Hentz, Adler & Shuze. Glenn Memorial Church, North Druid Hills, Atlanta.12345South elevation and steeple of Glenn Memorial Church, AtlantaPortico of Glenn Memorial Church, AtlantaSteeple on Glenn Memorial Church, AtlantaCornice and Scamozzi pilaster capitals on Glenn Memorial Church, AtlantaBelvedere on the steeple of Glenn Memorial Church, AtlantaLooking up at the entrance portico of Glenn Memorial Church, AtlantaPortico and main entrance on the facade of Glenn Memorial Church, AtlantaNiche on the entrance portico of Glenn Memorial Church, AtlantaKeystone and cast stone ornamentation over the main entrance of Glenn Memorial Church, AtlantaLooking at the columns of Glenn Memorial Church, Atlanta
References
“Memorial To Glenn Planned For Emory”. The Atlanta Constitution, November 26, 1929, p. 7. ↩︎
“Building In The South”. The Atlanta Journal, December 8, 1929, p. D8. ↩︎
“Glenn Memorial Church At Emory University, To Cost $500,000, Is Started”. The Atlanta Journal, July 11, 1930, p. 3. ↩︎
“Glenn Memorial Church Exercise Is Planned Oct. 4”. The Atlanta Journal, September 27, 1931, p. 2B. ↩︎
“Novel Design Enables Building at Emory to Serve Students Also”. The Atlanta Journal, October 4, 1931, p. B3. ↩︎
Willis F. Denny. Victor Kriegshaber Residence (1901). Inman Park, Atlanta.1Terracotta pediment and stained-glass transom over the front door of the V.H. Kreigshaber Residence, AtlantaChimney and dormer on the V.H. Kriegshaber Residence, AtlantaSouth elevation of the V.H. Kriegshaber Residence, AtlantaDormer on the south elevation of the V.H. Kriegshaber Residence, AtlantaBay window on the south elevation of the V.H. Kriegshaber Residence, AtlantaTerracotta pediment over a window on the south elevation of the V.H. Kriegshaber Residence, AtlantaWindow on the facade of the V.H. Kriegshaber Residence, AtlantaColumn, capital, and cornice on the V.H. Kriegshaber Residence, AtlantaPalmette ornamentation on the dormer of the V.H. Kriegshaber Residence, AtlantaRoof finial on the V.H. Kriegshaber Residence, Atlanta
References
“Many Residences Soon To Be Built In Atlanta”. The Atlanta Constitution, July 10. 1901, p. 7. ↩︎
Joseph Wells of McKim, Mead & White. Villard Houses (1885). New York.
Six of New York’s surviving Gilded Age mansions hide in plain sight on Madison Avenue, and most people would never suspect they were once residences.
Stretching across an entire block, the imposing Villard Houses complex looks every bit like a public building, but it was initially designed as six attached townhomes.
Location of the Villard Houses
Henry Villard originally owned the property, and in the early 1880s, he hired McKim, Mead & White to design houses on it for himself and five other executives of his railroad company.1
With the firm’s star designer, Stanford White, otherwise engaged, the project’s design fell to Joseph Wells, an assistant who discarded White’s original sketches and opted for an exquisite Renaissance-inspired scheme.2
North wing of the Villard Houses, New York
Wells’ work on this project was magnificent. Judging from this and his designs for the New York Life Buildings in Kansas City and Omaha, and the Russell & Erwin Building in New Britain, Connecticut, I’d venture to say he was more talented than White—certainly he was more disciplined.
The three-story homes included basements and attics and were built around a central courtyard, with brownstone facades and a tile roof. The ornamentation is sparse but striking, forming a tasteful, cohesive design that is far more subdued than many of White’s buildings, which were often quite garish.
Courtyard of the Villard Houses, New York
The Villard Houses marked an important turning point for McKim, Mead & White, as Wells’ Renaissance-influenced design received widespread public acclaim, prompting the firm to look increasingly toward Italian architecture for inspiration.5
The project itself was a bust, however: Villard’s company failed during construction, and the homes were put up for sale before the interiors were completed.6 Typical Gilded Age bullshit. The firm ultimately finished the interiors of four of the homes.7
South wing of the Villard Houses, New York
Stanford White and Joseph Wells reportedly had a complex and contentious relationship that grew increasingly strained through the 1880s as White’s hard-partying lifestyle began to eclipse his work output, and Wells handled major projects without credit or commensurate pay.8
Although he was virtually unknown to the public, Wells was highly esteemed in the architectural community, and when he abruptly died in 1890, his friendCass Gilbert said he “had the temperament which makes artists unfit to cope with the world, and which, therefore, kept them always as assistant rather than principals.”9 Woof.
Granted, I tend to root for talented people who stay out of the spotlight, but I consider Wells an unsung genius, and the Villard Houses are undoubtedly his finest surviving work.
Looking at the north wing of the Villard Houses, New York
Gallery
Looking at the south wing of the Villard Houses, New YorkLooking at the south wing of the Villard Houses from East 50th Street, New YorkSecond and third-floor windows on the south wing of the Villard Houses, New YorkSecond-floor balcony on the south wing of the Villard Houses, New YorkThird-floor windows on the facade of the Villard Houses, New YorkThird-floor window on the south wing of the Villard Houses, New YorkConsole and ornamentation on a second-floor balcony of the Villard Houses, New YorkThird-floor and attic windows on the facade of the Villard Houses, New YorkMain entrance to the Villard Houses, New YorkOrnamentation on the main entrance of the Villard Houses, New YorkQuoins on the south wing of the Villard Houses, New YorkCornice and brackets on the south wing of the Villard Houses, New YorkDormers on the north wing of the Villard Houses, New YorkEntrance to the north wing of the Villard Houses, New YorkDormer on the south wing of the Villard Houses, New YorkChimney on the Villard Houses, New YorkAttic windows on the north wing of the Villard Houses, New YorkSecond-floor balcony on the Villard Houses, New YorkLight at the entrance to the north wing of the Villard Houses, New YorkThird-floor double window on the facade of the Villard Houses, New YorkDormers and chimney on the north wing of the Villard Houses, New YorkConsole and ornamentation on a second-floor balcony of the Villard Houses, New YorkFirst-floor window on the north wing of the Villard Houses, New YorkSecond-floor windows on the south wing of the Villard Houses, New YorkSecond and third-floor windows on the Villard Houses, New YorkColumn at the entrance gate to the Villard Houses, New YorkLooking at the north wing of the Villard Houses, New YorkRusticated brownstone on the south wing of the Villard Houses, New York
Mantel in Entrance Hall, Henry Villard Residence at the Villard Houses, New YorkDoor to Dining Room, Henry Villard Residence at the Villard Houses, New YorkLunette over mantel, Henry Villard Residence at the Villard Houses, New YorkEntrance Hall, Henry Villard Residence at the Villard Houses, New YorkDining Room, Henry Villard Residence at the Villard Houses, New YorkMantel in Dining Room, Henry Villard Residence at the Villard Houses, New York
Stanford White of McKim, Mead & White. Robert Wilson Patterson Residence (1903). Washington, D.C.1
The only thing that makes this home’s exterior truly interesting is its unique butterfly shape, designed to conform to its site overlooking Washington, D.C.’s Dupont Circle.
Location of the Robert Wilson Patterson Residence
Otherwise, it’s fairly standard for Stanford White‘s later work, with an overwrought mishmash of Renaissance-inspired details that appears fitful and fussy, akin to the cluttered walls of an old art gallery.
However, the marble and limestone construction is quite exquisite on close observation.
White claimed the design had a “light and rather joyous character.”2
I’m not sure about “joyous,” but I can go along with “light,” as the abundance of windows in the structure gives it an airy feel, particularly when the sun hits all five sides of the facade.
Ornamentation on the Robert Wilson Patterson Residence, Washington, D.C.
The home was built at the same time as White’s partner, Charles F. McKim, was designing the nearby East Wing of the White House, which…is no longer with us.
The Patterson Mansion is currently occupied by short-term rental units, and I hope to stay in one at some point in the future— preferably when D.C. is no longer occupied by madmen.
God knows when that may be.
Gallery
Third-floor windows on the south facade of the Robert Wilson Patterson Residence, Washington, D.C.Third-floor balcony on the Robert Wilson Patterson Residence, Washington, D.C.Pediment over the entrance of the Robert Wilson Patterson Residence, Washington, D.C.Eaves, consoles, and cornice on the Robert Wilson Patterson Residence, Washington, D.C. Pediment and ornamentation over a second-floor window on the Robert Wilson Patterson Residence, Washington, D.C. Columns, pilasters, and marble panel on the facade of the Robert Wilson Patterson Residence, Washington, D.C. Second- and third-floor windows and ornamentation on the facade of the Robert Wilson Patterson Residence, Washington, D.C. Third-floor window, marble panel, and ornamentation on the facade of the Robert Wilson Patterson Residence, Washington, D.C. Marble panel on the facade of the Robert Wilson Patterson Residence, Washington, D.C. Eaves, cornice, attic window, stringcourse, and ornamentation on the facade of the Robert Wilson Patterson Residence, Washington, D.C. Second, third-floor, and attic windows on the facade of the Robert Wilson Patterson Residence, Washington, D.C. Ornamentation over a third-floor window on the Robert Wilson Patterson Residence, Washington, D.C. Second- and third-floor windows on the Robert Wilson Patterson Residence, Washington, D.C.
Stanford White of McKim, Mead & White.Metropolitan Club (1894). New York.1
The Fifth Avenue side of the Metropolitan Club enjoys just a few minutes of direct light in the winter, so I had to work fast for this picture.
It was a freezing day in January—hours before a snowstorm hit—but damn it, the result was worth the misery.
Location of the Metropolitan Club
Of the many fine examples of Stanford White‘s work in New York, the Metropolitan Club is the best.
The building’s composition is simple yet refined; the elements are perfectly balanced, and the facade is delicately textured with just the right amount of ornamentation.
Someday I’ll get the detail shots.
The structure was designed in the style of an Italian palazzo and built of marble, with opulent interiors that I’ll certainly never photograph. The club, after all, was founded by millionaires and is now patronized by billionaires.
I’ll just take pics by the Halal cart across the street, thanks.
Sixtieth Street Elevation of the Metropolitan Club, New YorkSection and detail drawings of the Metropolitan Club, New YorkFirst floor plan of the Metropolitan Club, New YorkSecond floor plan of the Metropolitan Club, New York
References
“New Club Of The Millionaires.” The World (New York), February 25, 1894, p. 26. ↩︎