Some people would consider Daisyfleabane a weed, since it tends to pop up uninvited in unexpected places.
But I’m a big defender of many so-called weeds, including fleabane, which is a member of the aster family and a favorite of native bees and small insects. It’s tough, easy to grow, and I think its dainty white-and-yellow flowers are pretty.
It’s a better sight on the summer landscape than some tropical plant that subsists on hose water and chemicals.
Michael Graves. Ten Peachtree Place (1989). Midtown, Atlanta.12Looking at the facade of Ten Peachtree Place from the southFacade of Ten Peachtree Place, AtlantaBalcony on the facade of Ten Peachtree Place, AtlantaWindows and granite panels on Ten Peachtree Place, AtlantaLooking up at the facade of Ten Peachtree Place, AtlantaBalcony on the east elevation of Ten Peachtree Place, AtlantaEast elevation of Ten Peachtree Place, AtlantaStreet-level entrance on the north elevation of Ten Peachtree Place, AtlantaEast elevation of Ten Peachtree Place, AtlantaLooking at Ten Peachtree Place from the eastStreet-level arcade at Ten Peachtree Place, Atlanta
References
Salter, Sallye. “First Gateway tower planned”. The Atlanta Journal, January 27, 1988, p. 12A. ↩︎
“Gateway Atlanta: A Billion-Dollar Development for Midtown”. The Atlanta Journal, February 12, 1989, The Business Edition, p. 4. ↩︎
Everyone thinks Jupiter is so great, and yeah, he’s full of generosity, but he can be kinda blustery, too. He certainly makes a big deal out of things, but sometimes it’s just hot air.
Venus is pleasant, I guess, but that’s about all I can say of her—In truth, I find her a little weak.
TheSun is bright and independent, and I enjoy his company immensely. As he told me years ago, though, “We come when we like.” No use chasing after royalty.
The Moon and I are practically inseparable, although I hesitate to admit it: Up and down I go with her like the tides, passing through a different phase every night—or each hour, more like it.
Neptune is too weird and aloof for me to fathom: He’s just there, drifting along in the ether.
Mercury is my good friend: Quick, sharp, and incisive. Uranus, on the other hand, knocks me out in a single jolt, but always keeps things spicy.
Pluto is my homeboy: dark, stealthy, forever destroying and evolving. I just let him do his thing.
Mars and I are tight: I like his unique and feisty spirit, and he’s always had my back.
Saturn is the one that gets the most undeserved hate. Why so many fear him is beyond me.
He’s strict but kind, relenting but never destructive. He demands good work and wants it delivered, but he’s not a perfectionist either.
If you’re lazy, I suppose, you won’t get very far with him, but if you put in the work, he’ll revel with you in your accomplishment.
Each of them I admire in different ways, but let it be known that this man will forever be Saturn’s child.
This postcard depicts Candler Hall at the University of Georgia in Athens, designed by G.L. Norrman and completed in 1902.
The front of the card is dated October 7, 1907, and includes the note: “I room with Mary Lucy STANSELL of Conyers, a fine girl I tell you.”
Published by The McGregor Company of Athens, the card was postmarked as “Normal School” on November 11, 1907, and addressed to Miss Lennie Ware of Winder, Georgia.
Lucy wrote on the back:
‘I saw “Cousin Dick” this A.M. Also “Cousin Will.”
My dear Lennie: –
I received your card yesterday
I was more than glad to hear from you once again.
I met “Icie” this A.M. I like her so much. I am sorry I haven’t known her sooner.
Lennie, you write to me please. I wrote you aways in the summer but you have never answered it. Dear do come to see me real soon. I am crazy to see you. Write soon. With love, Lucy.’
Lucy dear, get the hint: Lennie finds you annoying. You sound needy as hell. And what exactly are you doing with that “Cousin Dick”?
Wilson Eyre, Jr. Clarence B. Moore Residence (1890, left) and Joseph Leidy Residence (1893, right). Center City, Philadelphia.123West elevation of the Clarence B. Moore Residence, PhiladelphiaWest elevation of the Clarence Moore Residence, PhiladelphiaFront porch and entrance of the Clarence B. Moore Residence, PhiladelphiaEntrance and second-floor double window on the Clarence B. Moore Residence, PhiladelphiaSecond-floor double window on the facade of the Clarence B. Moore Residence, PhiladelphiaSecond-floor window on the front circular tower of the Clarence B. Moore Residence, PhiladelphiaFront porch and entrance of the Clarence B. Moore Residence, PhiladelphiaOrnamentation on the front porch of the Clarence B. Moore Residence, PhiladelphiaRusticated limestone on the front porch of the Clarence B. Moore Residence, PhiladelphiaTerracotta ornamentation on the entrance of the Clarence B. Moore Residence, PhiladelphiaTerracotta ornamentation on the entrance of the Clarence B. Moore Residence, PhiladelphiaLion at the front steps of the Clarence B. Moore Residence, PhiladelphiaSecond-floor window on the front circular tower of the Clarence B. Moore Residence, PhiladelphiaChimney on the facade of the Clarence B. Moore Residence, PhiladelphiaFirst-floor window on the front circular tower of the Clarence B. Moore Residence, PhiladelphiaFront circular tower and front porch of the Clarence B. Moore Residence, PhiladelphiaFirst-floor bay window on the west elevation of the Clarence B. Moore Residence, PhiladelphiaFirst-floor windows and rusticated limestone on the west elevation of the Clarence B. Moore Residence, PhiladelphiaSecond-floor bay window and third-floor balcony on the west elevation of the Clarence B. Moore Residence, PhiladelphiaSecond-floor triple window on the west elevation of the Clarence B. Moore Residence, PhiladelphiaFirst-floor bay window on the west elevation of the Clarence B. Moore Residence, PhiladelphiaBack circular tower and oval window on the west elevation of the Clarence B. Moore Residence, PhiladelphiaSecond-floor window on the west elevation of the Clarence B. Moore Residence, PhiladelphiaFirst-floor double window on the west elevation of the Clarence B. Moore Residence, PhiladelphiaChimney on the west elevation of the Clarence B. Moore Residence, PhiladelphiaBasement window on the west elevation of the Clarence B. Moore Residence, PhiladelphiaGargoyle on the west elevation of the Clarence B. Moore Residence, PhiladelphiaTerracotta ornamentation on the west elevation of the Clarence B. Moore Residence, PhiladelphiaOval window and rusticated limestone on the west elevation of the Clarence B. Moore Residence, PhiladelphiaSecond-floor double window on the west elevation of the Clarence B. Moore Residence, PhiladelphiaTerracotta ornamentation on the west elevation of the Clarence B. Moore Residence, PhiladelphiaThird-floor balcony and circular window on the west elevation of the Clarence B. Moore Residence, PhiladelphiaTerracotta corbel on the west elevation of the Clarence B. Moore Residence, PhiladelphiaSecond-floor window on the back circular tower of the Clarence B. Moore Residence, PhiladelphiaDormer on the west elevation of the Clarence B. Moore Residence, PhiladelphiaHeadless statue on the west elevation of the Clarence B. Moore Residence, PhiladelphiaRoof finial on the Clarence B. Moore Residence, PhiladelphiaTerracotta corbel over the entrance of the Clarence B. Moore Residence, PhiladelphiaStatue on the west elevation of the Clarence B. Moore Residence, PhiladelphiaRoof finial on the Clarence B. Moore Residence, Philadelphia
References
“The Church of the Messiah Sold.” The Philadelphia Inquirer, June 6, 1890, p. 2. ↩︎
“Will Build In Virginia.” The Philadelphia Inquirer, July 12, 1890, p. 7. ↩︎
This postcard depicts the Fleming duBignon Residence in Atlanta, designed by W.F. Denny and completed in 1902.
As noted on the front, the home was located at 925 Peachtree Street, and the photograph was “Taken on Xmas day 1907”.
The card was postmarked in Atlanta on March 2, 1909, and addressed to Miss Cynthia Farie at 202 East 31st Street in Savannah, Georgia, with the following message written on the back:
“I thought you would like a picture of Grandfather’s house. I want to thank you for the pretty valentine. Lots of love from Tissie.”
You think the grandfather knew his house had an exact duplicate in Louisville, Georgia?
Skidmore, Owings & Merrill with Tanner-Linscott & Associates. BMA Tower (1963). Kansas City, Missouri.12Entrance at the south facade of BMA Tower, Kansas CityLooking northwest across the entrance plaza at BMA Tower, Kansas City
References
“B.M.A. Moves This Weekend To Its Gleaming New Tower”. The Kansas City Times (Kansas City, Missouri), October 4, 1963, p. 10. ↩︎
Fitzsimmons, Fred. “A Simple Spire, The B.M.A. Tower Offers Electrifying View Of The City”. The Kansas City Star (Kansas City, Missouri), October 20, 1963, p. 5F. ↩︎
This postcard depicts the Kingston Passenger Station in Kingston, New York, completed in 1883.
Between 1875 and 1880, Kingston was the home of W.W. Goodrich, a terrible architect and bullshitter extraordinaire who later practiced in Atlanta.
Goodrich had nothing to do with the design of this Queen Anne-style depot, but you’ll be seeing more about Northern train stations here at some point in the future—and Goodrich (blech).
BIF wrote on the front of the postcard: “Here is where I got off train.”
It’d be more fun if he’d omitted the last word.
The card was postmarked in Poughkeepsie, New York, date unreadable, and addressed to Miss E. Crosby of RFD #2, Chester, Vt.
Rodolfo Machado of Machado and Silvetti Associates, with George Sexton and Clark Patterson Associates. Mint Museum Uptown (2010). Charlotte, North Carolina.123Northeast elevation of the Mint Museum Uptown, Charlotte, North CarolinaSoutheast facade of the Mint Museum Uptown, Charlotte, North CarolinaAtrium in the Mint Museum Uptown, Charlotte, North CarolinaGallery in the Mint Museum Uptown, Charlotte, North CarolinaAtrium in the Mint Museum Uptown, Charlotte, North CarolinaGallery in the Mint Museum Uptown, Charlotte, North CarolinaEntrance lobby in the Mint Museum Uptown, Charlotte, North CarolinaGallery in the Mint Museum Uptown, Charlotte, North CarolinaGallery in the Mint Museum Uptown, Charlotte, North Carolina
References
Maschal, Richard. “New Mint will get flavor from Beantown”. The Charlotte Observer (Charlotte, North Carolina), January 19, 2006, p. 3B. ↩︎
“Sneak Peeks”. The Charlotte Observer (Charlotte, North Carolina), April 25, 2010, p. 4E. ↩︎
“Minted in 2010”. The Charlotte Observer (Charlotte, North Carolina), October 3, 2010, p. 1E. ↩︎