to be a cop.

    I watched in the mirror as a vehicle rolled slowly behind me, then parked a couple of spaces away. It wasn’t a cop.

    With the blanket pulled over my face, I peeked through the bottom of the window at a lone figure inside the car. The windows were fogged up, and I couldn’t make out details — but it had the shape of a man.

    The figure fumbled for several minutes with blurry objects, throwing things in the back seat and acting agitated. I already had the key in my hand, slid into the ignition.

    After several long minutes, the figure finally opened the door, and walked around to the back of the car, popping open the trunk. The figure was tall and slender, and while I couldn’t make out details in the dark, it appeared to be naked.

    I held my breath — I figured my best course of action was to play dead.

    I watched as the figure grabbed a lamp from the car, attached it to his head, slammed the trunk shut, and ran toward the beach. If he was wearing anything, it was an incredibly form-fitting suit.

    I pulled the blanket off my face and watched the white light of the head lamp bouncing up and down over the dunes. After an hour of wild thoughts and restless deliberation, I saw the light return.

    I pulled the blanket over my face again, carefully peeking out as the figure hopped in the car, fidgeted for a few more minutes, and left. Alone again.

    The night brought fitful sleep and strange dreams — nothing unusual there — and I was delighted to awake alert and refreshed at the first hint of daylight. The sky was muted, brushed in strokes of pink and purple.

    I put on my pants and wandered down to the water — the same loud cricket from the night before was still awake and screeching.

    In the early light, I could see that the dunes were covered in live oak, juniper, and holly — all trees familiar to me, but almost unrecognizable in their gnarled and withered appearance. I noticed the many plants: beach grass, sea oats, prickly pear cactus, marsh elder, and yucca.

    As I walked down the slope, the scene that opened before me was dramatic, expansive, and meditative: the sun had just peaked over the water, and the sky was ablaze in red and orange. Birds of every size and description surrounded me — in the sky, on the ground, nested in the sand, and roosting on the driftwood.

    I saw that the sand was coarse, dark, and colorful, richly textured with pebbles and shell fragments.

    High tide had arrived, and the water was now just a few feet from me. I stood in silence and observed the passing moment.

    I made two more stops on the beach that morning, before a brief visit to Jockey’s Ridge, the largest dunes in the Outer Banks.

    My 18-hour sojourn was spent in solitude: I never even spoke to another person. I had no life-changing moment, gained no special insights, and formed no great passion.

    It was, however, an experience — a pleasant and fleeting memory that will wash away in time.

  • Georgian Terrace Hotel Addition – Atlanta (1991)

    Georgian Terrace Hotel Addition – Atlanta (1991)

    Atlanta’s overall architectural quality is among the worst of any major U.S. city, and you will never find a harsher critic than I of its subpar built environment.

    May it never be said, though, that I do not praise the few works in the city that are actually worthy of admiration. Here’s one: the 1991 expansion of the Georgian Terrace Hotel, designed by Smallwood Reynolds Stewart Stewart & Associates of Atlanta.

    The 20-story tower was attached to the original 1911 structure — the first of dozens of luxury hotels in the eastern United States designed by W.L. Stoddart of New York, who had deep ties to Atlanta and designed several other buildings in the city, notably the Winecoff Hotel, site of the deadliest hotel fire in United States history.

    Efficient and prolific, Stoddart became a millionaire from his many projects, although his legacy is all but forgotten today. I would argue that’s because he spent the bulk of his career sacrificing his creative talent — and there is ample evidence that he had actual talent — by lazily repeating the same designs, which became increasingly flavorless and banal.

    Compare Stoddart’s Poinsett Hotel in Greenville, South Carolina; the Francis Marion Hotel in Charleston, South Carolina; or the Hotel Savannah in Savannah, Georgia — the 3 buildings are nearly identical in appearance and plan.

    Thomas Wolfe was scathingly accurate in his assessment of Stoddart’s Battery Park Hotel in Asheville, North Carolina: “It was being stamped out of the same mold, as if by some gigantic biscuit-cutter of hotels that had produced a thousand others like it all over the country.”

    Like so many hotels of the era, Atlanta’s Georgian Terrace had been long abandoned when it was renovated into luxury apartments in 1991. Smallwood’s soaring glass and steel atrium, seen here, ingeniously incorporated Stoddart’s hotel building with the modern addition.

    Considered radical at the time, the design met with local opposition (isn’t that always the case?), but in the years since, the expanded Georgian Terrace — once again a hotel — has become an integral part of Midtown Atlanta, and is something rare for the city: a beautiful and unique space that preserves history.

  • Extant Works by G.L. Norrman

    Extant Works by G.L. Norrman

    Gottfried Leonard Norrman (1848-1909) — known professionally as G.L. Norrmanwas a leading architect of Atlanta and the Southeastern United States in the late 19th and early 20th centuries, and indisputably the finest Southern designer of his era.

    Born in Voxtorp, Sweden in 1848, Norrman emigrated to the United States in 1874 and first established his practice in the Upcountry of South Carolina, starting in Greenville in 1876 before moving to Spartanburg in 1878, where he became a U.S. citizen.

    In May 1881, Norrman moved his business to Atlanta, practicing there for the remainder of his life. A prominent and controversial fixture of the city’s social scene, Norrman shocked Atlantans and spurred national headlines when he died by suicide in November 1909 at the age of 61.

    In his 33-year career, Norrman completed over 300 buildings across 5 Southeastern states — Georgia, South Carolina, North Carolina, Florida, and Alabama — with the bulk of his work consisting of grand public structures and elegant residences in Atlanta, most of which were demolished in the 20th century. Norrman also worked extensively in small towns across the region, as well as cities like Savannah, Georgia; Jacksonville, Florida; and Charleston, South Carolina.

    Norrman closely followed the work of prominent Northern architects like H.H. Richardson; McKim, Mead & White; and Louis Sullivan, and worked in step with emerging design trends of the era, introducing the Colonial Revival and Classical Revival styles to the Southeast, as well as designing the first steel-framed building in the region, among other notable contributions.

    I was introduced to Norrman’s work as a child growing up in Americus, Georgia, where 7 of his works remain, including the landmark Windsor Hotel (1892, pictured here), which can be considered his masterwork. Seamlessly blending the Romanesque style with Moorish, Queen Anne, and Palladian elements, the Windsor is the finest example of Norrman’s skillful ability to create eclectic designs that were striking, harmonious, and awe-inspiring.

    Of the more than 400 projects designed by Norrman, at least 65 still exist in some form, all of which I have mapped and listed below.

    Extant Works by G.L. Norrman

    Projects listed by date of construction.

    1. Springwood Cemetery, designed 1876 – Greenville, South Carolina [Map]
    2. Charles Lanneau House, completed 1877 – 417 Belmont Avenue; Greenville, South Carolina [Map]
    3. William T. Wilkins House (attributed), completed 1878 – 105 Mills Avenue; Greenville, South Carolina [Map] [Related Videos: An inside look at the Wilkins House, Tour historic mansion in its new spot]
    4. Block of 2 storerooms (attributed, altered), completed 1879 – 101 East Main Street; Spartanburg, South Carolina [Map]
    5. Newberry Hotel, completed 1880 – 1200 Main Street; Newberry, South Carolina [Map]
    6. City Hall and Opera House, completed 1882 – 1201 McKibben Street; Newberry, South Carolina [Map] [Related Video: O is for Opera House]
    7. Stone Hall, completed 1882 – Morris Brown College; Atlanta University Center [Map]
    8. Edward C. Peters House, “Ivy Hall”, completed 1883 – 179 Ponce de Leon Avenue NE; Midtown, Atlanta [Map] [Video: Visit Ivy Hall with Paula Wallace]
    9. Joel Chandler Harris House, “The Wren’s Nest” (attributed, with George P. Humphries as primary architect), completed 1883 – 1050 Ralph David Abernathy Boulevard SW; West End, Atlanta [Map]
    10. Christ Church, built 1886 – 305 East Central Avenue; Valdosta, Georgia [Map]
    11. All Saints Church (altered), built 1886 – 530 Greenwood Street; Barnesville, Georgia [Map]
    12. W.W. Duncan House, completed 1886 – 300 Howard Street; Spartanburg, South Carolina [Map]
    13. George A. Noble House, completed 1887 – 1025 Fairmont Avenue; Anniston, Alabama [Map]
    14. Printup Hotel (altered), completed 1888 – 135 North 4th Street; Gadsden, Alabama [Map]
    15. Armstrong Hotel, ground floor facade (altered), building completed 1888 and demolished 1932, ground floor facade incorporated into replacement building – 90 East 2nd Avenue; Rome, Georgia [Map]
    16. Samuel McGowan House, completed 1889 – 211 North Main Street; Abbeville, South Carolina [Map]
    17. Ervin Maxwell House, “Fort View”, completed 1889 – 134 McDonald Street SW; Marietta, Georgia [Map]
    18. T. W. Latham House, completed 1889 – 804 Edgewood Avenue NE; Inman Park, Atlanta [Map]
    19. Atlanta and Edgewood Street Railroad Shed (attributed), completed 1889 – 963 Edgewood Avenue NE; Inman Park, Atlanta [Map]
    20. Commercial building for East Atlanta Land Company (attributed), completed 1889 – 125 Edgewood Avenue SE; Downtown, Atlanta [Map]
    21. W.L. Glessner House (attributed), completed 1890 – 1202 South Lee Street; Americus, Georgia [Map]
    22. E. A. Hawkins House, completed 1890 – 406 East Church Street; Americus, Georgia [Map]
    23. Home for East Atlanta Land Company, completed 1890 – 897 Edgewood Avenue NE; Inman Park, Atlanta [Map]
    24. Home for East Atlanta Land Company, completed 1890 – 882 Euclid Avenue NE; Inman Park, Atlanta [Map]
    25. M. B. Council House (attributed), completed 1891 – 602 Rees Park; Americus, Georgia [Map]
    26. City Hall and Fire Station, completed 1891 – 109 North Lee Street; Americus, Georgia [Map]
    27. Standard Wagon Company Building (attributed), completed 1891 – 58 Walton Street NW, Fairlie-Poplar, Atlanta [Map]
    28. Henry Street School, completed 1892 – 115 West Henry Street; Savannah, Georgia [Map]
    29. W. P. Carrington House, completed 1892 – 2 Meeting Street; Charleston, South Carolina [Map] [Related Video: Two Meeting Street Inn]
    30. Windsor Hotel, completed 1892 – 125 West Lamar Street; Americus, Georgia [Map]
    31. College Inn (altered), completed 1892 – 2 Epworth Dorm Lane, Duke University; Durham, North Carolina [Map]
    32. Edgewood Avenue Grammar School, completed 1892 – 729 Edgewood Avenue NE; Inman Park, Atlanta [Map]
    33. Gatewood House expansion and renovation (attributed), original house built circa 1850, renovation completed 1892 – 128 Georgia Highway 49 North; Americus, Georgia [Map]
    34. John T. Taylor House (attributed), completed 1892 – 603 South Lee Street; Americus, Georgia [Map]
    35. George W. Williams House, Jr. expansion and renovation (attributed), original house built circa 1770, renovation completed 1892 – 15 Meeting Street; Charleston, South Carolina [Map]
    36. Fannie Lou Cozart House renovation, original house built circa 1825, renovation completed 1893 – 211 East Court Street, Washington, Georgia [Map]
    37. J.C. Simonds House, renovation and expansion of home originally built in 1856, completed 1893 – 29 East Battery Street; Charleston, South Carolina [Map] [Related Video: 29 E Battery Porcher-Simons house Charleston]
    38. R.O. Barksdale House, completed 1893 – 33 Lexington Avenue; Washington, Georgia [Map]
    39. C. D. Hurt House (attributed), completed 1893 – 36 Delta Place; Inman Park, Atlanta [Map]
    40. Sixteenth Street School, completed 1893 – 1532 3rd Avenue; Columbus, Georgia [Map]
    41. W.B. Chisolm House expansion and renovation (attributed), original house built circa 1816, renovation circa 1893 – 68 Meeting Street; Charleston, South Carolina [Map]
    42. T.P. Ivy House, completed 1895 – 785 Piedmont Avenue NE; Midtown, Atlanta [Map]
    43. Citizens Bank, completed 1895 – 15 Drayton Street; Savannah, Georgia [Map]
    44. Milton Dargan House, completed 1896 – 767 Piedmont Avenue NE; Midtown, Atlanta [Map]
    45. Wellhouse and Son Building, completed 1896 – 263 Decatur Street SE; Downtown, Atlanta [Map]
    46. W.L. Reynolds House, completed 1897 – 761 Piedmont Avenue NE; Midtown, Atlanta [Map]
    47. Cleveland Law Range (attributed), completed 1899 – 175 Magnolia Street; Spartanburg, South Carolina [Map]
    48. Anderson Memorial Methodist Episcopal Church, completed 1899 – 312 Sycamore Street; Decatur, Georgia [Map]
    49. Henry D. Stevens House, renovation and expansion of home originally built 1866, completed 1899 – 303 East Gaston Street; Savannah, Georgia [Map]
    50. Arthur B.M. Gibbes House, completed 1900 – 105 East 37th Street; Savannah, Georgia [Map]
    51. 38th Street School, completed 1901 – 315 West 38th Street; Savannah, Georgia [Map]
    52. Candler Hall, completed 1902 – University of Georgia; Athens, Georgia [Map]
    53. Denmark Hall, completed 1902 – University of Georgia; Athens, Georgia [Map]
    54. Bisbee Building, completed 1902 – 57 West Bay Street; Jacksonville, Florida [Map]
    55. Eureka Hotel, completed 1902–03 – 104 East Pickens Street; Abbeville, South Carolina [Map] [Related Video: Belmont Inn]
    56. Lawrence McNeil House, completed 1903 – 513 Whitaker Street; Savannah, Georgia [Map] [Related Video: Savannah, GA, Colonial Mansion Tour]
    57. C.W. Dupre House (attributed), completed 1904 – 393 Cherokee Street NE; Marietta, Georgia [Map]
    58. First Baptist Church, completed 1905-16 – 305 South Perry Street; Montgomery, Alabama [Map]
    59. Barnard Street School, completed 1906 – 212 West Taylor Street; Savannah, Georgia [Map]
    60. Edward W. McCerren Apartment House, completed 1907 – 223 Ponce De Leon Avenue NE; Midtown, Atlanta [Map]
    61. Piedmont Driving Club renovation and expansion (altered), originally designed by Norrman in 1887, built from home constructed in 1868; partially destroyed by fire on January 11, 1906; rebuilt and expanded to Norrman’s design from 1906-07 – 1215 Piedmont Avenue NE, Atlanta [Map]
    62. Palmer Apartments, completed 1908 – 81 Peachtree Place NE; Midtown, Atlanta [Map]
    63. E.S. Ehney House, completed 1908 – 223 15th Street NE; Ansley Park, Atlanta [Map]
    64. Ella B. Wofford House, completed 1909 – 571 East Main Street; Spartanburg, South Carolina [Map]
    65. Central Methodist Church, transepts and renovation, completed 1910 by Hentz & Reid – 233 North Church Street; Spartanburg, South Carolina [Map]

  • Guild House – Philadelphia (1963)

    Guild House – Philadelphia (1963)

    If you want to see bad architecture, go to Atlanta; if you want to see good architecture, go to New York. If you want to see interesting architecture, visit Philly.

    Philadelphia has a long history of architects whose work is weird and idiosyncratic — the kind of projects that make you cock your head and go “huh”. Designers like Frank Furness, Wilson Eyre, Jr., Malcolm Wells, and — most famously — Louis Kahn, all developed approaches to architecture that were brash, distinctive, and groundbreaking.

    Not to be overlooked is the husband-and-wife architectural team of Robert Venturi and Denise Scott Brown, whose Philadelphia-based firm pioneered what is now known as postmodern architecture.

    Pictured here is Guild House in Philadelphia’s Poplar neighborhood, which I visited in June. Completed in 1963, it’s Robert Venturi’s most important early work, designed with 91 apartments for low-income senior citizens.

    As the duo shared in their seminal 1966 manifesto Complexity and Contradiction in Architecture, Guild House was consciously modeled, in part, on the vernacular architecture of Philadelphia’s ubiquitous rowhouses.

    At first glance, the building’s appearance is unremarkable — and that’s entirely the point. The flat facade covered in common brick blends seamlessly with the banal industrial buildings that surround the facility.

    On closer observation, however, the structure’s bold massing and irregularly sized square windows form a provocative composition. The central opening with 8 partitioned balconies topped by a giant arched window resembles something like a giant shelf for knick-knacks — striking, yet oddly familiar and cozy.

    The project was a conscious celebration of the commonplace, meticulously planned using plain, low-cost materials, right down to the chain-link fence that surrounds the building.

    At the roots of the postmodern ethos was the egalitarian belief that art and architecture belonged to ordinary people, not just a self-anointed elite. Ironically — and inevitably — the movement was co-opted and corrupted by starchitects and corporate designers until it was thoroughly dismantled and destroyed.

    Alas, this is the world we have created.

  • The Underworld

    The Underworld

    My heart goes out to those I met in the underworld
    Those passing friends I connected with in darkness.
    Some would call them demons,
    But I call them brothers–
    For indeed, we are all made of the same dust.
    The desires of their souls are much like mine;
    We breathe the same air;
    We share the same insecurities;
    Our feelings are fleeting and tender.
    How easy it once was for me to write them off as aberrations,
    Perverted distortions of a lower plane.
    That, of course, was my arrogance,
    My own dark illusion of separation.
    Now I see them as beautiful,
    Despite the crudeness of their words and swagger.
    They took me in their arms and I died inside them–
    As their swords pierced the cracks of my armor
    The deep of my soul was purged and purified;
    My body convulsed as I sighed in sweet release.
    In the moments that followed I awoke a new man,
    And in truth, I looked back in sadness as I walked away.
    In some strange manner, their fraternity was comforting to me,
    Their admiration and acceptance was–
    Dare I say it?
    The embodiment of love and grace.
    As always, I began convinced I was sent to guide them–
    Now I recognize the lesson was for me.
    Mine was the soul in need of remediation,
    And I cherish the whole frenetic mess.
    My prayer is for grace to cover each of them–
    Those beautiful souls still dancing in the shadows.
    One day, I hope, we’ll see each other again,
    Embracing each other in light.