From the Notebook

  • “All the Girls Give ‘Em Up” (1898)

    The Background

    The following article was published in The Looking Glass on January 22, 1898, and provides what it describes as “an appalling list of openly avowed Atlanta bachelors” at the time, including G.L. Norrman (1848-1909).

    The Looking Glass was a short-lived but notorious tabloid newspaper published weekly in Atlanta from 1895 to 1898, and it’s safe to say that pretty much everyone in the city read it, even if they’d never admit to it.

    Chock-full of photographs, oversized illustrations, and comic sketches, The Looking Glass was a visual feast compared to the drab pages of The Atlanta Constution and The Atlanta Journal, but what made made the publication so sensational was that it regularly dished on the lurid exploits of what it referred to as “Atlanta’s 400” — a sarcastic swipe at the city’s wealthiest citizens, inspired by the Four Hundred of New York.

    The members of Atlanta society who were regularly fawned over in the pages of the Constitution and the Journal were mercilessly mocked in The Looking Glass, with irresistible blind items that laid bare their infidelity, divorces, drug and alcohol addictions, and bankruptcies — among other social embarrassments.

    Absolutely no one who was anyone in Atlanta was spared byThe Looking Glass, which scandalously pushed against every conceivable social taboo of the time — it even had an illustration of a nude woman on its banner.

    A few random excerpts will give you an idea of why the newspaper was so popular:

    “The interesting rumor that a naked man was in the habit of parading the neighborhood of Grant Park has caused great excitement in the vicinity…”1

    “There is a certain high building in Atlanta, the roof of which furnishes an excellent coigne of vantage from which to survey the surrounding country. It is reached–the roof, I mean–by a ladder like flight of stairs leading up from a loft, and it is quite a common thing for lady visitors to repair thither to enjoy the superb view. The offices on the several floors of the building contain a good many young men who are no better than young men usually are, and some of them lately made the discovery that the fair visitors, ascending and descending, like the angels in Jacob’s dream, formed a series of living pictures quite eclipsing anything ever seen on the stage. One of the discoverers owns a hand camera, and with the aid of this instrument he has perpetuated the delectable vision in a number of different views”2

    “One of the numerous divorce cases which will be heard at the ensuing term of the Superior Court will in all probability develop a little story which contains about as many elements of the dramatic as are usually to be found in a single passage of every-day life… Some time ago the husband began to suspect (or so he claims) that his wife was taking more interest than she should in a certain friend of the family who was a frequent visitor at the domestic hearth… he proceeded to lay a trap for his friend and his spouse…”3

    “That there is a prejudice against bloomers is not to be denied, but The Looking Glass begs to doubt whether it is a puritanical prejudice. The objection is not ethical it is aesthetic. Bloomers are unpopular and generally reviled, not because they are immoral, but because they are ugly. They are a clumsy and ineffectual compromise between the graceful, comfortable and artistic knickerbockers and the flapping skirt, and alike all compromises, reproduce the bad points of both extremes, without their redeeming qualities.

    “A woman may be as shapely as Venus and as graceful as a fawn, but nothing will prevent her from looking like a guy the moment she thrusts her legs into a pair of meal sacks. A very loose nether garment, gathered in at the ankles, and superabundantly wide at the hips, is inherently grotesque, and neither youth nor beauty can save it from provoking a smile.”4

    That’s right, your ancestors were whores and perverts, too.

    Illustration from The Looking Glass5

    Needless to say, the tone of the following article is quite tongue-in-cheek, and the pseudonymous writer, a.k.a. “The Spinster”, writes about the Atlanta “men who have long been given up as hopeless by even the most persistent of the managing mammas.”

    Many of the “confirmed bachelors” listed here are also named in a somewhat similar article published in the Constitution two years earlier (see Atlanta’s Attractive Prizes for Leap Year Girls), and I suspect the writer of each was the same.

    But of course, The Looking Glass was much more provocative, and this article may have been at least a partial outing of some of the city’s closeted gay men at the time — God knows Atlanta is still full of them.

    Certainly, some of the phrasing here appears to be euphemistic: Jim Nutting is described as the most “impregnable man in bachelordom”, Hugh Boyd Adams is compared to an “old maid”, and Oscar Brown is said to be “one of the most incorrigible of the entire lot”.

    As always, history provokes more questions than it provides answers.

    Illustration from The Looking Glass6

    ALL THE GIRLS GIVE ‘EM UP.

    Atlanta’s Brigade of Confirmed Bachelors, Young and Old.

    Men Who Are Useful in Society, but Who Have Long Since Ceased to Be an Object of Solicitude on the Part of Designing Mammas–An Interesting Roster.

    I have noticed that the LOOKING GLASS has from time to time commented on the scarcity of marriages in Atlanta society and has suggested several reasons why this state of affairs exists. Chief among then, if I remember correctly, was the assertion that a majority of our young men look askance at matrimony because they are too poor to properly maintain a wife.

    So far as this theory goes it is correct, but it does not entirely cover the ground. I have studied the situation carefully and have come to the conclusion that the idea of matrimony, aside from the necessary additional expense which it entails, is becoming more and more distasteful to society men. Each year the free-to-come-and-go life of the clubs absorbs more and more of our really eligible bachelors, and they are irreclaimably lost so far as the girls and their mammas are concerned.

    One has only to look at the appalling list of openly avowed Atlanta bachelors–men who have long been given up as hopeless by even the most persistent of the managing mammas–to realize that I am right. Many of these men are entirely eligible, so far as money, good looks and intellect are concerned, but they are regarded as absolutely incorrigible. They dance attendance on the debutantes of each succeeding season, go to all the different functions and eat the dinners of anxious mammas–but they don’t marry. Neither does anyone expect them to marry; they have been in the swim for years and occupy a distinct place which they have made for themselves. However, such men are extremely useful members of society; they can always be depended upon to accept an invitation or keep an engagement, and they invariably put themselves out to make the debutantes have a good time.

    Sam Hall was a typical specimen of the class of which I am speaking. He was seen everywhere, knew every one worth knowing, was an undoubted authority on matters of social import, and led a cotillion gracefully. But who ever seriously thought Sam would marry?

    Another confirmed bachelor who has departed from our midst, and who has seen the alternate hope and despair of scores of girls, is Tom Paine. For a number of years he was regarded more or less seriously, and if half I hear is true, he had some very narrow escapes. But he was eventually given up as an irreclaimable, and all hopes of leading him to the altar were abandoned.

    At present Jim Nutting enjoys the distinction of being the most impregnable man in bachelordom. Jim has been in society since the time when man’s memory runneth not to the contrary. He has seen scores of his old flames led to the alter, and even assisted in the capacity of best man; on many of these occasions he has stood godfather to countless infants, but if he ever allowed the idea of matrimony to cross his mind, he dismissed it immediately.

    Bob Shedden has caused many a heart to beat high in anticipation of the momentous question, but the question was like the letter in the popular ballad–it never came.

    Hugh Boyd Adams is another man who has taken the veil, and who would not exchange his home at the club for any consideration. He is as punctilious about his social obligations as an old maid, but if you suggested matrimony to him he would stamped like an untamed broncho at the approach of an express-train.

    Godfrey L. Norrman is thoroughly wedded to his books and his artistic pursuits, and never gives marriage a second thought–at least, so he says.

    Daniel Rountree has all but dropped out of society, and is applying himself to his profession to the exclusion of all other matters. He is young, rich and good-looking, but he is apt to die in single blessedness.

    George Stearns is still young, but he is fast falling in line with the other confirmed bachelors and it is pretty safe to say that he will never marry.

    Gordon Kiser is one of the few ideal society men we have left. He has made society a study, and devotes a good deal of time to it, but he is generally regarded as not at all likely to exchange his present contented existence for one beset with doubts and fears. The girls have counted him out of the running.

    There was a time when John Ryan was the subject of a good deal of solicitation among enterprising mothers, but they have long since given up trying to hook him and have turned their attention to other directions.

    Lieutenant Oscar Brown is an enthusiastic clubman and popular diner-out, but he is also one of the most incorrigible of the entire lot.

    Our other confirmed bachelors might be catalogued thus: Harry English, Frank Orme, Charley Ryan, Robert Ryan, John J. Eagan, Fred J. Paxon, Lucius McClesky, Will Black, Peter Grant, Jack Slaton, Isham Daniel, Jim McKeldin, Reuben Hayden, Walter Kirkpatrick and Henderson Hallman.

    The Spinster.7

    References

    1. The Looking Glass (Atlanta), May 15, 1897, p. 9. ↩︎
    2. The Looking Glass (Atlanta), July 8, 1895, p. 9. ↩︎
    3. The Looking Glass (Atlanta), January 30, 1897, p. 8. ↩︎
    4. The Looking Glass (Atlanta), June 29, 1895. ↩︎
    5. The Looking Glass (Atlanta), February 27, 1897, p. 1. ↩︎
    6. “The Bicycle Craze Among Atlanta’s 400.” The Looking Glass (Atlanta), July 13, 1895. ↩︎
    7. “All the Girls Give ‘Em Up”. The Looking Glass (Atlanta), January 22, 1898, pp. 2-3. ↩︎

  • Robert Wilson Patterson Residence (1903) – Washington, D.C.

    Stanford White of McKim, Mead & White. Robert Wilson Patterson Residence (1903). Washington, D.C.

    The only thing that makes this home’s exterior truly interesting is its unique butterfly shape, designed to conform to its site overlooking Washington D.C.’s Dupont Circle.

    Otherwise, it’s fairly standard for Stanford White’s later work, with an overwrought mishmash of Renaissance-inspired details that appears fitful and fussy, akin to the cluttered walls of an old art gallery. However, the marble and limestone construction is quite exquisite on close observation.

    White claimed the design had a “light and rather joyous character”.1 I’m not sure about joyous, but I can go along with light, as the abundance of windows in the structure gives it an airy feel, particularly when the sun hits all five sides of the facade.

    Ornamentation on the Robert Wilson Patterson Residence

    The home was built at the same time as White’s partner, Charles McKim, was designing the nearby East Wing of the White House, which…is no longer with us.

    The Patterson Mansion is currently occupied by short-term rental units, and I hope to stay in one at some point in the future — preferably when D.C. is no longer occupied by madness. God knows when that may be.

    Third-floor balcony on the Robert Wilson Patterson Residence

    References

    1. White, Samuel G. The Houses of McKim, Mead & White. New York: Rizzoli International Publications, Inc. (1998), p. 212. ↩︎
  • “Atlanta’s Attractive Prizes for Leap Year Girls” (1896)

    From left to right: Peter Grant, Jim Nutting, Oscar Brown, Lucius McCleskey

    The Background

    The following article, published in The Atlanta Constitution in 1896, named the city’s well-known “eligible bachelors” of the time — all white, of course — with accompanying illustrations.

    The article’s conceit is based on an old Irish tradition called “Bachelor’s Day,” where women were allowed to propose to men on February 29, which typically occurs every 4 years.

    As the article points out, however, the leap year was skipped in 1900, so the next opportunity would have been 8 years later, in 1904.

    From left to right: Reuben Arnold, J.W. English, Jr., Fulton Coville, John M. Slaton

    “The Atlanta maiden with half an eye for a good thing is reveling in the prospect,” the writer says of young ladies proposing to men — albeit in jest.

    While restrictive attitudes toward women began loosening in the 1890s, it would have been considered highly improper — and was likely unheard of — for a woman to initiate a romance or marriage, particularly in the patriarchal stronghold of the Deep South.

    “The idea of such a thing,” one woman shrieked to the reporter. “A woman never can make any advances to a man. I expect to be just as reserved as ever this year.”

    From left to right: Isham Daniel, Thomas C. Erwin, Thos. B. Paine

    You have to wonder how many of the men named here were closeted homosexuals, or which ones were frequent visitors to Atlanta’s red-light district. I could certainly hazard some guesses based on the pictures.

    It’s also a little odd to see G.L. Norrman included in the list of eligible “young men”: he was 48 at the time and looked every day of it. Sorry, Godfrey.

    From left to right: G.L. Norrman, Will H. Black, R.F. Shedden, A.E. Calhoun

    This article is an odd, antiquated snapshot of an era whose traditions and values are so far removed from the current age that it’s almost baffling.

    The writer (also a woman) frequently describes Atlanta’s “blushing bachelors” as “gallant” and “chivalrous”, and asks if a man is “obligated by chivalry to accept the offer of the first enamored maiden who throws herself at his feet?”

    Her parting thought is that “…there are acres of younger men whose thoughts are just ripe for lovemaking.”

    …It didn’t mean the same thing back then.


    Atlanta’s Attractive Prizes for Leap Year Girls.

    Splendid Gallery of Local Bachelors Who are the Legitimate Prey of Our Fair Maidens Who Feel Disposed to Take Advantage of the Year 1896.

    Our blushing bachelors are in a state of modest agitation.

    The timid ones are keeping themselves close, and the more coquettish and kittenish ones are giving themselves bewitching airs. They suspect the intentions of every pretty girl they meet and not wishing to inflict the pain of refusal not a few of them have had to discourage fair maiden suitors who have shown a decided preference for them.

    How can they refuse the dear girls? Does leap year give man woman’s privilege of declining, or is he obligated by chivalry to accept the offer of the first enamored maiden who throws herself at his feet?

    These unsettled questions are worrying our Atlanta bachelors and are responsible for much unhappiness among them.

    For instance, Jack Slaton, one of the most charming of our local eligible, is in sore perturbation. Being a candidate, how can he refuse the young women? True, women cannot vote, but their influence upon those who do exercise the right of suffrage in this country is not inconsiderable.

    Neither is Andy Calhoun enjoying his usual quiet.

    “How can a fellow tell a girl that he loves another?” said he. “I wish next year was leap year.”

    These gentlemen represent two sample instances of the feeling of unrest among our bachelors. Others are no less disturbed. Conscious of their charms they cannot see how it is possible for them to survive through the year and retain their gallantry. If they would be so fortunate–or unfortunate–as to pull through the year, they would enter upon the coming twelve months with reputations greatly impaired, and they would be cut and tabooed on every side.

    The Atlanta maiden with half an eye for a good thing is reveling in the prospect. A fine field is before her. Eligibles of every kind and description are at hand. The bald-headed bachelor who has weathered many seasons and passed through more than one leap year unscathed, and who has never yet been melted into tenderness is plentiful. The younger eligible with less experience but not less invulnerability to women’s charms, but who are not without those engaging charms that make a man valuable in a woman’s eyes is also numerous in this city. Then the younger and fresher ones–the social yearlings–with neither experience nor power of resistance, impressionable youths with an eye for beauty and heart for love–there are armies of these–each waiting for some capturing maiden to come and bear him away. The spectacle must fairly dazzle the eyes of our Atlanta girls. Whole acres of young men, legitimate and desirable prey for pleading and matrimonially inclined young women–what a picture to delight the fancy!

    The field is too full of eligibles. Too many of our young men stand as monuments to the philosophy that it is better to live alone than risk the heart in the chances of a modern love affair.

    Just a glance at the list:

    Fulton Coville, who is bravely and gallantly facing the leap year possibilities.

    Judge John Berry, who, too chivalrous to reject a lady, has gone to Florida to escape offers, until his court will convene and occupy all his time.

    Jim McKeldin, who never having been refused and never having refused, does not know how to say “no,” and belongs to the first comer.

    Isham Daniel, who waits for leap year as a poet waits for spring, in the faith that it will some day bring him a prize.

    Thomas B. Paine, who would as leave be captured leap year as any other time.

    Andy Calhoun, who is in mortal fear that he will have to say “no” before the month of roses comes and sets him free. He is seriously thinking of putting an explanatory badge on himself to save himself and the young ladies’ embarrassment.

    Will Black, who sees no reason why a young woman shouldn’t tell a man so if she loves him.

    Hugh McKeldin, who, too modest to press his own claims upon the fairer portion of humanity, fondly hopes that the year will not pass without throwing some appreciative angel in his pathway.

    James W. English, Jr., who is such a strong admirer of the other sex that he deems himself fortunate when they smile upon him–leap year or at any other time.

    R.F. Shedden, who would like to know how the young woman would put the question.

    Hugh Adams, whose popularity during ordinary years is so great as to make him the center of attack during the leap year.

    Jim Nutting, who has such a general admiration and regard for the sex that he would gladly accept the first claimant.

    Peter Grant, who will either learn to say “no” or be captured early in the year.

    G.L. Norrman, who would refuse a lady nothing–not even his hand.

    Lieutenant Oscar Brown, who was fighting Indians all through last leap year and is immensely pleased at the thought of what this year may bring him.

    And a host of others. There are Lucius McClesky, Percy Adams, Alex Hull, Victor Smith, Preston Arkwright, Jack Slaton, Charles E. Harmon, Thomas C. Erwin, Frank Orme, Howell Peeples and an innumerable company of other attractive young men.

    There’s a romance in every name. Each separate man is waiting for the right woman. They are not cynics and they are not certain but that leap year will settle the question for them. Some of them are rather inclined to encourage the leap year girl. Others are less courageous. They are afraid to risk themselves in the hands of a pleading woman.

    There can be no prophesying as to the result of the year among our young men and young maidens. Early in the year–before the year begun, in fact–some of the young men put out the report that they were engaged. They industriously caused this rumor to gain circulation, hoping thereby to shut off the applicants for their hands. But the reports have been exploded and the young men stand convicted of base deception, deception in a cause in which there should be nothing but open and frank dealing. The young women have sworn to make the year a bitter one for these young men. The young women know they guilty offenders and they will make the suffer. The men may wreak a deadly vengeance themselves, however, by accepting some lovely suitor and insisting upon carrying the engagement to its culmination.

    But on the whole the young men are not averse to leap-year love making. Be it said to their credit, they keenly enjoy the outlook. Most of them have rather put themselves in the way than out of the way of love making. If the young women want to propose they cannot complain that the young men have given them no opportunity. Nearly all of the young men have kept up their calls with the old regularity.

    Jim McKeldin says the signs are propitious for a good year for the bachelors.

    “I will not furnish any picture for publication,” he stated to The Constitution last week when called on, “because I do not wish it to gain too wide a circulation during leap year.”

    The shrewd young women of two states are vieing [sic] with each other in their efforts to capture him. Tennessee and Georgia both want him and he says it’s a toss up between the two states as to chances at present.

    Victor Smith is modest. He believes that all things–even proposals–come to him who waits, and while he has not been waiting as long as many of our eligible gentlemen, he hopes that the year will not be entirely unfruitful in a matrimonial way.

    Then, there’s Mr. Harman–Charley Harman–whom the ladies all admire. He escaped the past two leap years through some miracle of misfortune which he alone can explain. The young ladies will not let him pass through this without severe trials. They are organized against him and the married ladies unwilling to see such a charming fellow in single harness, are in league with the younger ones. A steady and well-organized siege is to be laid to the heart of the able railroader and good fellow, and there’s not a doubt that he will surrender before the year ends.

    And Tom Erwin–best of good fellows. Atlanta young women are too sensible to allow him to escape. If he is too busy running a bank to propose himself during the years that the privilege belongs exclusively to the men, the young ladies will not allow him to evade this year. He’s a marked man among the young ladies. It’s a question which one reaches him first and makes the strongest plea.

    “Jim English is lovely,” exclaimed one of Atlanta’s fairest belles last week. “He’s such a good business man above all men. If I make any proposal this year it’ll be to him.”

    And so I might go on ad infinitum. There are many that I have not mentioned but who the young ladies have their eyes on. They will not escape and only a lack of space prevents their mention here.

    There is quite an array of young men. There are Joe Brown, Otis Smith, George Parrott, Mays Ball, Roger Elliott, Ulrich Atkinson, Harry Stearnes, Will Kiser, Quill Orme, ‘Gene Black, Alf Prescott, Walter Kilpatrick, Dr. Roy and many, many more. These young men, too, are legitimate prey for the leap year girls, and it is safe to prophesy that not a few of them will fall victims to the witchery of some maiden.

    And the young women–what do they think about it.

    The fairer portion of Atlanta has never yet settled the question whether it is quite the proper thing for them to propose. They say it is tradition, nothing more.

    “I don’t suppose any nice girl even proposed to a man,” said one of Atlanta’s fairest maidens the other day. “The idea of such a thing. A woman never can make any advances to a man. I expect to be just as reserved as ever this year.”

    And this idea seems all to prevalent. If the women will not exercise their privileges they have only themselves to blame. It is their right to make love to the men this year and the men, like Barkis, are willing. It is the woman’s fault if there is no lovemaking.

    To the backward ones I would suggest that this opportunity will not occur again in eight years. The closing of the century cuts the dear girls out of one leap year, and it will be eight long summers before another chance will come to the women to make love to the men. So the young women had best look to their opportunities and improve them.’

    A survey of the field here in Atlanta will show at a casual glance that the fair maidens have plenty of excellent timber to choose from. There is a fine army of eligible bachelors, pining and aching for the love and sympathy of some tender soul, and there are acres of younger men whose thoughts are just ripe for lovemaking.1

    References

    1. “Atlanta’s Attractive Prizes for Leap Year Girls”. The Atlanta Constitution, March 8, 1896, p. 4. ↩︎

  • Butts County Courthouse (1898) – Jackson, Georgia

    Bruce & Morgan. Butts County Courthouse (1898). Jackson, Georgia.1 2 3
    East elevation of Butts County Courthouse
    Northeast corner of Butts County Courthouse

    References

    1. “Notice to Contractors.” The Atlanta Constitution, June 8, 1897, p. 11. ↩︎
    2. “Butts’ New Courthouse.” The Atlanta Constitution, September 14, 1897, p. 5. ↩︎
    3. 1898 Historic Courthouse – Butts County, Georgia | Georgia’s Outdoor Capital ↩︎
  • The Game

    The applause still lingered as I ran off stage and bolted down a rear corridor alone.

    My escape was momentarily halted by the back door, which had the most baffling handle I’d ever seen.

    Suddenly, an old acquaintance appeared behind me. “Oh, good,” I said. “Help a brother here. You gays always know the way out.”

    “Try this,” he said as he leaned over my shoulder and placed his hand on mine. We pushed the handle together at just the right spot, then staggered out onto the patio.

    “You were great today,” he said, settling down on a retaining wall while I paced absently.

    “Thanks, man.”

    “You look good and smell nice, too,” he said with a sly grin.

    “Heh, thanks,” I said with a light chuckle. “Not interested, though.”

    “Don’t knock me for trying,” he gently protested.

    “Nah, I respect the game,” I shot back.

    He lit up a cigarette and started smoking, and I sidled up beside him.

    “Mind if I share?” I asked. I don’t even smoke.

    He handed me the cigarette without a word while blowing into the air.

    It felt nice to just relax together.

  • Tower Place (1975) – Atlanta

    Stevens & Wilkinson. Tower Place (1975). Buckhead, Atlanta.1 2
    Northeast corner of Tower Place
    Looking at Tower Place from the northwest

    References

    1. Stevens, Preston. Building a Firm: The Story of Stevens & Wilkinson Architects, Engineers, Planners Inc., Atlanta (1979). ↩︎
    2. Rogers, DeWitt. “Complex Nearing Completion”. The Atlanta Constitution, September 9, 1975, p. 5-D. ↩︎

  • Carnegie Pavilion (1997) – Atlanta

    Henri Jova of Jova Busby Daniels. Carnegie Pavilion (1997). Hardy Ivy Park, Atlanta.1

    Atlanta is typically willy-nilly when it comes to the persistent destruction of its own history, but occasionally, some brave preservationists can snatch a few scraps from the rubble for posterity.

    Such was the case in 1977, when the city’s Carnegie Library, built in 1902, was demolished for the Central Library. However, a local architect, A. Burnham Cooper, convinced the city to save the building’s marble facade, carefully dismantling and numbering the pieces before they were dumped at the Old Atlanta Prison Farm.2

    Ackerman & Ross with J.H. Dinwiddie and Bleckley & Tyler.3 4 5 Carnegie Library (1902, demolished 1977). Atlanta. Illustration from an undated postcard published by the Albertype Co.

    In the lead-up to the 1996 Olympics, when Atlanta was desperately trying to sell itself as a city with a legitimate cultural legacy — failing quite spectacularly, I might add — the idea was hatched to dust off the old library columns to form a centerpiece for Downtown’s new Hardy Ivy Park.6

    South elevation of Carnegie Pavilion

    Tapped for the project was Henri Jova, one of Atlanta’s better 20th-century architects, who designed this fine Postmodern structure from the 8 bays of the historic building’s Beaux-Arts facade.

    The project wasn’t completed in time for the Olympics,7 but instead debuted the following spring,8 and today it stands as one of the few distinctive public monuments in the city.

    East elevation ofCarnegie Pavilion
    North elevation of Carnegie Pavilion
    West elevation of Carnegie Pavilion
    South elevation of Carnegie Pavilion
    Frieze on the south elevation of Carnegie Pavilion
    Frieze on the west elevation of Carnegie Pavilion
    Floor of Carnegie Pavilion

    References

    1. “Carnegie Pavilion dedicated”. The Atlanta Journal, April 10, 1997, p. B6. ↩︎
    2. Fox, Catherine. “Building on History”. The Atlanta Journal-Constitution, January 26, 1996, p. E1. ↩︎
    3. “Carnegie Library Commission Awarded To Ackerman & Ross”. The Atlanta Constitution, December 23, 1899, p. 1. ↩︎
    4. “Will Begin Work Next Week”. The Atlanta Constitution, May 8, 1900, p. 12. ↩︎
    5. “Local Talent Is Secured”. The Atlanta Constitution, February 22, 1902, p. 7. ↩︎
    6. ibid. ↩︎
    7. Campbell, Colin. The Atlanta Journal-Constitution, October 3, 1996, p. B1. ↩︎
    8. “Carnegie Pavilion dedicated”. The Atlanta Journal, April 10, 1997, p. B6. ↩︎
  • Crum & Forster Building (1928) – Atlanta

    Helmle, Corbett & Harrison, with Ivey & Crook, associate architects. Crum & Forster Building (1928). Atlanta.1 2 3

    References

    1. “Insurance Firm Awards Contract For New Building”. The Atlanta Journal, September 18, 1927, p. D7. ↩︎
    2. “Beauty Marks Novel Office Structure Under Construction by Insurance Company”. The Atlanta Constitution, p. 5C. ↩︎
    3. “Many Types of New Construction Show Atlanta’s Progress”. The Atlanta Journal, July 8, 1928, p. D9. ↩︎
  • Regency Hyatt House Hotel – Atlanta (1967)

    John C. Portman of Edwards & Portman. Atrium of Regency Hyatt House Hotel (1967). Peachtree Center, Atlanta.1 2

    “The most exciting hotel on earth is open now in Atlanta,” proclaimed ads for the Regency Hyatt House (later Hyatt Regency Atlanta) in May 1967. 3

    That wasn’t an exaggeration — when it first debuted, the fantastic Space-Age design of the Hyatt’s 22-story atrium was considered groundbreaking, and brought more press attention to Atlanta than the city had received in decades.

    Seemingly overnight, the status of the hotel’s designer, John Portman (1924-2017), was elevated from that of a run-of-the-mill Atlanta architect to an internationally recognized architect, developer, and urban planner — whether that reputation was deserved is another matter.

    View of the original atrium design of the Regency Hyatt Hotel. Atlanta. Photograph from an undated postcard published by GA Scenic South Co., of Pell City, Alabama.

    As a product of Atlanta, Portman was, more than anything, a shameless self-promoter, and for years, he was widely credited as the inventor of the atrium hotel concept, which couldn’t be further from the truth.

    Atlanta’s own Kimball House Hotel, designed by L.B. Wheeler and completed in 1885, was centered around a 7-story central atrium,4 a concept G.L. Norrman replicated at a smaller scale in both the Printup Hotel in Gadsden, Alabama, and the Windsor Hotel in Americus, Georgia.

    The Windsor, incidentally, is the oldest-surviving atrium hotel in the United States, having opened two months before Denver’s Brown Palace Hotel,5 6 which was also built around an atrium.

    I’ll give Portman this much: he redefined the atrium concept for the 20th century, and the Hyatt was the first modern atrium hotel when it debuted, but that was 60 years ago — it’s not so modern now.

    Looking down at the atrium of Hyatt Regency Atlanta (altered)

    When I visited Atlanta for the first time at the age of 9, I saw the Hyatt atrium while most of its original 1960s elements were still intact. As a child, it was a revelatory experience: I was instantly obsessed with Portman’s designs and determined to someday move to Atlanta to become an architect.

    Then I grew up.

    My assessment of Portman’s work has drastically changed with age and experience: his narcissistic, inward-facing designs that shunned the urban environment have permanently maimed Downtown Atlanta, and his prioritization of spectacle and bullshit over substance and service is all too typical of the city’s hollow nature.

    Portman’s reputation in the United States diminished from the 1980s onward, and like many of the 20th-century American architects who were much-hailed in their time, his work is being rapidly — and justly — forgotten.

    Looking up at the atrium of Hyatt Regency Atlanta

    Atlanta gave lip service to Portman’s legacy in his later years, even as many of his works in the city were either demolished or gutted of their original character — the Hyatt among them. The hotel’s atrium is now a bland, sterile shell of its former self, and the uninformed visitor would never guess it was once considered revolutionary.

    Ironically, other cities have done a better job of preserving Portman’s work than his own hometown. San Francisco’s Embarcadero Center and Hyatt Regency, for instance, still retain their original flavor.

    But in Atlanta’s relentless drive to be the newest and best — and it never succeeds at either — the city’s developers compulsively destroy every shred of fabric that even hints of being old.

    Portman was among the worst offenders in that regard, so it’s only fitting that his work, too, is now being dismantled. No loss, really.

    References

    1. Portman, John C., and Barnett, Jonathan. The Architect As Developer. New York: McGraw-Hill (1976). ↩︎
    2. “Regency Opens a Showplace”. The Atlanta Journal and The Atlanta Constitution, June 25, 1967, 3-R. ↩︎
    3. Advertisement. The Atlanta Journal, May 30, 1967, p. 5-A. ↩︎
    4. “The New H.L. Kimball”. The Atlanta Constitution, May 1, 1885, p. 1. ↩︎
    5. “It Opens To-Day.” Americus Times-Recorder (Americus, Georgia), June 26, 1892, p. 1. ↩︎
    6. Historic Downtown Denver, CO Hotels | The Brown Palace ↩︎
  • All Saints’ Episcopal Church (1906) – Atlanta

    Morgan & Dillon. All Saints’ Episcopal Church. Midtown, Atlanta.1 2

    References

    1. “History of All Saints’ Parish and Church Just Complete”. The Atlanta Constitution, April 8, 1906, p. 2. ↩︎
    2. “All Saints’ Episcopal Church Will Be Formally Opened This Morning With Beautiful And Impressive Service”. The Atlanta Journal, April 8, 1906, p. S1. ↩︎