Willis F. Denny. Jefferson County Courthouse (1904). Louisville, Georgia.123Clock tower on the Jefferson County Courthouse, Louisville, GeorgiaAcroterion, eaves, brackets, dentilled cornices, and terracotta cartouche on the facade of the Jefferson County Courthouse, Louisville, GeorgiaPediment, terracotta ornamentation, and Scamozzi capitals on the facade of the Jefferson County Courthouse, Louisville, GeorgiaEaves, cornice, quoins, terracotta cartouche, and Scamozzi capitals on the Jefferson County Courthouse, Louisville, GeorgiaEast facade of the Jefferson County Courthouse, Louisville, GeorgiaCircular window and eaves on the Jefferson County Courthouse, Louisville, GeorgiaLooking up at the south elevation of the Jefferson County Courthouse, Louisville, GeorgiaSecond-floor window and pediment over a side entrance of the Jefferson County Courthouse, Louisville, GeorgiaWillis F. Denny. Jefferson County Courthouse with 301 E. Broad Street Residence (attributed) in background.
The postcards here depict the First Baptist Church in Gainesville, Georgia, completed in 1909 and designed by Bruce & Everett of Atlanta.12
The Asheville Postcard Co. of Asheville, North Carolina, published both cards, and the one pictured above was postmarked in Gaffney, South Carolina, on March 25, 1926.
A note on the back, addressed to Mrs. Alice E. Kendall of Tarpon Springs, Fla., reads:
“Dear Aunt Alice
Here we are to night. Did nearly 200 miles today. Saw Stone Mt. Memorial this afternoon. This is beautiful country.
Love,
Clyde + Frances“
So there’s that.
Location of First Baptist Church
First Baptist of Gainesville was the first of three churches by Bruce & Everett with largely identical designs—the other two are the First Methodist Church (1909) in Opelika, Alabama, and Allen Memorial Methodist Church (1910, pictured below) in Oxford, Georgia.
Bruce had retired from Bruce & Morgan in 1904,7 shortly after he was elected to the Atlanta city council in December 1903 (he ran unopposed).8
At his retirement, it was reported that Bruce would remain as “associate and consulting architect” with Morgan & Dillon,9 but that appears to have been honorific, and I’m unaware of any work the successor firm completed that included his input.
Bruce’s council term lasted two years,10 and whether he was bored in retirement or needed the money—maybe both—he continued to dabble in architecture.
In May 1904, he announced the incorporation of the Bruce Architectural Company, with “county, municipal and state buildings a specialty.”11 Everything about the business is fishy, and it apparently dissolved amid controversy.
In late 1905, as his city council term was about to expire, the 70-year-old Bruce partnered with 25-year-old Everett, an Atlanta native who had recently apprenticed for G.L. Norrman.12
The new firm specialized in schools and churches—well within Bruce’s wheelhouse—and I suspect he handled design duties while Everett supervised construction.
Most of Bruce & Everett’s completed projects bear Bruce’s characteristic massing and proportions, and, in many cases, reuse specific elements from his Bruce & Morgan days.
First Baptist of Gainesville and the two duplicate churches also appear to have evolved from Bruce’s design for the First Presbyterian Church in Cuthbert, Georgia,13 completed in 1900.14
Bruce & Everett. Young J. Allen Memorial Methodist Church (1910). Oxford, Georgia.
Bruce retired for the second time in August 1908,15 but when construction was announced on Allen Memorial Methodist (pictured above) in November 1908, the design was credited to Bruce & Everett.16
At the church’s dedication in 1910, Everett was named as the architect,17 but the design was clearly Bruce’s. Contrast it with Everett’s Pierce Memorial Methodist Church18 in Sparta, Georgia, also built circa 19101920 —the Everett design was awful.
I generally respect Bruce as an architect: he had talent despite his lack of formal training, and although he often made missteps, he consistently approached his designs with honesty and integrity.
Everett, on the other hand, was a talentless hack, and I find most of his surviving designs to be artless, clumsy, and cynical. His later work for the Ku Klux Klan also leaves a dark stain on his legacy.
Bruce designed First Baptist of Gainesville in the Neoclassical style, with a Stone Mountain graniteexterior,21Corinthian columns, and a red tileroof.2223 I’m not sure why the postcard above shows a green roof.
Construction on the church began in May 1907 and was completed in June 1909.2425 The project took longer than anticipated after the first contractor went bankrupt, halting construction and prompting a dispute between the church and the contractor’s bond company.26
The building followed the then-popular Akron plan,27 in which a large Sunday School room divided by wedge-shaped partitions was attached to the sanctuary. The full Sunday School room could also be opened to the sanctuary for additional seating.
The church had a seating capacity of 1,500, “not including the primary department,”28 with The Atlanta Journal noting that the “exceptional [sic] large seating capacity…was rendered necessary by the fact that Gainesville is quite a college town.”29
The sanctuary survived the 1936 tornado that leveled much of Gainesville’s commercial district, though the roof was blown off.3031
The building was ultimately destroyed in a fire on February 12, 1960,323334which local officials suggested was arson.353637State Crime Lab tests disputed that notion,3839however, and no one was questioned or charged.40
While the church’s charred shell was being dismantled, Brevard Springs Williams, “an Atlanta interior decorator and designer,”41 purchased the four large Corinthian columns and placed them on his mountaintop property in Rabun County, Georgia.424344
Herbert A. Rawlins and H.O. Whitcombe with Robert Logan. 40-42 Pryor Street S.W. Building (1951). Atlanta.123Windows and glass block on the northwest facade of 40-42 Pryor Street, AtlantaWindows and sun shades on the southwest facade of 40-42 Pryor Street, AtlantaLooking at 40-42 Pryor Street from the southwest
References
Daniel, Frank. “‘GWTW’ Trough (?) Found In Old Hitching Lot Here”. The Atlanta Journal, April 5, 1950, p. 5. ↩︎
“Business Briefs”. The Atlanta Constitution, February 14, 1951, p. 22. ↩︎
“White Company Moves to 40 Pryor St.” The Atlanta Journal, April 22, 1951, p. 5-D. ↩︎
Bruce & Morgan. Hall County Courthouse (1884-1936). Gainesville, Georgia. Photograph from an undated postcard.
This postcard depicts the Hall County Courthouse in Gainesville, Georgia, completed in August 18841 and designed byBruce & Morgan23 of Atlanta.
Location of Hall County Courthouse
If the building looks familiar, that’s because it was a duplicate of the firm’s design for theWalton County Courthouse in Monroe, Georgia,4 which began construction in early 1883,5 and was completed in May 1884.6
In the architects’ defense, the Gainesville project was a rushed replacement for Hall County’s previous courthouse, destroyed by fire on January 1, 1883,7 so it made sense to use plans that were already on the boards.
Bruce & Morgan. Union County Courthouse (1888). Monroe, North Carolina. Photograph from an undated postcard published by the W.J. Rudge Co. of Monroe.
However, Bruce & Morgan also reused the same design for a third project: the Union County Courthouse in Monroe, North Carolina, completed circa February 1888.8
That was such an obvious cash grab that the firm apparently refused public credit to avoid embarrassment—I haven’t found any sources from the time that name them as the building’s designers, but it was the exact same plan.
Gainesville’s courthouse was destroyed in an April 1936 tornado that leveled much of the city’s business district,9 though the structure’s days were already numbered.
After the storm, one eyewitness reported to The Atlanta Journal, rather indifferently:
“the Courthouse—we were going to tear it down anyhow—was wrecked.”10
The current Hall County Courthouse was completed in 1938, and the siblings of the previous courthouse still stand in Monroe, Georgia, and Monroe, North Carolina.
References
“Hall Superior Court.” The Atlanta Constitution, August 20, 1884, p. 2. ↩︎
“Gainesville, Georgia.” The Atlanta Constitution, September 21, 1883, p. 2. ↩︎
“Bruce & Morgan, Architects.” The Atlanta Constitution, October 1, 1884, p. 4. ↩︎
“Architecture.” The Atlanta Constitution, September 23, 1882, p. 9. ↩︎
“Walton’s Court House.” The Atlanta Constitution, February 16, 1883, p. 2. ↩︎
Bruce & Morgan. Walton County Courthouse (1884). Monroe, Georgia.123Looking at the Walton County Courthouse from the southwestClock tower (reconstructed circa 1907) on the Walton County Courthouse, Monroe, Georgia45Clock tower on the Walton County Courthouse, Monroe, GeorgiaEaves and brackets on the clock tower base of the Walton County Courthouse, Monroe, GeorgiaColumn and window on the clock tower of the Walton County Courthouse, Monroe, GeorgiaPediment, eaves, brackets, and second-floor window keystones on the facade of the Walton County Courthouse, Monroe, GeorgiaMansard roof, cresting, and dormer on the Walton County Courthouse, Monroe, GeorgiaSecond-floor windows and balustrade on the facade of the Walton County Courthouse, Monroe, GeorgiaMansard-roofed tower and gable dormer with circular window on the south elevation of the Walton County Courthouse, Monroe, GeorgiaGable dormer on the facade of the Walton County Courthouse, Monroe, GeorgiaBay of windows on the facade of the Walton County Courthouse, Monroe, GeorgiaLooking at second-floor windows on the facade of the Walton County Courthouse, Monroe, GeorgiaSouth elevation of the Walton County Courthouse, Monroe, GeorgiaSecond-floor windows on the south elevation of the Walton County Courthouse, Monroe, GeorgiaEntrance on the south elevation of the Walton County Courthouse, Monroe, GeorgiaBracket flanking the south entrance of the Walton County Courthouse, Monroe, GeorgiaPediment over the south entrance of the Walton County Courthouse, Monroe, GeorgiaLooking at the front porch of the Walton County Courthouse, Monroe, GeorgiaPost and brackets on the front porch of the Walton County Courthouse, Monroe, GeorgiaLooking at the front porch of the Walton County Courthouse from the southMain entrance of the Walton County Courthouse, Monroe, GeorgiaPost on the front porch of the Walton County Courthouse, Monroe, GeorgiaPost and brackets on the front porch of the Walton County Courthouse, Monroe, GeorgiaEaves, brackets, and window keystone on the Walton County Courthouse, Monroe, GeorgiaLooking at the facade of the Walton County Courthouse from the south
References
“Architecture.” The Atlanta Constitution, September 23, 1882, p. 9. ↩︎
“Walton’s Court House.” The Atlanta Constitution, February 16, 1883, p. 2. ↩︎
We’re back at Regency Square Mall in Jacksonville, Florida, designed by Joseph Amisano of Atlanta and opened in 1967. The shopping center is currently being demolished.
This postcard depicts the mall’s original center court, and if the photographer wanted it to look as dead and dreary as possible, they certainly succeeded.
No one in the picture appears younger than 60, and the frail woman plopped on the bench with her walker doesn’t exactly suggest a hip, happening place. More like a displaced hip.
Even the plants look despondent.
The postcard was published by Marsh Post Card Service of Jacksonville, and contained the following description on the back:
REGENCY SQUARE
The largest Air Conditioned shopping Mall in the southeast, featuring over 50 stores, located in Jacksonville, Florida. On State Rd. 10 at Alt. U.S. 1. Color by C.L. Marsh.
The card was postmarked in Jacksonville in February 1969 and addressed to Scott in Binghamton, New York, with this note:
“We go here a LoT
Hi: How are You? How are all the statues? Did Stacey get them? I want to see them when I get home. Mommy sent your report card marks. How much do I owe you? I want-you to figure iT up for me + put note in Money Mommy’s letter.
80-55-5¢ 90-95-15¢. 85-90-10¢ 95-100 20¢
figure for 20 weeks + test marks
Love Grandma + Grandpa
Literally everything about the note is capitalistic and gross: Shopping was apparently Grandma + Grandpa’s pastime, their idea of love tied cash to Scott’s academic performance, and they accidentally called Mommy “Money.” Ick.
I bet Scott grew up to be a corporate wage slave, and I’m sure Stacey’s statues were awful.
A foggy fall morning at Cades Cove, TennesseeFall color on the Blue Ridge Parkway, North CarolinaA foggy fall morning at Cades Cove, TennesseeEarly fall color on the Blue Ridge Parkway, North CarolinaLooking northeast on Judaculla Road, Cullowhee, North CarolinaTaking a picture of the fall color on the Blue Ridge Parkway, North CarolinaA foggy fall morning at Cades Cove, TennesseePost-peak color on the Blue Ridge Parkway, North CarolinaColorful trees outside Gatlinburg, TennesseeFall color on Grandfather Mountain, North CarolinaLooking at the mountains outside Gatlinburg, TennesseeA small waterfall outside Gatlinburg, TennesseeLooking at Grandfather Mountain, North Carolina
The postcard pictured here depicts the interior of the Regency Square Mall in Jacksonville, Florida, designed by Joseph Amisanoof Toombs, Amisano & Wells of Atlanta.12
Regency Square opened in March 1967 as “the Southeast’s largest enclosed mall-type shopping center,”3 surpassing Atlanta’s Greenbriar Mall,4 which opened in 1965.5
Location of Regency Square Mall
I generally admire Amisano’s work, but judging from this photograph, the mall’s interior was hideous, even for the 1960s: dull brick, drab tile flooring, and a color scheme evocative of urine.
If you look closely, you can see the mall’s centerpiece: an “inverted fountain” that was touted as “novel” when the center opened.6 I’ll take their word for it.
I’m more interested in the well-tailored bitch glaring icily at the photographer. If looks could kill, darlin’.
This undated postcard was published by the Duval News Company of Jacksonville, and included the following description on the back:
THE AIR-CONDITIONED MALL REGENCY SQUARE SHOPPING CENTER JACKSONVILLE, FLORIDA
Amisano was undoubtedly hired to design Regency Square because of his work on Lenox Square in Atlanta, which was touted as the largest shopping center in the Southeast at its opening,7 a title it still claimed in 1966,8 although it wasn’t enclosed until 1973.9
Lenox still survives—and thrives—as an Atlanta retail institution, but Regency Square hasn’t fared so well in Jacksonville. After years of steady decline, demolition of the mall began in September 2026.1011
Another mall bites the dust.
References
Erxleben, Al. “Huge $12 Million Shopping Mall Slated on Arlington Expressway”. The Florida Times-Union (Jacksonville, Florida), August 17, 1965, p. 1. ↩︎
“Shopping Mall Ceremony Set”. Jacksonville Journal (Jacksonville, Florida), January 4, 1966, p. 15. ↩︎
“Regency Square At a Glance”. The Florida Times-Union (Jacksonville, Florida), March 1, 1967, p. R-29. ↩︎
“Carillon Bells to Toll Holiday Season”. The Atlanta Constitution, November 23, 1966, p. 19. ↩︎
The Atlanta Constitution, September 23, 1965, Greenbriar Section G. ↩︎
“All Roads Lead To Regency Square…” The Florida Times-Union (Jacksonville, Florida), March 1, 1967, p. R-2. ↩︎
Moore, Charles. “Lenox Square–City Within City”. The Atlanta Journal and The Atlanta Constitution, August 2, 1959, p. 1-C. ↩︎
Wells, Frank. “Atlanta Speaks—U.S. Listens”. The Atlanta Constitution, November 14, 1966, p. 8. ↩︎
The Atlanta Journal, January 17, 1973, Lenox Square Section ↩︎
Robert Smith. Carpenters’ Hall (1773). Center City, Philadelphia.12Second-floor windows and false balustrade on the facade of Carpenters’ Hall, PhiladelphiaCornice, eaves, and second-floor window on the facade of Carpenters’ Hall, PhiladelphiaDoric columns and fanlight on the entrance of Carpenters’ Hall, PhiladelphiaCupola and weathervane on Carpenters’ Hall, PhiladelphiaSecond-floor window, stringcourses, and false balustrade on the facade of Carpenters’ Hall, PhiladelphiaShuttered first-floor window on Carpenters’ Hall, PhiladelphiaSecond-floor window and false balustrade on the facade of Carpenters’ Hall, PhiladelphiaGreek fret cornice, cupola roof, and weathervane on Carpenters’ Hall, Philadelphia
References
The Pennsylvania Journal and the Weekly Advertiser (Philadelphia), April 7, 1773, p. 3. ↩︎