Category: Lost Works by G.L. Norrman

  • Hirsch Building (1890-1935) – Atlanta

    G.L. Norrman. Hirsch Building. (1890-1935). Atlanta.
    G.L. Norrman. Hirsch Building.1 (1890-1935). Atlanta.

    The Background

    The article below, published in The Atlanta Constitution in March 1890, includes an illustration and description of the Hirsch Building in Atlanta, designed by G.L. Norrman.

    Located at 40-44 Whitehall Street (later 70-74 Peachtree Street SW), the five-story building opened with two anchor stores on the first floor—Hirsch Bros. and J. Regenstein & Co.2 3—with smaller businesses and apartments on the upper floors.

    Location of the Hirsch Building

    The Design

    The Hirsch Building was Norman’s most significant commercial design in Atlanta since the completion of the Gate City National Bank in 1884, following a construction slump in the mid-to-late 1880s, due, in part, to the city’s short-lived attempt at prohibition.

    The project also ushered in a period between 1890 and 1893 when Norrman was at the peak of his artistic skill and professional reputation, attracting both regional and national attention.

    It was a heady time when everything seemed to come together for him: After 15 years as an architect, Norrman had honed his talent to such an impeccable degree that his designs consistently set him apart from those of Atlanta’s other architects.

    He was also clearly studying the work of nationally ranked designers, and while he wasn’t the only Atlanta architect doing so, Norrman’s educational training allowed him to grasp their underlying theories and integrate them with his own distinctive design approach.

    The city’s other designers, lacking formal education, could only imitate what they had seen elsewhere—often badly.

    H.H. Richardson. Marshall Field's Wholesale Store (1887-1930). Chicago.
    H.H. Richardson. Marshall Field’s Wholesale Store (1887-1930). Chicago.4 5 6

    For the Hirsch Building, Norrman drew obvious inspiration from the grand store buildings of larger cities, including Marshall Field‘s in Chicago, designed by H.H. Richardson and completed in 1887.

    Compared to Atlanta’s other retail structures at the time, the Hirsch Building’s design was bold, brash, and modern. Norrman used the stark Romanesque massing pioneered by Richardson, and deftly incorporated elements of the Renaissance Revival style developed by McKim, Mead & White, which was then brand-new to the Southeast.

    The Hirsch Building also included Norrman’s first known use of two arched bays spanned by a row of windows, a simple but refined design he would repeat in projects over the next two years, including the Standard Wagon Company in Atlanta, the Duncan Building in Spartanburg, South Carolina, and the Windsor Hotel in Americus, Georgia.

    Between the arched bays, Norrman placed a single column of narrow windows, each uniquely styled and topped with a different Classical pediment as if it were a towering temple, an unconventional choice that created a dynamic focal point for the composition and subtly advertised the building’s status as a retail shrine.

    To understand how much of a departure the Hirsch Building was for Atlanta’s architecture, consider the nearby Kiser Law Building, also built in 1890, and designed by A.C. Bruce of Bruce & Morgan. The Kiser Building’s stuffy, cluttered facade was typical of the commercial structures built in the city for years, and wouldn’t have looked out of place in the 1870s.

    In contrast, the Hirsch Building’s design was fresh, inventive, and even a little irreverent, entirely fitting for an audacious young city eager to enter the 20th century as the region’s commercial epicenter.

    Additional Image

    Regenstein’s Wholesale and Retail Millinery – Atlanta History Center Album

    About the Hirsch Brothers

    The Hirsch brothers were German-born immigrants who became an Atlanta institution in the late 19th century, and their legacies will be forever entwined with the city.

    The three siblings opened their first clothing store, M. & J. Hirsch, circa 1867, when the city was “a heap of ashes,”7 as the Constitution later recalled—somewhat exaggeratively.

    In later years, the Hirsch’s descendants claimed a 1863 founding for the store,8 9 but that doesn’t match the historic record: a Hirsch isn’t even listed in Atlanta’s city directory for 1867.10

    At the opening of their first store, the Hirsch brothers purportedly had so little money that they used a “store box as a desk,”11 but as their business grew, Morris and Joseph gradually settled into executive roles, while their younger brother, Henry, remained closely involved with day-to-day operations.

    By 1890, the Hirsches operated two wholesale stores in Atlanta: the original M. & J. Hirsch on Pryor Street and Hirsch Bros. on Whitehall Street.

    Pictured here: Morris Hirsch12

    Morris Hirsch (1841-190613) was described as “very popular”14 and “one of the wealthiest and most enterprising men in Atlanta.”15

    At his death, the Constitution remarked: “He started out as a penniless boy and by hard work and perseverance became a man rich in money and reputation.”16

    Illustration of Morris Hirsch (1841-1906)
    Illustration of Joseph Hirsch (1845-1914)

    Pictured here: Joseph Hirsch17

    Joseph Hirsch (1845-191418 19) was one of Atlanta’s leading citizens in the 19th century, and his most lasting contribution to the city was the founding of Grady Memorial Hospital,20 which he also named.21

    In 1890, he served as a city council member, a school board member, president of the Empire Loan and Building Association,22 and a board member of the ill-fated Confederate Veterans Home.23

    Norrman and Joseph Hirsch likely knew each other well, since Hirsch also founded Atlanta’s Hebrew Orphans’ Home,24 which Norrman designed in 1887. Hirsch was born in Germany, and Norrman was educated there, so the men shared at least a couple of languages and some cultural background.

    Pictured here: Henry Hirsch25

    As a silent partner,26 Henry Hirsch (1837-1919) maintained a lower profile than his older brothers, but when he died, the Constitution claimed: “Nearly every week for fifty-four years Mr. Hirsch was in his store…”27

    Once again, the numbers don’t add up, since the store had been in operation for 52 years at that point—Atlanta math makes my head hurt.

    About Regenstein’s

    Regenstein’s was owned by Julius Regenstein, who opened his first Atlanta store in 1871 as Regenstein & Bro.,28 although the store later claimed a 1872 founding.29 I really can’t stress enough how ignorant Atlantans are of their own history—or anything else, for that matter.

    Known for many years as “The Surprise Store,” Regenstein’s was a “mammoth millinery establishment” that reportedly employed “the first saleswoman in the South,” Martha Owens, who began working shortly after the store’s opening and remained for 20 years.30 In 1890, the store’s “leading milliner” was another woman: a mysterious “Madam Groskuth.”31

    Regenstein’s pairing with Hirsch Brothers made sense: both were leading Jewish retailers, but their product lines were also completely different, so they were never in direct competition.

    Hirsch Bros. specialized in men’s and boys’ clothing, and Regenstein’s sold women’s items, including hats, bonnets, hosiery, gloves, and underwear.

    To give you an idea of Regenstein’s offerings, the store’s specials in 1890 included “Fine French and Swiss made Underwear at remarkably low prices.”32 Ooh la la!

    Competition and Construction

    Since 1880, the Hirsch Brothers store had operated in a two-story building33 on Whitehall Street,34 and in late 1889, the Hirsches reportedly decided to build a new, larger structure on the same lot to expand their business.35

    At the time, Atlanta’s commercial district occupied about 10 blocks south of Five Points, between Decatur and Mitchell Streets, and Whitehall was its main artery, lined on both sides by the city’s most prestigious retailers.

    The Whitehall businesses had been locked in competition for years to see who could build the newest, largest, and most elaborate stores, and gut renovations or complete rebuildings of Atlanta’s leading retail establishments were common.

    The Hirsch’s lot was narrow—only 120 feet wide36—but with five full floors, the new Hirsch Building would tower over the two- and three-story buildings on every side, for a few years anyway.

    The project was first announced in January 1890,37 with a building permit issued in February 1890,38 and the existing structure was demolished by the end of the month.39 Construction lasted six months and was completed in early September 1890.40

    The Hirsch Building was furnished with steam heat, the “very best lights,” and an electric elevator41 42—you’ll be hearing more about the elevator.

    The elevator and stairs were crammed into a narrow hallway between the two anchor stores,43 and the stairs must have been incredibly steep, judging from the floor plans shown on insurance maps.

    I’ve explored enough of Norrman’s buildings to know that he thought nothing of designing tight passages or steep flights of steps, but accessibility wasn’t a consideration of any architect in 1890.

    The Hirsch Building’s interiors were designed by the May Mantel Company of Atlanta,44 and with a full slate of other projects, Norrman was likely happy to delegate the task—interiors were never his primary focus, and apart from certain prestige projects, he increasingly paid them less attention from the 1890s onwards.

    The article below reports that Joseph Hirsch supervised the building’s construction himself, but I’m always skeptical of such claims. Surely Norrman or one of his assistants was on hand to ensure a competent execution of the plans, but maybe not—Norrman had projects in at least five states that year, and he and his staff must have been stretched to their limit.

    Hirsch Brothers opening day advertisement
    Hirsch Brothers opening day advertisement45

    More in Store

    Regenstein’s was the first tenant to move into the Hirsch Building,46 47 48 49opening on September 25, 1890,50 followed by Hirsch Brothers a few days later.51 Suites on the building’s upper floors began renting out in October 1890.52

    Hirsch Brothers’ new, larger space allowed the store to expand its product offerings, as the Constitution described in an opening-day article:

    “Hirsch Brothers will make a special feature of their hat department. Heretofore they have not had the room.

    “Gent’s furnishings will also receive the attention of Hirsch Brothers. They will also make a specialty of this line of goods and can accommodate all those who desire goods of this character.”53

    I’m not entirely sure what “gent’s furnishings” would be, but I’m guessing it included dressers, clothing cabinets, shaving mirrors, and the like.

    The store’s tailoring department also expanded, reportedly employing “the very best tailors that could be secured in New York and London…”54 Yeah, I call bullshit on that one.

    A Pretty Picture

    Another of the Hirsch Building’s opening tenants was the Atlanta Photo Company, which also occupied a space in the company’s previous structure.55

    Before the studio’s opening in October 1890,56 The Atlanta Journal proclaimed: “It will be the finest gallery in Atlanta. It will be the only gallery reached by an elevator.”57 Fancy.

    In advertisements, the business touted its top-floor placement:

    “It is located in the fifth story, above the noise, heat and dust of the city, free from reflections of surrounding buildings; has therefore, direct unobstructed light and pure air. The best of all, for the comfort of our customers, it is reached by a fine passenger elevator, thereby avoiding the fatigue of climbing stairs.

    “Call and see us whether you want pictures or not.”58

    A Cursed Elevator

    Atlanta’s first passenger elevator debuted in 1877, and by 1890, they’d become a familiar sight in the city’s public buildings, so you’ve got to wonder what was so unusual about the Hirsch Building’s elevator that led to a trio of injuries in its first year of operation.

    In December 1890, just a few months after the building’s opening, a man named C.C. Sams was struck in the head by the elevator and “cut open to the skull.” The Journal explained that “He was looking up to see if the elevator was coming down, and didn’t see it.”59 Why was he standing underneath the damn thing?

    One month later, two young newsboys outside the Hirsch Building were reportedly engaged in rough-housing and horseplay—I’ve been itching to use those terms for a while. In the excitement of the moment, one of the boys, Hunter Adams, ran into the building’s center hallway and pushed open the elevator door.60

    Unfortunately for Adams, the elevator was in use on an upper floor, and he fell down the elevator shaft into the basement, landing on “a young man who caught the force of the fall upon his shoulder.” Adams received a sprained ankle and bruises,61 and I’m sure the guy he fell on wasn’t in great shape, either.

    The corresponding story in the Constitution was titled “Down The Shaft.” Just leaving that there.

    A week later, the boy’s mother sued Hirsch Brothers for $10,000, claiming her son had received permanent injuries.62 No word on the outcome.

    The third and most serious incident occurred in July 1891, when a young man was crushed in the elevator’s gears. Sixteen-year-old Stonewall Paul—great name, no?—was employed by the Hirsches to operate the building’s elevator.63 64 Also present was his father, R.K. Paul, who maintained the elevator’s hydraulic system.65

    By 1891, the Constitution was starting to feel the heat of the rival Journal‘s more sensational storytelling methods, and its grisly description of the event is a breathtaking piece of macabre news writing:

    “Yesterday the machinery got out of order, and the boy left the elevator to help his father fix it. The floor was wet, the boy’s foot slipped and he fell upon the cogwheels working the pump.

    The wheels were moving, and the father saw his son being rapidly drawn between them. In a second he grasped the boy, and with a frenzied jerk, separated him from the machinery, leaving between the wheels pieces of torn and bleeding flesh torn from the breast and side.

    “The wheels with a tear and crunch had dragged half the shirt and pieces of flesh from the body and crushed every rib of the left side.

    “With the fainting boy in his arms the father started for help which soon arrived. The boy was stretched out upon the floor of the engine room and physicians were sent for. It was a pitiful and frightful sight—the young boy lying on his back, perfectly conscious, but not allowing even a moan to pass his lips; his breast bare and blood running from holes where flesh had been torn from it. Just at and below the left nipple was an opening large enough for a man to thrust a hand in, lying loosely over which was a large piece of skin torn from one side, but attached to the other.

    Through this opening the heart’s action could be plainly seen, as that organ contracted and relaxed.

    “Here, too, was a break in the left lung, and through the hole the boy heavily breathed. With every labored breath the loose skin would flutter as the air rushed in, and as it rushed out with a loud, gasping sound, drops of blood would be blown out and scattered.

    The poor father was wild with grief. Without the heart to look at the bleeding form of the boy, he threw himself upon the ground outside, and there moaned and talked to himself.”66

    While it initially appeared young Stonewall would die,67 68 he remarkably recovered,69 70 71 72 although the incident reportedly made him a “cripple for life.”73 Their words.

    Paul’s parents sued the Hirsches for either $10,00074 or $15,000,75 but the case was ultimately “nonsuited” by a judge two years later.76 Atlanta justice for you.

    The Mysterious Shooting of Dr. Jackson

    Any building of consequence in Atlanta has been the scene of at least one bizarre crime, and a particularly baffling one occurred on September 4, 1894, when a doctor was shot three times in his room on the third floor of the Hirsch Building.

    Illustration of Dr. R.G. Jackson

    Dr. R.G. Jackson (pictured here77) was one of the Hirsch Building’s original tenants. Pretty man, don’t you think?

    Jackson specialized in—well, I’ll quote one of his many newspaper advertisements: “Piles, fistula, and all Rectal Diseases treated by a painless process.”78

    Jackson’s suite consisted of two connecting rooms: a larger one for his living quarters, and a smaller one for his office, which contained “his surgical chair and the cabinet in which his instruments are kept.”79 Savory.

    That the shooting occurred in Jackson’s bedroom, and not his office, apparently sent local tongues a’wagging. And Atlantans do like to wag their nasty tongues.

    Once again, the Constitution described the incident in breathless detail, with tantalizing morsels worthy of a pulp story:

    ‘At 8 o’clock Dr. Jackson took supper at Durand’s restaurant. He was in a gay humor and laughed and talked with several friends who were sitting at the same table.

    He left for his rooms at 40 Whitehall for the purpose of changing his clothes preparatory to making an evening call. As he started up the stairway he met Patrolman Braselton and the two men stopped for a short chat. He entered the door of his bedroom, lit a cigarette and played for a few seconds with his setter dog before beginning to undress for a bath.

    He had taken off his coat and top shirt and walked into his office room to make arrangements for a bath. As he stepped into the room a suspicious noise attracted his attention. He stopped and looked back, but his dog was coming from that direction and he decided that the noise was made by him.

    ‘Dr. Jackson had reached the washstand. His suspenders were down and in order to prevent his pistol, which he carried in his right hippocket, from falling, he placed it on the table.

    ‘As he turned to go back into his bedroom for a towel the curtain moved and the face of a strange negro stuck itself out.

    “Hold Up Both Hands.”

    ‘”What are you doing there, you black rascal?” As he said this the doctor walked towards the man.

    ‘In an instant the burglar jumped from behind the curtain. “Hold up both hands or I’ll put a hole through your head,” covering the doctor as he spoke, the negro pushed the gleaming barrel in the doctor’s face.

    ‘It was a critical moment and the doctor realized it. He did not hesitate. With the fiery dash and bravery which have always characterized him he jumped to the table for the pistol. Quicker than the flash of his weapon he turned and fired. The negro was behind the curtain and it is thought that the ball failed to strike him.

    ‘Before the doctor could fire again and when he was blinded by the smoke of his own revolver the burglar gave a quick step forward, placed his pistol opposite the doctor’s head and pulled the trigger.

    ‘The ball struck with fearful force, causing Dr. Jackson to reel and fall backwards against the washstand.

    ‘Taking advantage of his position the negro stepped further up and fired again. The ball struck in the left hip joint and the doctor fell again. Then, with superhuman effort he raised himself. The negro had taken cover behind the curtain again and was firing at the place where he knew the doctor to be standing. At the same time Jackson began firing and for a second there was a fearful fusillade.

    ‘Both men had emptied their revolvers. Through the blinding smoke the burglar glared at the bleeding figure of his almost helpless victim.

    ‘”I am going to kill you, damn you.” The doctor heard him say this as he rushed forward to grapple.

    ‘On his feet again Jackson reached out both hands for the throat of the desperate man. He was too weak to hold him off and they clinched.

    ‘In his hands the negro still held the smoking pistol and as he grappled gave the doctor a terrific blow on the skull. Again the physician sank to the floor and again rose up to fight his merciless antagonist. A second time the pistol descended and once more the doctor went to the floor, blood gushing from his head and body.

    ‘Like an enraged tiger the burglar stood above his prostrate form ready again to strike. Jackson came up once again and succeeded in getting his arm around the man’s waist. It was a struggle for his life and with supreme determination, Jackson retained his grasp. The men tumbled about and the burglar attempted to extricate himself all the while beating his pistol savagely against the doctor’s head.

    They had neared the window and were going at it wildly. At a sudden turn the pair fell against the glass which was crashed to pieces. They separated, the doctor reeling back toward the door with the burglar following.

    ‘Here the struggle was renewed again fiercer than before. Thoroughly exhausted, Jackson was overpowered finally. The streaming blood covered his face and when the burglar left it was impossible for him to tell which way he went.”‘80

    "Scene Of The Shooting."
    “Scene Of The Shooting.”81

    The Aftermath

    Jackson’s friend “Patrolman Braselton,” who had been chatting with him moments before the shooting, was reportedly walking down Whitehall Street when he heard the shots being fired, then ran back into the Hirsch Building and bolted up the stairs.82 Good thing he didn’t use the elevator.

    At the top of the steps, the cop found Jackson on the floor, sobbing, “My God, Braselton, they have murdered me.”83 So melodramatic. Jackson, incidentally, recovered from his injuries.

    Braselton recalled: “As I was standing at the bottom of the staircase and saw no one go out, it occurred to me at once that the man who did the shooting was in the house and I started out to look for him.”84 Smart thinking there, boss.

    The Constitution described the extent of the search:

    “Lanterns were secured and a large searching party covered the tin roof. Every chimney was examined and all the corners of the building looked into. Squads of police entered the different rooms in the building with the hopes that the man might have stopped on his way down to escape to conceal himself there.

    No trace of him could be found.

    “Every foot of the large roof was looked at but no blood nor sign of the man’s presence could be seen.”85

    Jackson insisted that he was shot by a Black man, later stating, “The man who shot me was a young negro. He seemed to be about eighteen years old, and was very black.”86

    That information was corroborated by the engineer for the Hirsch Building, J.W. Vaughan, who lived on the fourth floor with his wife and claimed to have chased the shooter through the building before the man jumped out of a fourth-floor window.87

    We all know that White Southerners get off on accusing Black men of crimes, so it’s interesting that so few people in Atlanta seemed to believe Jackson’s description of the shooter, with the Journal expressing outright skepticism:

    “There is an air of mystery surrounding the affair, and accounts of the shooting which has been given to the police and press have been slowly accepted.

    “That Dr. Jacksons’ assailant was a man there can be little doubt.

    There is some doubt, however, about it being a negro man and burglar.”88

    The Journal reported on a group of eyewitnesses who saw a man jump from the window of the Hirsch Building to the roof of an adjoining structure, adding:

    “It was too dark to tell whether it was a white or a colored man, but it was certainly a man…”

    The Constitution followed up the next morning, referring to the rival Journal as “the afternoon paper”:

    “During the day there had been many wild reports concerning the affair, and many were inclined to give it a mysterious coloring. Theories of various kinds were hatched up by those who doubted the story of the burglar. These reports had reached the doctor, and he was much incensed. Concerning the report in the afternoon paper, which openly expressed a doubt as the truth of his statement, he was enraged…”89

    Jackson publicly addressed at least one “rumor” associated with the shooting, or maybe he was just creating one of his own:

    I naturally expected rumors about a woman in the case to come up, as is always the case in an affair of this kind, but my statement of the shooting is so fully corroborated by circumstances, that I have no time to pay any attention to them.”90

    At least three Black men were arrested on suspicion of the shooting—one in Madison, Georgia,91 another in Americus, Georgia,92 93 94 95 and a third in Birmingham, Alabama.96 None of the men was the shooter, who was never caught.97

    The lack of an arrest continued to fuel public skepticism, with the Constitution repeating a few days after the shooting:

    “The various reports which have been circulated and published reflecting upon the doctor’s account of the affair are all known to him, and he is warmly indignant and declares that he intends to resent personally any insinuations against his character.”98

    Nine days after the shooting, Jackson left the city without notice, apparently returning to his father’s home in New Orleans.99

    Before the incident, Jackson had been distressed by the recent death of his mother, with the Constitution noting that “the shock on receiving the news nearly prostrated him.” It was also said that as he lay on the floor bleeding when he was shot, Jacksonfrequently called the name of his mother.”100

    Jackson returned to Atlanta two weeks later, with the Constitution describing him as “looking very pale,” and adding that he “shows very plainly the effects of his suffering from the terrible encounter with the burglar.”101

    As if insulting his appearance wasn’t enough, the report again referred to the “wild stories” surrounding his shooting:

    “The doctor denounces the stories that were circulated about the shooting affair soon after it occurred to the effect that the murderous assault was not made by a negro burglar. Those damaging stories gained considerable circulation, but no one who knew Dr. Jackson gave them credence.”102

    Nothing about the incident made any damn sense, and Jackson’s behavior in the following year was equally baffling.

    In May 1895, he had “a very quiet wedding,”103 marrying a Miss Lizzie Renfroe, although the papers couldn’t even agree on where the ceremony occurred: the Constitution claimed it was at the West End Methodist parsonage,104 while the Journal said it was at “the home of the bride in Edgewood,”105 on the other side of the city.

    Jackson made news again in October 1895, when he engaged in a cane fight with a local attorney, J.E. Robinson, at Atlanta’s police headquarters,106 an incident stemming from “an old feud between the two men.”107

    The Constitution described their dispute:

    “Robinson spoke to the physician, whereupon the latter remarked that he recognized only gentlemen as his acquaintances. The remark angered Robinson, who asked the physician if he intended to intimate that he, the attorney, was not a gentleman. Dr. Jackson replied in the affirmative, whereupon Robinson struck him.”108

    As a result of the fight, “Dr. Jackson received a cut on the forehead which brought the blood freely, staining an immaculate shirt front and collar.”109

    Surely Jackson’s reputation in Atlanta was shot at that point: his last newspaper advertisement was published one month later in November 1895,110 and it appears he gave up his medical practice completely.

    The doctor and his mysterious wife moved to Brunswick, Georgia, in March 1900, where he worked as a representative for the Sun Insurance Company of Canada.111

    Twelve years after the shooting, a columnist for the Constitution recalled the case and claimed that Atlanta police had later determined the shooter was a member of “a strong secret organization” that Jackson had unwittingly crossed years earlier.112

    The convoluted and frankly preposterous explanation was that the shooter posed as a locksmith in the Hirsch Building for a year to monitor Jackson’s movements. On the night he shot Jackson, the shooter purportedly coated his face in lamp black, which was said to have been found near a bowl of dirty water in the back of the building, “a year or two later.”113

    The story is too outlandish and full of holes to be credible, and it doesn’t help that the columnist got so many basic details of the case wrong, including that Jackson was shot at 2 a.m., and that “a few months later [he] died out west.”114

    If we’re going to entertain far-fetched theories, I’m more inclined to believe that Jackson’s shooting was the result of a lovers’ spat between downlow Atlanta men—surely that was one of the “damaging stories” being whispered about.

    There are plenty of clues to support the theory, and for God’s sake, the guy examined assholes for a living.

    Looking south on Whitehall Street, with the Hirsch Building visible on the distant left. Illustration from an undated postcard published by Witt Bros. of Atlanta and Berlin.
    Looking south on Whitehall Street, with the Hirsch Building visible on the distant left. Illustration from an undated postcard published by Witt Bros. of Atlanta and Berlin.

    Consistency and Change

    Within 10 years of the Hirsch Building’s completion, most of the storefronts on Whitehall Street had grown to five or more floors, and as Atlanta’s first skyscrapers of eight to 10 stories began forming a nascent skyline, the briefly prominent structure increasingly faded into the cityscape.

    In 1894, Morris and Joseph Hirsch sold their shares in Hirsch Brothers to their sons, L.H. Hirsch and M.R. Hirsch, although Henry Hirsch retained his share in the store,115 which continued operation as Hirsch Brothers.

    Hirsch Brothers and Regenstein’s remained the anchor tenants for the Hirsch Building’s entire existence, but the upper floors, divided into much smaller spaces, became a hodgepodge of businesses that often vanished as quickly as they appeared.

    The building particularly attracted two types of entrepreneurs in its early years: medical practitioners and boutique dressmakers.

    In the early 1890s, the Hirsch Building’s tenants included “The Sultan’s Physician,” who advertised cures for “Cancer, Blood and Skin Diseases,”116 Mrs. A.M. Smith, a “massage and complexion specialist,”117 and at least three dentists.118 119 120 In 1898, the building was the home of Madame Browne, an “expert dermatologist.”121

    The Hirsch Building housed dozens of dressmakers in the 1890s, including Mrs. V.A. Foster, who specialized in “evening costumes,”122 the parlors of Mrs. Odair and Miss Shumate, who made “ladies’ gowns in the latest and most stylish manner,”123 and Alice & Co., a New York-based studio that designed—what else?—”fashionable gowns.”124

    Other businesses in the early 1900s included “Miss Stokes“, who sold “The Most Elegant Gowns”125 and “Madam Alice,” for “women who take a pride in being well gowned.”126 So many damn madames.

    By 1896, the Atlanta Photo Company was out of business and replaced by another photo studio,127 and in the late 1890s, yet another madame, Madame Marie Percy,128 began offering “Scientifically correct readings from marking of hands.”129

    But Madame Marie had nothing on Madame Paulini, “the most noted Scientific Palmist of the age,”130 who operated in the Hirsch Building for 10 months in 1906 and 1907.131

    Madame Paulini reportedly read the hands of “Queen Victoria, Admiral Dewey, ex-president Benjamin Harrison, Mrs. McKinley, ex-President McKinley, Mrs. Cleveland, Ella Wheeler Wilcox, Hon. Carter H. Harrison, and many others.”132 So, of course, she came to Atlanta. Makes perfect sense.

    Following Henry Hirsch’s death in 1919, the Hirsch Brothers store was incorporated as Hirsch Brothers Company, managed by the descendants of the three original Hirsches.133

    Remember that hazardous elevator? Well, in 1921, another worker in the Hirsch Building was severely injured when he was crushed between the elevator and the third floor.134 It wasn’t the same elevator, though: the original had apparently been replaced during a 1915 renovation.135

    Maybe it was just the building that was cursed.

    Atlanta Moves On

    By the 1920s, Atlanta’s commercial district had been drifting northward for years, following the path of the city’s wealthiest residents as their swift new automobiles took them miles away from Whitehall Street into the suburbs of Ansley Park, Druid Hills, Buckhead, and places beyond.

    In 1930, Regenstein’s opened a second, much larger store several blocks north at the corner of Peachtree and Cain Streets, while continuing to operate its original location in the Hirsch Building.

    It wasn’t too shocking when Regenstein’s announced five years later that it would move its older store to a larger space at 80 Whitehall Street.136 137

    Following the Regenstein’s announcement, the Hirsch organization revealed that Hirsch Brothers would also be moving to a new space, several blocks north at 79 Peachtree Street.138

    With the removal of its two anchor stores, the Hirsch Building was demolished exactly 45 years after its completion, in September 1935139—well, most of the building, anyway.

    Only the top three floors of the Hirsch Building were demolished, while the bottom two floors were renovated and given a new facade designed by Dillon & Lewis of Atlanta.140 141

    The two-story shell of the former Hirsch Building survives, although nothing of Norrman’s design remains, and even the 1935 facade has been replaced at least twice. It could be argued that the structure technically exists, but since it’s been so substantially altered, I consider it as good as demolished.

    Out With a Whimper

    In 1963, Hirsch Brothers celebrated its 100th anniversary as “Atlanta’s Oldest Retail Store”, a designation that it probably should have shared with Rich’s, which also began in 1867.142 By the time the second Morris Hirsch died in 1967, the rebranded Hirsch’s had expanded to six stores in the Atlanta area,143 five of them located in shopping malls.

    Based on the company’s flurry of newspaper advertisements in the 1960s and 70s, Hirsch’s valiantly attempted to modernize and adapt its offerings to suit changing consumer tastes, but in its final years, the company made no secret of its desperate fight for survival.

    One particularly pathetic ad from 1979 stated: “After 115 years as one of Atlanta’s Leading men’s clothiers we are forced to RE-EVALUATE & CONSOLIDATE. currently negotiating lease expirations, we must make the important decision whether or not to STAY OR GO!”144 Apparently, the store was now claiming a 1874 founding.

    Within months, Hirsch’s operated just one store, at Greenbriar Mall145 in southwest Atlanta. That location apparently closed circa 1981 without any press notice.146

    Regenstein’s died just as quietly. After expanding to four stores across metro Atlanta in the mid-20th century, the Regenstein family sold their company to a Texas businessman in 1976 because “none of the younger members of the family intended to carry on the business.”147

    By 1985, the company had reduced its operations to one location and shifted its focus to selling furs.148 The store was gone by 1994,149 again, without any press mention.

    Today, you’d be lucky to find anyone in Atlanta who’s heard of either Hirsch’s or Regenstein’s.


    G.L. Norrman. Hirsch Building (1890-1935). Atlanta.

    The Hirsch Building.

    Above is a picture of the elegant front of Hirsch Bros. new building which is being erected at No. 40 Whitehall street.

    It will be one of the handsomest and most perfectly constructed buildings in the city, and will rear its stately front in the very busiest portion of metropolitan Atlanta.

    It will be a double building, five stories high, designed with a skilled appropriateness for the purposes intended. It will be of brick and iron, the interior magnificently finished in wood of the finest material.

    The building will cost all the way from $40,000 to $45,000, and the construction is being superintended by Mr. Joe Hirsch, the senior member of the firm, in person, and his long experience in business enables him to design and execute the plans and specifications, with an eye to the greatest economy of interior space coupled with the elegance in proportion and outside adornment of a skilled architect.

    It was begun about the first of the present month, and will be completed by from the 1st to the 15th of August next. One-half of the building will be occupied by Hirsch Bros. big retail store, and the other half has been rented to another large retail concern.150

    References

    1. Photo credit: “Pages From Regenstein’s Family Album 1872-1939” (advertisement). The Atlanta Journal, December 15, 1939, p. 55. ↩︎
    2. “The City In Brief.” The Atlanta Constitution, March 29, 1890, p. 5. ↩︎
    3. “Little Locals.” The Atlanta Constitution, September 4, 1890, p. 8. ↩︎
    4. Illustration credit: Van Rensselaer, Mariana Griswold. Henry Hobson Richardson and His Works. New York: Dover Publications, Inc. (1969) ↩︎
    5. “Plan To Raze Old Field Building, City Landmark”. Chicago Sunday Tribune, March 30, 1930, Part 1, p. A9. ↩︎
    6. “Huge Blocks In Old Field Warehouse To Stay Where They Are”. Chicago Sunday Tribune, May 4, 1930, Part 2, p. 14A. ↩︎
    7. “Mr. Joseph Hirsch.” The Atlanta Constitution, February 5, 1893, p. 3. ↩︎
    8. “Hirsch Bros. Company Plans Eight-Day Sale In Observance of 69th Anniversary Here”. The Atlanta Journal, September 9, 1932, p. 25. ↩︎
    9. “Hirsch To Celebrate 69th Anniversary”. The Atlanta Constitution, September 10, 1932, p. 3. ↩︎
    10. Barnwell’s Atlanta City Directory. Atlanta: Intelligencer Book and Job Office (1867). ↩︎
    11. “Hebrews Of Atlanta”. The Atlanta Constitution, January 12, 1890, p. 16. ↩︎
    12. Illustration credit: “Israelites”. The Atlanta Journal, November 21, 1891, p. 7. ↩︎
    13. “Morris Hirsch Drops Dead While Visiting Sick Friend”. The Atlanta Journal, February 6, 1906, p. 7. ↩︎
    14. “Morris Hirsch To Be Buried At Oakland”. The Atlanta Journal, February 7, 1906, p. 6. ↩︎
    15. “Morris Hirsch Drops Dead While Visiting Sick Friend”. The Atlanta Journal, February 6, 1906, p. 7. ↩︎
    16. ibid. ↩︎
    17. Illustration credit: “Mr. Joseph Hirsch.” The Atlanta Constitution, February 5, 1893, p. 3. ↩︎
    18. “Mr. Joseph Hirsch.” The Atlanta Constitution, February 5, 1893, p. 3. ↩︎
    19. “Joseph Hirsch Dies In Atlantic City”. The Atlanta Constitution, August 21, 1914, p. 1. ↩︎
    20. “A Free City Hospital”. The Atlanta Constitution, January 6, 1890, p. 4. ↩︎
    21. “Hebrews Of Atlanta”. The Atlanta Constitution, January 12, 1890, p. 16. ↩︎
    22. “The Councilmen.” The Atlanta Journal, May 1, 1889, p. 4. ↩︎
    23. “The Deeds Made Out”. The Atlanta Journal, June 2, 1889, p. 16. ↩︎
    24. “The City.” The Atlanta Journal, October 14, 1886, p. 4. ↩︎
    25. Photo credit: “Pioneer Atlantan Died on Wednesday”. The Atlanta Constitution, June 19, 1919, p. 18. ↩︎
    26. Alexander, Raymonde. “For 100 Years, a Men’s Store Grew with Atlanta”. The Atlanta Constitution, September 20, 1963, p. 27. ↩︎
    27. “Mr. Henry Hirsch, Pioneer, Is Dead; Funeral Friday”. The Atlanta Constitution, June 19, 1919, p. 11. ↩︎
    28. “City Intelligence.” The Atlanta Constitution, September 30, 1871, p. 3. ↩︎
    29. “Sale Will Herald 60th Anniversary Of Regenstein Co.” The Atlanta Journal, February 21, 1932, p. 9. ↩︎
    30. “Pages From Regenstein’s Family Album” (advertisement). The Atlanta Constitution, December 14, 1939, p. 5. ↩︎
    31. “A Wealth Of Flowers”. The Atlanta Constitution, April 20, 1890, p. 23. ↩︎
    32. Advertisement. The Atlanta Constitution, April 20, 1890, p. 23. ↩︎
    33. Atlanta, Georgia, 1886 / published by the Sanborn Map and Publishing Co Limited ↩︎
    34. “That New Store.” The Atlanta Constitution, August 29, 1880, p. 4. ↩︎
    35. “Hirsch Brothers.” The Atlanta Constitution, September 28, 1890, p. 16. ↩︎
    36. Insurance maps, Atlanta, Georgia, 1911 / published by the Sanborn Map Company ↩︎
    37. “Will Suspend.” The Atlanta Journal, January 15, 1890, p. 5. ↩︎
    38. “Firemen’s Insurance.” The Atlanta Constitution, February 18, 1890, p. 3. ↩︎
    39. “The Building Begun.” The Atlanta Constitution, February 27, 1890, p. 4. ↩︎
    40. “Building Notes.” The Atlanta Journal, September 6, 1890, p. 12. ↩︎
    41. “Hirsch Brothers.” The Atlanta Constitution, September 28, 1890, p. 16. ↩︎
    42. “Kodak Kolum”. The Atlanta Journal, July 27, 1893, p. 6. ↩︎
    43. Insurance maps, Atlanta, Georgia, 1911 / published by the Sanborn Map Company ↩︎
    44. “Big Contracts Awarded.” The Atlanta Journal, August 29, 1892, p. 2. ↩︎
    45. “Hirsch Brothers.” (advertisement). The Atlanta Constitution, September 28, 1890, p. 24. ↩︎
    46. “Little Locals.” The Atlanta Constitution, September 4, 1890, p. 8. ↩︎
    47. “In Business Circles.” The Atlanta Journal, September 6, 1890, p. 11. ↩︎
    48. “Little Locals.” The Atlanta Constitution, September 9, 1890, p. 6. ↩︎
    49. “Bright And Breezy.” The Atlanta Constitution, September 18, 1890, p. 6. ↩︎
    50. “Great Millinery Opening.” The Atlanta Constitution, September 24, 1890, p. 7. ↩︎
    51. “Hirsch Brothers.” The Atlanta Constitution, September 28, 1890, p. 16. ↩︎
    52. “Rooms.” (advertisement). The Atlanta Constitution, October 21, 1890, p. 3. ↩︎
    53. “Hirsch Brothers.” The Atlanta Constitution, September 28, 1890, p. 16. ↩︎
    54. ibid. ↩︎
    55. “The Gallery Is Closed.” The Atlanta Journal, March 11, 1890, p. 3. ↩︎
    56. “Now Ready For Business.” The Atlanta Journal, October 27, 1890, p. 5. ↩︎
    57. “Whitehall’s Pride.” The Atlanta Journal, September 6, 1890, p. 9. ↩︎
    58. “New Gallery” (advertisement). The Atlanta Journal, November 12, 1890, p. 8. ↩︎
    59. “Hit By An Elevator.” The Atlanta Journal, December 8, 1890, p. 5. ↩︎
    60. “Down The Shaft.” The Atlanta Constitution, January 21, 1891, p. 4. ↩︎
    61. ibid. ↩︎
    62. “For $10,000 Damages.” The Atlanta Constitution, January 27, 1891, p. 81. ↩︎
    63. “Frightfully Torn.” The Atlanta Constitution, July 16, 1891, p. 5. ↩︎
    64. “Hurt by an Elevator.” The Atlanta Constitution, September 12, 1891, p. 6. ↩︎
    65. “Frightfully Torn.” The Atlanta Constitution, July 16, 1891, p. 5. ↩︎
    66. ibid. ↩︎
    67. ibid. ↩︎
    68. “From Our Notebooks.” The Atlanta Constitution, July 17, 1891, p. 6. ↩︎
    69. “He Is Better.” The Atlanta Constitution, July 20, 1891, p. 2. ↩︎
    70. “Curbstone Chat.” The Atlanta Constitution, July 30, 1891, p. 10. ↩︎
    71. “From Our Notebooks.” The Atlanta Constitution, August 2, 1891, p. 20. ↩︎
    72. “Stonewall Paul Better.” The Atlanta Constitution, August 11, 1891, p. 5. ↩︎
    73. “Georgia And Florida.” The Savannah Morning News (Savannah, Georgia), September 8, 1891, p. 6. ↩︎
    74. “Hurt by an Elevator.” The Atlanta Constitution, September 12, 1891, p. 6. ↩︎
    75. “Georgia And Florida.” The Savannah Morning News (Savannah, Georgia), September 8, 1891, p. 6. ↩︎
    76. “Briefly Mentioned.” The Atlanta Journal, October 20, 1893, p. 1. ↩︎
    77. “Shot Three Times.” The Atlanta Constitution, September 5, 1894, p. 5. ↩︎
    78. Advertisement. The Atlanta Journal, November 1, 1890, p. 4. ↩︎
    79. “Shot Three Times.” The Atlanta Constitution, September 5, 1894, p. 5. ↩︎
    80. ibid. ↩︎
    81. Illustration credit: ibid. ↩︎
    82. “The Policeman’s Story”. The Atlanta Journal, September 10, 1894, p. 6. ↩︎
    83. ibid. ↩︎
    84. “Dr. Jackson Talks”. The Atlanta Constitution, September 6, 1894, p. 2. ↩︎
    85. “Shot Three Times.” The Atlanta Constitution, September 5, 1894, p. 5. ↩︎
    86. ibid. ↩︎
    87. “He Is Star Witness.” The Atlanta Journal, September 7, 1894, p. 5. ↩︎
    88. “Fought A Duel In A Room.” The Atlanta Journal, September 5, 1894, p. 6. ↩︎
    89. “Dr. Jackson Talks”. The Atlanta Constitution, September 6, 1894, p. 2. ↩︎
    90. “He Is Star Witness.” The Atlanta Journal, September 7, 1894, p. 5. ↩︎
    91. “Dr. Jackson Talks”. The Atlanta Constitution, September 6, 1894, p. 2. ↩︎
    92. “Is It The Burglar?” The Atlanta Constitution, October 30, 1894, p. 12. ↩︎
    93. “No Tidings Yet.” The Atlanta Constitution, October 31, 1894, p. 10. ↩︎
    94. “In The Local Field.” The Atlanta Constitution, November 6, 1894, p. 2. ↩︎
    95. “Not The Negro.” The Atlanta Constitution, November 7, 1894, p. 5. ↩︎
    96. “No Tidings Yet.” The Atlanta Constitution, October 31, 1894, p. 2. ↩︎
    97. “Bruff’s Column”. The Atlanta Constitution, October 1, 1906, p. 4. ↩︎
    98. “Dr. Jackson Improving.” The Atlanta Constitution, September 9, 1894, p. 19. ↩︎
    99. “Dr. Jackson Goes Away”. The Atlanta Journal, September 13, 1894, p. 1. ↩︎
    100. “Shot Three Times.” The Atlanta Constitution, September 5, 1894, p. 5. ↩︎
    101. “The Doctor Is Back.” The Atlanta Constitution, September 26, 1894, p. 9. ↩︎
    102. ibid. ↩︎
    103. “Social Gossip.” The Atlanta Constitution, May 17, 1895, p. 5. ↩︎
    104. ibid. ↩︎
    105. “Society.” The Atlanta Journal, May 17, 1895, p. 7. ↩︎
    106. “A Lively Fight.” The Atlanta Journal, October 5, 1895, p. 9. ↩︎
    107. “Lawyer And Doctor Mix.” The Atlanta Constitution, October 6, 1895, p. 2. ↩︎
    108. ibid. ↩︎
    109. ibid. ↩︎
    110. “Personal.” The Atlanta Constitution, November 3, 1895, p. 11. ↩︎
    111. “Will Reside In Brunswick.” The Brunswick Times (Brunswick, Georgia), March 24, 1900, p. 1. ↩︎
    112. “Bruff’s Column”. The Atlanta Constitution, October 1, 1906, p. 4. ↩︎
    113. ibid. ↩︎
    114. ibid. ↩︎
    115. “Dissolution.” The Atlanta Constitution, January 10, 1894, p. 8. ↩︎
    116. Advertisement. The Atlanta Constitution, November 11, 1892, p. 4. ↩︎
    117. “Massage Treatment.” The Atlanta Constitution, November 5, 1893, p. 7. ↩︎
    118. “Dr. Rudolphus Jones, Dentist” (advertisement), The Atlanta Journal, April 13, 1892, p. 8. ↩︎
    119. “Dr. R.A. Holliday, Dentist” (advertisement). The Atlanta Journal, April 20, 1892, p. 3. ↩︎
    120. “Dr. J.A. Sims, Dentist”. The Atlanta Journal, April 28, 1893, p. 3. ↩︎
    121. “Be Beautiful—Be Happy.” The Atlanta Constitution, October 23, 1898, p. 15. ↩︎
    122. “Evening Gowns.” The Atlanta Constitution, September 25, 1892, p. 17. ↩︎
    123. “Fine Dressmaking.” The Atlanta Constitution, April 17, 1892, p. 19. ↩︎
    124. “Fashionable Gowns.” The Atlanta Constitution, March 3, 1895, p. 6. ↩︎
    125. “The Most Elegant Gowns” (advertisement). The Atlanta Constitution, December 1, 1901, p. 24. ↩︎
    126. “Madam Alice”. The Atlanta Constitution, September 27, 1903, p. 2. ↩︎
    127. “There Is No Denying”. The Atlanta Journal, May 16, 1896, p. 7. ↩︎
    128. “Personal” (advertisement), The Atlanta Constitution, October 9, 1898, p. 10. ↩︎
    129. “Personal” (advertisement). The Atlanta Journal, March 4, 1899, p. 9. ↩︎
    130. “Palmistry.” (advertisement). The Atlanta Journal, January 6, 1907, p. 8. ↩︎
    131. Advertisement. The Atlanta Journal, July 19, 1907, p. 16. ↩︎
    132. “Palmistry.” (advertisement). The Atlanta Journal, January 6, 1907, p. 8. ↩︎
    133. “Hirsch Bros. Company Plans Eight-Day Sale In Observance of 69th Anniversary Here”. The Atlanta Journal, September 9, 1932, p. 25. ↩︎
    134. “Negro Badly Injured When Caught Between Elevator and Floor”. The Atlanta Journal, November 16, 1921, p. 5. ↩︎
    135. “The Real Estate Field.” The Atlanta Journal, June 8, 1915, p. 17. ↩︎
    136. “J. Regenstein Co. Lease Heads List Of Week’s Deals”. The Atlanta Journal, February 10, 1935, p. 6D. ↩︎
    137. “Regenstein’s Buys 3-Story Building At 80 Whitehall”. The Atlanta Journal, September 15, 1935, p. 10B. ↩︎
    138. “Hirsch Brothers Concern To Move Into New Building”. The Atlanta Journal, August 2, 1935, p. 13. ↩︎
    139. “Whitehall Store Leased by Chain Of Women’s Shops”. The Atlanta Journal, August 8, 1935, p. 2. ↩︎
    140. ibid. ↩︎
    141. “Three Important Deals Recorded In Realty Here”. The Atlanta Journal, August 25, 1935, p. 6D. ↩︎
    142. “M. Rich & Bros. Co. Add Another Whitehall Street Store To Their Large Quarters”. The Atlanta Journal, April 18, 1904, p. 4. ↩︎
    143. “Clothier Hirsch Dies at 60”. The Atlanta Constitution, August 31, 1967, p. 1. ↩︎
    144. Advertisement. The Atlanta Journal, April 19, 1979, p. 8-A. ↩︎
    145. Advertisement. The Atlanta Constitution, Intown Extra, September 27, 1979, p. D11. ↩︎
    146. Advertisement. The Atlanta Journal, Intown Extra, January 15, 1891, p. 18D. ↩︎
    147. Walker, Tom. “Regenstein’s Changes Hands.” The Atlanta Journal, September 24, 1976, p. 11-C. ↩︎
    148. “Changes coming up for Regenstein’s”, The Atlanta Journal and Constitution, February 4, 1985, p. 1C. ↩︎
    149. Bass, Cato. “Robert Regenstein, 83, chairman of Atlanta retailers, Grady board”. The Atlanta Journal-Constitution, March 14, 1998, p. D10. ↩︎
    150. “The Hirsch Building.” The Atlanta Constitution, March 23, 1890, p. 16. ↩︎

  • E.C. Merry Residence (1893)

    G.L. Norrman.E.C. Merry Residence (1893). West End, Atlanta.
    G.L. Norrman. E.C. Merry Residence (1893). West End, Atlanta.

    The Background

    The following article, published in The Atlanta Journal in 1898, includes illustrations and floor plans of the E.C. Merry House, built in 1893 and designed by G.L. Norrman.

    Located at 144 Lee Street (later 510 Lee Street SW), the five-year-old home in Atlanta’s West End neighborhood was owned by Ovid Stewart at the time of the article.

    Location of the E.C Merry Residence

    In 1890, the home’s original owner, E.C. Merry, became the principal of the West End Academy,1 located one block away. Humphries & Norrman designed the school’s original structure in 1883, but for whatever reason, Bruce & Morgan were selected to design its expansion in 1890.2

    Norrman was primarily an architect of large residences, and it appears he gave up smaller projects entirely by the late 1890s, so it’s a genuine treat to have an illustration and floor plan for this charming eight-room cottage.

    There are a few interesting aspects here:

    • The plan is described as “simplicity itself”, and that’s no exaggeration: No bathroom was included, and it’s unclear if the home was even wired for electricity—with a total cost of $1,770, it probably wasn’t.
    • The Journal’s description describes the home’s “quaint, homelike Quaker suit”, and it appears the home was at least partially inspired by the vernacular architecture of colonial New England, much like Norrman’s design for the C.D. Hurt Residence the same year. I prefer this interpretation.
    • Norrman packed in several signature touches here: tapered chimneys, an eyebrow dormer on the front, Tuscan columns on the porch, and a balustrade and finials on the roof.

    The home still belonged to Ovid Stewart when it was “badly burned” by a fire in February 1909,3 4 although it was swiftly repaired.5 6 Within a year, the property was occupied by Mrs. Stewart’s brother and sister-in-law, L.B. Langford and E.E. Langford,7 who spent $1,350 in additions8—nearly as much as the home originally cost.

    The Stewarts divorced in 1912,9 and after the death of Mrs. Langford in April 1914,10 11 followed by her husband in September 1916,12 13 the home became a rental property.14

    Based on city directories, the structure survived another 42 years, meeting the same fate as thousands of other historic properties in Atlanta when the home was apparently demolished circa 1958 for the construction of the East-West Expressway (now I-20).15

    Today, the site is occupied by the eastbound ramp from Lee Street. Progress!


    G.L. Norrman. E.C. Merry Residence (1893). West End, Atlanta.

    Journal’s Model Houses; Home of Mr. Ovid Stewart

    The accompanying cuts give the perspective and floor plan of Mr. Ovid Stewart’s pretty cottage on Lee street at the corner of Oak, in West End. It was built by Mr. E.C. Merry in 1893 from the plan of Mr. G.L. Norrman at a cost of $1,770, but could be duplicated now for about $1,400. It is a fine example of the grace and beauty to be found in a simple design when the skill of the architect is bestowed upon it. The plan is simplicity itself, and in a form to be the least expensive in proportion to results attained.

    The floor plan shows the arrangement. This can be varied slightly without material difference in the cost, but care will have to be taken in changing it, for one of the chief beauties in the plan is in the adjustment of proportionate dimensions.

    The construction is thorough and the cottage is exceedingly comfortable. It rests on a solid wall and has double walls and floors. It is painted gray, with white trimmings, which gives it a quaint, homelike Quaker suit.16

    Floor plan of the E.C. Merry Residence, Atlanta

    References

    1. “To Teach In West End.” The Atlanta Constitution, August 9, 1890, p. 8. ↩︎
    2. “The New Academy Building.” The Atlanta Constitution, November 2, 1890, p. 24. ↩︎
    3. “Twelve Fires Within A Day”. The Atlanta Constitution, February 2, 1909, p. 5. ↩︎
    4. “Nine Fire Calls Answered Monday”. The Atlanta Semi-Weekly Journal, February 2, 1909, p. 1. ↩︎
    5. “Personal Mention”. The Atlanta Journal, February 14, 1909, p. H5. ↩︎
    6. “Building Permits”. The Atlanta Journal, February 19, 1909, p. 14. ↩︎
    7. “Mortuary”. The Atlanta Constitution, August 15, 1910, p. 5. ↩︎
    8. “Building Permits”. The Atlanta Journal, September 15, 1910, p. 13. ↩︎
    9. “Notice Notice Notice”. The Atlanta Constitution, February 9, 1912, p. 13. ↩︎
    10. “Deaths and Funerals”. The Atlanta Journal, April 17, 1914, p. 2. ↩︎
    11. “Mortuary”. The Atlanta Constitution, April 18, 1914, p. 2. ↩︎
    12. “Deaths and Funerals”. The Atlanta Constitution, September 1, 1916, p. 2. ↩︎
    13. “Mortuary”. The Atlanta Constitution, September 2, 1916, p. 2. ↩︎
    14. “For Rent–Houses”. The Atlanta Journal, November 20, 1916, p. 17. ↩︎
    15. “Here’s Route Of New East-West Expressway”. The Atlanta Journal and Constitution, March 23, 1958, p. 1-E. ↩︎
    16. “Journal Model House; Home of Mr. Ovid Stewart” The Atlanta Journal, February 5, 1898, p. 9. ↩︎
  • Paul Romare Residence (1892)

    G.L. Norrman. Paul Romare Residence (1892, demolished before 1926). Atlanta.
    G.L. Norrman. Paul Romare Residence (1892, demolished before 1926). Atlanta.1

    The Background

    The following article, published by The Atlanta Journal in 1898, includes an illustration and floor plans of the Paul Romare Residence, built in 1892 and designed by G.L. Norrman.2 3

    Like Norrman, Paul Romare (1828-1904,4 pictured here5)was also a Swedish immigrant.

    Although Romare was 20 years older than Norrman,6 it appears the two men were close friends, as Norrman planned at least four projects for the Romare family over 21 years and also served as an honorary escort at Romare’s funeral.7 8

    Romare and Norrman’s Connection

    Romare began working at the Atlanta National Bank circa 1865 and steadily rose through the ranks, ultimately becoming the bank’s president in 1903.9 10 Like Norrman, he was also prominent in Atlanta society, and both men were members of the Capital City Club.11

    Only 41 Atlantans in the 1890s were from Scandinavia,12 so Norrman and Romare likely bonded over their common heritage, if nothing else. However, the two men’s lives had many striking parallels.

    Like Norrman, Romare was born and raised in southern Sweden, and both men became sailors: Romare left home at age 14 to serve as a cabin boy on a merchant ship captained by his father.

    As a young man, Norrman reportedly left the Swedish Navy shortly after he quarreled with an officer. When Romare was 18, he abandoned ship after a fight with the captain, hiding in a friend’s closet in New York to evade the captain’s search.

    Romare eventually immigrated to the United States through Charleston, South Carolina. From 1850 to 1864, he lived and worked in the Upcountry, including the towns of Gaffney and Chester, both of which were a short distance from Spartanburg, where Norrman began his practice a decade later.

    Romare, incidentally, was apparently pronounced as “ROAM-a-ree”. And did I mention he secretly fathered a son with a Black woman in South Carolina?13

    That was likely unknown in Atlanta, where Romare’s wife, Lucy, and their six daughters were popular social fixtures.

    G.L. Norrman. Paul Romare Residence (1892, demolished before 1926). Illustration by W.L. Stoddart.
    G.L. Norrman. Paul Romare Residence (1892, demolished before 1926). Illustration by W.L. Stoddart.14

    About the Residence

    The house shown here was the second Norrman-designed residence for Romare and was built at 17 East North Avenue,15 on what is now the site of the Bank of America Plaza in Midtown Atlanta.

    Location of Paul Romare Residence

    However, the home was long gone before Bank of America, demolished between 1923 and 1925,16 17 18 and replaced by a car dealership in 1926.19 What else would you expect from Atlanta?

    There are a few things to note about the floor plans shown below:

    • The Journal mislabeled the first story plan as the “Second Floor Plan” and the second story plan as the “Ground Floor Plan”, because of course they did.
    • The first story plan centered on a reception hall with a fireplace, an evolution of the living hall concept Norrman used in the 1880s, which can still be seen in the Edward C. Peters House and T.W. Latham House in Atlanta. For the Romare design, a separate stair hall was placed behind the reception hall. So many halls.
    • There were two full bathrooms in the Romare house—one per floor. The first-floor bathroom was connected to both the main bedroom and the stair hall, apparently so guests could use it.
    • Bedroom closets were still a novelty in 1892, and like most homes that had them, the closets in the Romare design were tiny. However, Norrman also included spacious“dressing rooms” with closets in three of the five bedrooms, undoubtedly designed for Romare’s wife and daughters.
    • Typical of Norrman’s residential designs for wealthy clients, the service areas were well-defined and separate from the rest of the home. Servants would be expected to enter from the rear porch, and the kitchen and rear stairs were buffered from the dining room by a large butler’s pantry.

    The Romare house was one of the better works from a short-lived period in Norrman’s career, circa 1892-1893, when he became particularly audacious and avant-garde in his residential designs, freely mixing classical, Colonial, Romanesque, and Palladian elements in striking combinations.

    The approach didn’t always work—the C.D. Hurt Residence, for example, is an unholy mess—but it’s clear Norrman put his best effort into the Romare Residence, and the results speak for themselves. Vacker som en dag!


    G.L. Norrman. Paul Romare Residence (1892, demolished before 1926). Atlanta.
    G.L. Norrman. Paul Romare Residence (1892, demolished before 1926). Atlanta.

    Journal’s Model Houses; Home of Paul Romare.

    The above cut represents the residence of Mr. Paul Romare on North avenue. It was built from the plans of Mr. G.L. Norrman at a cost of $12,000, and is one of the best constructed and most comfortable residences in the city. The plan is not altogether of any conventional style, but the details are in that of the renaissance. The interior arrangement fully appears in the floor plans of the first and second stories. The interior finish of the lower story is of hard wood, built in special designs from detail plans by Mr. Norrman. The parlor is finished in sycamore and beautifully frescoed. The diningroom [sic], library and other rooms of the lower story are finished in oak. The details are in keeping with the general style shown in the details of the exterior.

    The workmanship and material from foundation to roof are of the best, and the arrangement makes the residence one of the most comfortable in the city.

    The house is fitted with the best modern appliances for comfort, including electric bells, etc., and everything of that kind.20

    First story plan of Paul Romare Residence, Atlanta
    Second story plan of Paul Romare Residence, Atlanta

    References

    1. Photo credit: Atlanta Homes: Attractiveness of Residences in the South’s Chief City. Atlanta Presbyterian Publishing Company (1901). ↩︎
    2. “The Home Builders”. The Atlanta Constitution, June 20, 1892, p. 8. ↩︎
    3. “My, How We Do Grow!” The Atlanta Constitution, September 21, 1892, p. 4. ↩︎
    4. “Paul Romare, Financier, Dead After Long Illness”. The Atlanta Journal, February 8, 1904, p. 2. ↩︎
    5. Photo credit: City of Atlanta: A Descriptive, Historical and Industrial Review. Louisville, Kentucky: The Inter-State Publishing Company (1893), p. 74. ↩︎
    6. “Mr. Paul Romare.” The Atlanta Constitution, February 12, 1893, p. 7. ↩︎
    7. “Funeral Notice.” The Atlanta Journal, February 9, 1904, p. 11. ↩︎
    8. “Romare To Rest In West View”. The Atlanta Constitution, February 9, 1904, p. 5. ↩︎
    9. “New President Will Be Romare”. The Atlanta Constitution, May 9, 1903, p. 6. ↩︎
    10. “Romare Made President Of Bank”. The Atlanta Journal, May 10, 1903, p. 1. ↩︎
    11. “The Club Reception.” The Atlanta Constitution, October 19, 1887, p. 2. ↩︎
    12. Mebane, Anne Fonvielle. (1967). Immigrant Patterns in Atlanta, 1880 and 1896 [Master’s thesis, Emory University], p. 48. ↩︎
    13. Historic Joplin » Paul Romare ↩︎
    14. Illustration credit: The Southern Architect, Volume 10, no. 11, September 1899, p. 10. ↩︎
    15. Insurance maps, Atlanta, Georgia, 1911 / published by the Sanborn Map Company ↩︎
    16. “Four Apartment Houses Purchased By Manget; Over $100,000 Involved”. The Atlanta Journal, January 26, 1923, p. 36. ↩︎
    17. “Atlanta Title And Trust Company Publishes Comprehensive Summary Of Atlanta Real Estate Information”. The Atlanta Journal, May 13, 1923, 8F. ↩︎
    18. “Property Transfers”. The Atlanta Journal, January 25, 1925, p. 8F. ↩︎
    19. “Contract Is Signed For $600,000 Home For Motor Agency”. The Atlanta Journal, January 7, 1926, p. 1. ↩︎
    20. “Journal’s Model Houses; Home of Paul Romare”. The Atlanta Journal, January 29, 1898, p. 10. ↩︎

  • New York Herald Building (1895) – Atlanta

    G.L. Norrman. New York Herald Building, Cotton States and International Exposition (1895). Atlanta.
    G.L. Norrman. New York Herald Building, Cotton States and International Exposition (1895). Atlanta.1

    A good idea never dies, as proven by G.L. Norrman‘s design for the New York Herald Building at the 1895 Cotton States and International Exposition in Atlanta.

    More of a booth than a building, the structure’s primary purpose was to distribute copies of the New York Herald to exposition visitors, with the added service of delivering letters and telegrams sent to tourists from their friends and family in the North.2

    Location of the New York Herald Building

    The structure was built of cheap wood and intended to last for the duration of the exposition: a little over three months.3

    But Norrman rarely did anything by half, so the booth was designed as a tiny tetrastyle temple—complete with a raised podium, a porch with four Ionic columns, and a decorative frieze and pediment.

    The entire building was also painted white,4 giving it the full classical effect.

    G.L. Norrman. Georgia State Building, World's Columbian Exposition (1892, unbuilt). Illustration drawn by W.L. Stoddart.
    G.L. Norrman. Georgia State Building, World’s Columbian Exposition (1892, unbuilt). Illustration drawn by W.L. Stoddart.5

    Norrman’s inspiration for the project clearly came from his own 1892 design for the Georgia State Building at the World’s Columbian Exposition in Chicago.

    As conceived by Norrman, the Georgia State Building was to be a 50-by-150-foot hexastyle temple made entirely of Georgia materials,6 including “liberal use of parti-colored marbles”,7 marble tile floors, a terracotta roof,8 and “dressed wood effects” to “remind the traveled beholder of the sublime artistic effects so frequently produced in Venetian and Florentine buildings”.9

    The project wasn’t executed because the state of Georgia couldn’t secure sufficient space for it at the exposition.10 11 Additionally, the estimated $10,000 building12 had to be funded entirely by private donations, which failed to materialize.13

    Norrman was obviously pleased with his design, though: Early in the project’s development, he suggested that the Georgia State Building be “lithographed and copyrighted”, with proceeds funding its construction.14

    And the building was indeed lithographed—Norrman’s then-assistant, W.L. Stoddart, drew an exquisite pen-and-ink wash of the proposed design (pictured above), which was published in the American Architect and Building News in July 1892.

    An illustration of the building was also entered into the Architectural League of New York’s 8th annual exhibition in January 1893, which included designs from the World’s Columbian Exposition.

    In describing the show, The Architectural and Building Monthly singled out Norrman’s design from 15 other state entries, writing somewhat inaccurately:

    . “…the Georgian design by G.L. Norrman, of Atlanta, is the only one which can be considered an exponent of a type. The design is characteristic of the Sunny South, where the public buildings have always been more ornate and graceful than in the more material North. It is of the Grecian temple style, but there is enough originality and boldness in the treatment to defend the architect from any suggestion of a too slavish conservatism. There is a beautiful proportion carried out in the details, and the whole is a harmonious picture.”15

    Given its positive reception in New York, it’s fitting that Norrman adapted his world’s fair design for a New York newspaper, no matter how short-lived its use: Following the close of the Cotton States Exposition, the New York Herald Building was demolished in January 1896.16 17

    View of Cotton States and International Exposition with New York Herald Building under construction (visible between second and third statues).
    View of Cotton States and International Exposition with New York Herald Building under construction (visible between second and third statues).18

    References

    1. “Herald’s Booth At Atlanta”. New York Herald, October 20, 1895, p. 10. ↩︎
    2. ibid. ↩︎
    3. ibid. ↩︎
    4. ibid. ↩︎
    5. American Architect and Building News, Vol. 38, No. 864 (July 16, 1892). ↩︎
    6. “The Georgia Building.” The Atlanta Constitution, July 25, 1892, p. 6. ↩︎
    7. “Georgia At The Fair.” The Atlanta Constitution, March 10, 1892, p. 8. ↩︎
    8. “The Georgia Building”. The Atlanta Constitution, July 24, 1892, p. 15. ↩︎
    9. “Georgia At The Fair.” The Atlanta Constitution, March 10, 1892, p. 8. ↩︎
    10. “Georgia’s Exhibit”. The Atlanta Constitution, March 22, 1892, p. 7. ↩︎
    11. “The Governor Talks”. The Atlanta Constitution, March 30, 1892, p. 5. ↩︎
    12. ibid. ↩︎
    13. “The Georgia Building”. The Atlanta Constitution, July 24, 1892, p. 15. ↩︎
    14. “Georgia At The Fair.” The Atlanta Constitution, March 10, 1892, p. 8. ↩︎
    15. “Architectural League Exhibition.” The California Architect and Building News, Vol. 14, No. 3 (March 1893), p. 32. ↩︎
    16. “To Tear It Down”. The Atlanta Constitution, January 14, 1896, p. 7. ↩︎
    17. “Left In Ruins Now”. The Atlanta Constitution, January 19, 1896, p. 7. ↩︎
    18. Photo credit: Roth, Darlene R. and Jeff Kemph, editors. Piedmont Park: Atlanta’s Common Ground. Athens, Georgia: Hill Street Press (2004), p. 28. ↩︎

  • Words About G.L. Norrman: On His Early Life and the Gate City National Bank (1884-1929)

    Humphries & Norrman. Gate City National Bank (1884, demolished May 1929). Atlanta.
    Humphries & Norrman. Gate City National Bank (1884-May 1929). Atlanta.1

    The Background

    The following biographical sketch, published in 1884, is one of the few sources detailing the early life of G.L. Norrman, including an interesting anecdote about a violent outburst in his youth—a forerunner of many to follow.

    The sketch appeared in an article in The Atlanta Constitution, heralding the completion of the first “modern” office building in the city, designed by Norrman and owned and anchored by the Gate City National Bank.

    Located at the southeast corner of Alabama and Pryor Streets, the five-story structure was one of Norrman’s most important early works, designed in the “metropolitan style”, with Stone Mountain granite for the foundation, Tennessee limestone on the lower floors, and pressed brick on the upper floors.

    Location of Gate City National Bank

    The building’s entrance porticoes were made of Ohio freestone and carved by a mysterious Mr. Ruckle, who was said to be a graduate of the “national school of fine arts at Munich”.2

    Inside, the building included an elevator,3 which was still a novelty in Atlanta—the city’s first elevator debuted at J.F. & M.C. Kiser department store in 1877,4 and there were only about 20 elevators in the city in 1884.5

    The project took nearly two years to complete6 and was officially credited to Humphries & Norrman.7

    However, George P. Humphries left the firm shortly before its completion,8 and it appears Norrman was the primary designer, assisted by his first known draughtsman, Aug Petersen.

    L. J. Hill, president of the Gate City National Bank, praised Norrman’s design for the building, saying: “…no finer architect need be wanted by anyone than Mr. Norrman.”

    Although the article calls it the “Hill building”, the structure was typically referred to as the Gate City National Bank until the institution abruptly closed its doors and was sold in 1893,9 10 after an employee embezzled over $100,000 from its coffers.11 12

    "Temple Court", Gate City National Bank, after 1895 expansion
    “Temple Court”, Gate City National Bank, after 1895 expansion13

    Seizing the opportunity for prime real estate, the Venable Brothers of Atlanta then purchased the building14 and in 1895, added three floors15 with a roof garden,16 installed “two swift modern elevators”,17 renovated the interior,18 and renamed the structure Temple Court (pictured above).19

    Billed as “Taller than the Equitable“,20 the eight-story Temple Court gave the structure a new lease on life, as it was already becoming outmoded by Atlanta’s first “skyscrapers” of the 1890s, which topped out at a whopping 10 floors by the end of the decade.

    The Temple Court addition was designed by Land & Cox,21 a minor architectural firm of Atlanta, but appears to have seamlessly matched Norrman’s design.

    It’s unclear why Norrman wasn’t chosen for the project, but while work was underway on the Gate City addition,22 he was hired by the Venables to design the 10-story Hotel Venable (unbuilt).23 24 25 26 27

    Temple Court was demolished in May 1929 for a three-story hotel,28 29 shortly after its ground floor and basement were stripped of their ornamentation and sealed beneath the Alabama Street viaduct, then under construction.30

    The new structure was simply placed on top of the Temple Court’s ground floor, vestiges of which can still be seen in Underground Atlanta.

    Vestiges of the rusticated limestone facade from Gate City National Bank, Underground Atlanta
    Vestiges of the rusticated limestone facade from Gate City National Bank, Underground Atlanta

    This need for fact-checking is strong in this biographical sketch, which appears to have been hastily written: it’s chock-full of run-on sentences, overly long paragraphs, and numerous misspelled names. It also makes several claims that merit further attention. Among them:

    • I haven’t been able to confirm that Norrman served three years in the “royal navy”, but in the mid-19th century, all Swedish males between the ages of 20 and 25 were required to serve in the military for four weeks every two years.31 At Norrman’s death, a photograph was also found of him “in full dress suit of a marine”.32
    • The “government engineer corps” mentioned in the article could be the Pontonjärbataljonen, a battalion stationed in Stockholm that primarily built bridges.
    • The “Academy of Design” could refer to the Teknologiska institutet in Stockholm. However, it could also refer to the Royal Danish Academy of Fine Arts in Copenhagen, as papers found at Norrman’s death33 indicated he attended “the famous University of Copenhagen”34 and a German technical university.35 36 Adding to the confusion, a 1892 profile claimed Norrman “finished his regular educational course in the finest school of Stockholm.” It seems likely that he was educated in that city, as Swedish church records indicate that Herr Gottfrid Leonard Norrman left his home parish for Stockholm at the age of 18.
    • Norrman and his first partner in Atlanta, M.B. Weed, can only be credited in part with the design of the main building at the International Cotton Exposition. The original plan was designed by W.H.H. Whiting of Boston,37 38 and it appears Norrman & Weed designed multiple expansions of the building during its construction.39 40 The firm also designed five accessory buildings at the exhibition, with Fay & Eichberg of Atlanta designing two.41 42
    • In addition to the exposition buildings, 19 of Norrman’s other works are mentioned in the sketch, although many are given incorrect names or locations. Only one of those, the Edward C. Peters House, remains standing—Atlanta does love the wrecking ball. The correct names, dates, and locations for each project are:
      • St. Luke’s Cathedral, built 1883 and demolished 1906 – NE corner of North Pryor and Houston Streets, Atlanta – later site of Georgia-Pacific Center, Downtown [Map]
      • Unitarian Church of Our Father, built 1883 and demolished 1900 for construction of Carnegie Library – SW corner of Church and Forsyth Streets, Atlanta [Map]
      • Edward C. Peters Residence, “Ivy Hall”, completed 1883 – 179 Ponce de Leon Avenue NE; Midtown, Atlanta [Map]
      • William H. Venable Residence, built 1883 – 19 Forrest Avenue, Atlanta [Map]
      • William S. Everett Residence, built 1884 – 278 Peachtree Street, Atlanta – later site of Atlanta Expressway (I-75/85) [Map]
      • William D. Ellis Residence, built 1882 and demolished for construction of Atlanta Expressway (I-75/85) – 193 Washington Street, Atlanta [Map]
      • John Milledge Residence, built 1883 – 120 East Peters Street, NE corner of East Peters Street and Capitol Place, Atlanta – later site of 2 Capitol Square SW, Downtown [Map]
      • Horace Bumstead Residence, “Bumstead Cottage”, built 1883 and demolished by 1929 – 169 Vine Street, NE corner of Vine Street and University Place, Atlanta [Map]
      • Thomas H. Blacknall Residence, built 1883 and likely demolished for construction of East-West Expressway (I-20) – 56 Park Avenue, SE corner of Park and Lee Streets, West End, Atlanta [Map]
      • West End Academy, built 1883-4 and demolished circa 1911 – Lee Street, West End, Atlanta [Map]
      • Ponce De Leon Springs pavilion, built 1883 and demolished circa 1914 – later site of Sears, Roebuck & Company Building, Atlanta. [Map]
      • Robert A. Hemphill Residence, built 1884 – 231 Peachtree Street, Atlanta – later site of SunTrust Plaza, Downtown [Map]
      • Daniel N. Speer Residence, built 1882 – 486 Peachtree Street, SW corner of Peachtree and Linden Streets, Atlanta – later site of Emory University Hospital Midtown [Map]
      • Dr. Spalding Residence, built 1883 – 484 Peachtree Street, NE corner of Peachtree and Howard Streets, Atlanta – later site of Emory University Hospital Midtown [Map]
      • Nathaniel P.T. Finch Residence, built 1881 – 388 Peachtree Street, Atlanta [Map]
      • R. H. Richards Residence, built 1885 and demolished 1925 for construction of Davison-Paxon-Stokes Company building – 190 Peachtree Street, Atlanta [Map]
      • Homer G. Barber Residence, built 1884 – 147 Forrest Avenue, Atlanta – later site of Georgia Power Company, Old Fourth Ward [Map]
      • William A. Osborn Residence, built 1884 – 194 Jackson Street, Atlanta [Map]
      • Grant Park pavilion, built 1884 – Grant Park, Atlanta [Map]

    G.L. Norrman, Architect.

    Probably no man in Atlanta is more widely or favorably known than Mr. G.L. Norrman. He has only been here about three years, but in that time has furnished designs for fully $2,000,000 worth of buildings of every character, including of course, the time when he had Mr. Humphries associated with him as partner.

    Mr. Norrman now occupies rooms 58 and 59 on the fourth floor, and is nicely equipped with all the appurtenances of a first class architect. He is a Swede by birth, and held a position for three years in the royal navy. He has ever been a man of great nerve and pluck an amusing incident which occurred while he was in the navy going to prove this fact. A superior officer having given him some very insolent words, had the pleasure of being straightened out on deck by a blow from Mr. Norrman’s fist. He soon after resigned from the marine service, and took a position in the government engineer’s corps where he distinguished himself for his ability. Mr. Norrman was educated in architecture at the Academy of Design in Stockholm. His first work after reaching Atlanta was to draw up plans for the great cotton exposition buildings in 1881, which were accepted and will be remembered by everyone, of course. He also designed the St. Luke’s cathedral and the Unitarian church, which are universally admired. The great characters [sic] which Mr. Norrman’s work always shows, has made it popular among those who appreciated individuality, and the fact that within three years he has done $2,000,000 in houses, is sufficient evidence of his merit as an architect. He designed Colonel Richard Peter‘s fine house on Peachtree [sic] , Mr. W.H. Venabla‘s [sic], Mr. Everett‘s, Mr. Ellis‘, on Washington; Captain Milledge‘s, Professor Bumbstead‘s [sic], Major Blacknall’s at West End; the West End academy buildings, the Ponce de Leon pavilion, Mr. R.A. Hemphill‘s, Colonel Dan Speer‘s, Mr. Spaulding‘s [sic], Mr. Finchs‘s [sic] and many others not necessary to mention. Mr. Norman now has a number of homes in hand, among them Mr. Richard‘s [sic] fine residence on Peachtree, which is to cost $40,000; Mr. Barber‘s, Mr. Osborne‘s [sic] on Jackson street, and many others. He has also the designs for a very neat pavilion to be placed in Grant’s park.

    Perhaps the great monument to Mr. Norrman’s architectural skill and ability is the Hill building, the subject of this sketch. The cut herewith presented does not give an adequate idea of the perfection of the building, but it serves to show in a measure its graceful, massive proportions. Mr. Hill expresses himself more than satisfied. Said he, “I consider my building one of the best constructed in the country, and I take pleasure in saying that no finer architect need be wanted by anyone than Mr. Norrman. His work here far exceeded may expectations.” Mr. Aug Peterson, also from Sweden, is associated as assistant with Mr. Norrman. He studied architecture at the institute of technology in Norkpoking [sic]. It gives The Constitution pleasure to add its own praise to Mr. Norrman’s value to the architectural worth of Atlanta.43

    References

    1. Photo credit: The Atlanta Historical Society. Atlanta in 1890: “The Gate City”. Macon, Georgia: Mercer University Press (1986). ↩︎
    2. “The Hill Building.” The Atlanta Constitution, March 16, 1884, p. 4. ↩︎
    3. ibid. ↩︎
    4. “A Bounding Business”. The Atlanta Constitution, August 2, 1877, p. 2. ↩︎
    5. “Atlanta.” The Atlanta Constitution, October 1, 1884, p. 33. ↩︎
    6. ibid. ↩︎
    7. “Real Estate Notes.” The Atlanta Constitution, May 8, 1882, p. 7. ↩︎
    8. “Dissolution.” The Atlanta Constitution, February 28, 1884, p. 3. ↩︎
    9. “It Is Closed.” The Atlanta Journal, February 24, 1893, p. 1. ↩︎
    10. “The Building Is Sold.” The Atlanta Journal, April 27, 1893, p. 1. ↩︎
    11. $65,000!” The Atlanta Journal, February 22, 1893, p. 1. ↩︎
    12. “Redwine $103,148 Short”. The Atlanta Journal, March 16, 1893, p. 1. ↩︎
    13. Photo credit: Atlanta City Council and the Atlanta Chamber of Commerce. Handbook of the City of Atlanta: A Comprehensive Review of the City’s Commercial, Industrial and Residential Conditions (1898). ↩︎
    14. “The Highest In Atlanta”. The Atlanta Journal, September 28, 1894, p. 8. ↩︎
    15. “Three Stories Higher”. The Atlanta Journal, February 4, 1895, p. 5. ↩︎
    16. ‘It Will Be “Temple Court.” The Atlanta Journal, June 24, 1895, p. 7. ↩︎
    17. ibid. ↩︎
    18. “Three Stories Higher”. The Atlanta Journal, February 4, 1895, p. 5. ↩︎
    19. ‘It Will Be “Temple Court”.’ The Atlanta Journal, June 24, 1895, p. 7. ↩︎
    20. “The Highest In Atlanta”. The Atlanta Journal, September 28, 1894, p. 8. ↩︎
    21. “Building Notes.” The Atlanta Journal, April 6, 1895, p. 14. ↩︎
    22. “By the Venables.” The Atlanta Constitution, May 1, 1895, p. 5. ↩︎
    23. “Ten Stories High”. The Atlanta Constitution, April 4, 1895, p. 5. ↩︎
    24. “Hotel Venable Goes Up”. The Atlanta Journal, April 4, 1895, p. 6. ↩︎
    25. “‘Twill Be a Big Hotel”. The Atlanta Constitution, April 5, 1895, p. 5. ↩︎
    26. “It Will Be Built”. The Atlanta Constitution, April 6, 1895, p. 5. ↩︎
    27. “The Proposed Hotel Venable.” The Atlanta Journal, April 8, 1895, p. 10. ↩︎
    28. “Plan for Hotel on Temple Court Site Announced”. The Atlanta Journal, April 28, 1929, p. D8. ↩︎
    29. “Building Material”. The Atlanta Constitution, May 26, 1929, p. 7C. ↩︎
    30. Rubin, Ernest. “Property Owners See Bright Future For Viaduct Area”, The Atlanta Constitution, December 23, 1928, pp. 1, 6. ↩︎
    31. Allotment system – Wikipedia ↩︎
    32. “Architect G.L. Norrman Speeds a Fatal Bullet Through Right Temple”. The Atlanta Constitution, November 17, 1909, p. 1. ↩︎
    33. “G.L. Norrman Ends His Life In Room In the Majestic”. The Atlanta Journal, November 16, 1909, pp. 1-2. ↩︎
    34. ibid. ↩︎
    35. ibid. ↩︎
    36. “Architect G.L. Norrman Speeds a Fatal Bullet Through Right Temple”. The Atlanta Constitution, November 17, 1909, p. 1. ↩︎
    37. The International Cotton Exposition of Products, Machinery and Manufactures. Atlanta: Jas. P. Harrison & Co. (1881). ↩︎
    38. “Exposition Notes.” The Atlanta Constitution, November 12, 1881, p. 11. ↩︎
    39. “Spreading Out.” The Atlanta Constitution, September 11, 1881, p. 7. ↩︎
    40. “Cotton.” The Atlanta Constitution, October 5, 1881, p. 10. ↩︎
    41. The International Cotton Exposition of Products, Machinery and Manufactures. Atlanta: Jas. P. Harrison & Co. (1881). ↩︎
    42. “Cotton.” The Atlanta Constitution, October 5, 1881, p. 10. ↩︎
    43. “The Hill Building.” The Atlanta Constitution, March 16, 1884, p. 4. ↩︎

  • Kennedy Free Library (1885-1974) – Spartanburg, South Carolina

    G.L. Norrman. Kennedy Free Library (1885, demolished 1974). Spartanburg, South Carolina.
    G.L. Norrman. Kennedy Free Library (1885, demolished 1974). Spartanburg, South Carolina.1

    An article from the February 6, 1927, issue of The Spartanburg Herald recounted the history of the Kennedy Free Library in Spartanburg, South Carolina. The library’s first building was completed in 1885, and “Norman was the architect“, the writer noted.2

    Since he practiced in Spartanburg between 1878 and 1881, and continued to return there for work throughout his career, “Norman” undoubtedly refers to G.L. Norrman.

    The above illustration shows the two-story building, which was located just off the northeast corner of Spartanburg’s public square on a short street initially named Kennedy Place and later Dunbar Street.

    Location of Kennedy Free Library

    A Sanborn fire insurance map from 1888 indicates that the library was on the second floor, with retail space on the first, as confirmed by the shoe store advertised in the illustration.

    The building is intriguing for several reasons:

    • It’s a rare example of Norrman incorporating Gothic styling into one of his designs, which he appears to have largely disfavored, even for churches and school buildings. In an 1892 interview, he stated: “I prefer the classic for libraries…”
    • The building’s cornerstone was laid in June 1883, two years after Norrman relocated from Spartanburg to Atlanta in April 1881,3 4 allegedly because he was upset by the “cheap construction” of his Spartan Inn project.5 Although Norrman owed the bulk of his professional success to Atlanta, I suspect his heart always belonged to Spartanburg: he maintained lifelong friendships in the town, and it was there that he became a United States citizen (his naturalization papers were still held there in 1909).6 Norrman must have visited South Carolina in 1882, when the Newberry Opera House was completed, and there were multiple residences in Spartanburg built between 1882 and 1884 (all demolished) that appear to have been his designs. It appears Norrman never entirely abandoned the Upcountry.
    • Norrman didn’t truly come into his own as a designer until his 1886 plan for the W.W. Duncan Residence —also located in Spartanburg. Anything from what I consider Norrman’s juvenilia period (1876-1885) is interesting because very little of it is immediately recognizable as his work, unlike most of his projects from the late 1880s onwards. I’ve seen the library illustration many times before, but never considered that he designed the building.
    • The library’s appearance resembled that of another building in Spartanburg that I have long suspected may be of Norrman’s design, although I can’t find conclusive proof. The building at 154-156 West Main Street (pictured below) was built in 18827 and is notable for its quirky Second Empire-style cupola.
    Architect unknown. 154-156 West Main Street (1882). Spartanburg, South Carolina.
    Architect unknown. 154-156 West Main Street (1882). Spartanburg, South Carolina.

    As it stands, the only extant store building in Spartanburg that I feel confident attributing to Norrman is the unremarkable structure at 101 East Main Street (pictured below).

    The building was originally one-half of a block of two adjoining storerooms and is likely a project designed by Norrman for A.G. Owens of Mississippi in 1879.8

    The neighboring space was later gutted by fire, although its facade (not original) is intact, and the remaining half has been substantially altered.

    G.L. Norrman (attributed). 101 East Main Street (1879, altered). Spartanburg, South Carolina.
    G.L. Norrman (attributed). 101 East Main Street (1879, altered). Spartanburg, South Carolina.

    It appears the 1885 building that housed the Kennedy Free Library was demolished in 1974 for the widening of Dunbar Street,9 10 11 one year before the demolition of the nearby Duncan Building12 (pictured below), which Norrman designed13 in 1891.14

    Both structures were victims of Spartanburg’s attempt to convert its downtown into a “mall”, following a plan by Skidmore, Owings, and Merrill that called for the creation of one-way streets and the wholesale demolition of historic buildings to lure savvy shoppers back to a modernized central core.15

    As with the hundreds of other U.S. cities that “malled” their downtowns in the 1970s, Spartanburg’s effort was an abject failure,16 and a planned 15-story hotel and civic center complex to be built on the “Opportunity Block,” which included both the library and Duncan Building, failed to materialize.17

    And thus does America continue to destroy itself: through arrogant plans and empty promises.

    G.L. Norrman. Duncan Building (1891, demolished 1975). Spartanburg, South Carolina.
    G.L. Norrman. Duncan Building (1891, demolished 1975). Spartanburg, South Carolina.

    References

    1. Illustration credit: A Story of Spartan Push: The Greatest Manufacturing Centre in the South. Spartanburg, South Carolina, and its Resources. Spartanburg, South Carolina: The News and Courier (July 28, 1890), p. 52. ↩︎
    2. Mims, Julius. “Kennedy Library Improves Present Cataloging System”. The Spartanburg Herald (Spartanburg, South Carolina), February 6, 1927, p. 17. ↩︎
    3. “Messrs. Norrman & Weed.” The Atlanta Constitution, April 12, 1881, p. 4. ↩︎
    4. “Various and all About.” The Newberry Herald (Newberry, South Carolina), May 4, 1881, p. 3. ↩︎
    5. “Converse To Show Fruits Of Recent Funds Campaign”. Spartanburg Herald-Journal, October 6, 1957, p. A4. ↩︎
    6. “Prominent Architect Here.” The Spartanburg Herald, September 30, 1909, p. 8. ↩︎
    7. National Register of Historic Places — Nomination Form: Spartanburg Historic District ↩︎
    8. “More Improvements Contemplated.” The Spartanburg Herald, January 29, 1879, p. 4. ↩︎
    9. “Dunbar Street Demolition Is Next In Mall Progress”. The Spartanburg Herald, June 12, 1974, p. B1. ↩︎
    10. “Another Move In City Redevelopment”. The Spartanburg Herald, July 30, 1974, p. A9. ↩︎
    11. “This View From On Top Shows The Shape Of Things To Come”. Spartanburg Herald-Journal, August 3, 1974, p. B1. ↩︎
    12. Dalhouse, Debbie. “Opportunity Block Demolition Begins”. The Spartanburg Herald (Spartanburg, South Carolina), September 16, 1975, p. A1. ↩︎
    13. “Former Spartan Commits Suicide”. The Journal (Spartanburg, South Carolina), November 17, 1909, p. 1. ↩︎
    14. Racine, Philip N. Spartanburg County: A Pictorial History. Virginia Beach, Virginia: The Donning Company/Publishers (1980), p. 62. ↩︎
    15. “Spartanburg’s Downtown Mall”. The Spartanburg Herald-Journal (Spartanburg, South Carolina), March 2, 1974, p. C1. ↩︎
    16. Shook, Lynn. “Main Street Mall May See Traffic Again.” Spartanburg Herald-Journal (Spartanburg, South Carolina), August 30, 1984, p. A1. ↩︎
    17. Smith, Adam C. “Spartanburg back at drawing board”. Spartanburg Herald-Journal, July 28, 1991. p. B1. ↩︎