Category: Atlanta

I was introduced to the work of Marcel Breuer with the Atlanta Central Library (1980), which was designed as a conscious rehash of Breuer’s Whitney Museum in New York and is perhaps the most emblematic example of Atlanta’s consistent impulse to copy the architecture of better cities (badly).

Breuer’s firm was hired to design the building in 1970,¹ but in typical Atlanta fashion, no one wanted to pay for the new facility, even though the city’s 1902 Carnegie Library (pictured below) was in disrepair, overcrowded, and “hopelessly outmoded.”²

In lieu of actual decision-making, local leaders spent years quibbling over where the library should be built,^{3 4 5 6 7 8} while simultaneously denying funds for its construction.

In his 1973 mayoral campaign, Maynard Jackson even promised that only private donations, not tax dollars, would be used for the project,^{9 10} which had an original estimated cost of $13 million but, with runaway inflation, had jumped to nearly $20 million by 1974.¹¹

Meanwhile, the old library remained in abysmal condition, and an unusually pointed news commentary from that year said: “The dingy granite building on Carnegie Way, with its creaking floors and bulging stacks, stands as a pathetic reminder of the place of culture in this modern commercial capital.”¹²

The library’s director, Carlton Rochell, was equally dismissive of the aging Beaux-Arts building, stating that “…even at its best, it was just one of about 4,500 things cut out with Carnegie’s cookie-cutter.”¹³ He wasn’t wrong.

Rochell was the driving force behind the new library’s development, and his explanation for why he chose Breuer as the designer was the embodiment of Atlanta smugness:

“We narrowed it down to three or four architects with enviable reputations. We settled on Marcel Breuer because we regard him as being at the pinnacle of his profession. Besides, I felt that Atlanta should have the distinction of a Breuer-designed building. There’s one other thing. Marcel Breuer is notable for living with a budget.”¹⁷

The final two contenders were Breuer and Paul Rudolph, but it appears Rochell intended to hire Breuer all along, as he was said to be “highly enamored of the Whitney Museum.”¹⁸

When Breuer’s conceptual design¹⁹ for the new library was approved in March 1971,²⁰ The Atlanta Journal claimed it “borrows somewhat from the Whitney Museum of Art…”,²¹ which was quite the understatement.

By the early 1970s, it appears Breuer had all but given up actual design work, primarily handing those duties over to his associates while he secured commissions and cashed in on his reputation.

With his firm increasingly cranking out retreads of past glories, Breuer showed no qualms about the derivative design of the Central Library and of its severe Brutalist style; he said it conveyed “an expression which you may call monumental.”²³

That made more sense than the firm’s official design statement for the project. If you can decipher this first-class wankery, mazel tov:

“Admist this heterogeneous downtown texture, the library building must, somehow, be given an architectural significant appropriate to one of the chief cultural resources of a major city. The achievement of this distinctness and clarity is considered a key design challenge by the architects.

The design response aimed at this goal is based on concepts which seek to take maximum advantage of the important circumstances that the library site is a complete block; and that the building that occupies it may thus be separated by an envelope of space from adjacent structures.”²⁴

Despite constant lobbying by Rochell, heavy support from the city’s newspapers, and a special commission’s recommendation to issue a bond to fund the library’s construction,²⁵ the city council and Maynard Jackson—who was elected mayor in 1974—continued to dither on the matter.

In April 1975, the Friends of the Library released a damning statement that cut through the heart of Atlanta’s ludicrous self-aggrandizement:

“It is unthinkable that such a valuable asset as the public library sits like a forgotten dowager on the corner of Carnegie Way while Atlanta touts itself as the world’s next great city.”²⁶

Bowing to mounting pressure, the city council finally scheduled a bond referendum for December 1975,²⁷ although its prospects for passage appeared bleak: a citywide survey released in October 1975 showed that 56% of Atlantans opposed a bond issue to finance a new library.²⁸

The same survey, however, found that 60% of citizens “thought Atlanta’s image is ‘very important,’”²⁹ quantifiably proving that Atlantans are as ignorant as they are narcissistic.

Atlantans are also too apathetic to vote, so it was a shock when 28.6% of voters—much higher than anticipated—showed up to the polls and passed the $20 million bond for the library’s construction.

The vote was largely along racial lines: Black voters overwhelmingly voted for the library, while White voters soundly rejected it.³⁰ That part isn’t surprising—most Southern Whites wouldn’t be caught dead in a public library.

Construction and Design

The library’s initial plans only consisted of a model and simple schematic drawings,³¹ and the final plans weren’t completed until early 1977.^{32 33}

In 1976, Breuer retired from design work entirely due to poor health,³⁴ so primary credit for the Central Library’s design should go to Breuer’s associate architect, Hamilton Smith.

The budget for the library’s construction was set at $18.9 million during the bond referendum, and to stay within those constraints while material and labor costs increased, Smith reduced the building’s footprint to 185,000 square feet.³⁵

The library’s board of trustees pushed back on the reduction, however, demanding the project remain at the larger size,³⁶ which apparently resulted in steep cuts to the interior design budget.

Groundbreaking for the library took place in September 1977,³⁷ but the project faced numerous setbacks before and during construction. Among the low points:

• City of Atlanta workers threatened a strike in early 1976, delaying the issuance of municipal bonds for the library’s construction and the negotiation of construction contracts.³⁸
• In May 1976, Rochell abruptly resigned as library director for a position in New York,^{39 40} unceremoniously tossing responsibility for the project’s development to Ella Yates, who took over the position as the library’s first Black director.^{41 42}
• In early 1977, a group called Save the Carnegie protested the old library’s demolition,^{43 44 45} although the building was ultimately destroyed in September and October 1977.^{46 47}
• The Breuer firm’s choice of Stevens & Wilkinson as the project’s local architects angered Maynard Jackson and city officials after a Stevens & Wilkinson employee publicly claimed that the firm was “blackmailed” by the city into working with a minority-owned firm on the construction of Hartsfield International Airport.⁴⁸ The comment resulted in a federal grand jury investigation, but a resolution by the library’s board of trustees to break the contract with Stevens & Wilkinson ultimately failed.⁴⁹
• In September 1977, a tedious battle of egos erupted between city and library officials over who should manage the construction of the new building. The details are too boring to repeat, but the parks commissioner decided he should manage the project instead of the library’s board of trustees. Why? Who the hell knows? The city council backed the library board, and Maynard Jackson backed the commissioner. Finally, Jackson compromised by giving the board ultimate authority while allowing the parks commissioner to make recommendations to the mayor on library board decisions.^{50 51 52 53 54 55} Politics is insufferable.
• Construction on the library was briefly halted in June 1979 when a concrete slab fell from the building and killed a worker,⁵⁶ the only fatality associated with the project.

Built on the corner of Forsyth Street and Carnegie Way in Downtown Atlanta, the completed Central Library encompassed 250,000 square feet⁵⁷ across 10 levels, with eight floors above ground, and repeated the Whitney Museum’s triple-cantilevered design.

To accommodate Atlanta’s meager funding, the library’s exterior was covered in vertical board-formed concrete,⁵⁸ a much cheaper material than the granite tiles used on the Whitney.

A defining feature of the building is the 25×25 ft. square window⁵⁹ on the front facade that spans two floors, while a trademark trapezoidal window is tucked into the north side at street level.

Opening in May 1980, the library included such novel features as a gift shop, a cafe, a sunken garden (tres 70s), a rooftop terrace, a drive-through window, and a 340-seat auditorium.^{60 61}

The project’s original plan called for six above-ground floors, but Smith was able to add two unfinished “bonus” floors while staying within budget.⁶²

That was probably because so little was spent on the interior, which has only a few of Breuer’s signature flourishes in the stairwells and the basement level, notably bush-hammered concrete, bluestone tiles, and coffered ceilings.

The remainder of the building’s interior spaces were finished out like a drab 1970s office building, with dropped fiberglass ceilings, fluorescent strip lighting, industrial-grade carpeting, and bog-standard furnishings.

The Atlanta hype machine would have you believe the Central Library is one of Breuer’s best works, but that’s complete bullshit. It is, at best, a mildly interesting mash-up of elements from some of Breuer’s earlier projects, none of which is executed well.

Partially buried in a slope, the library appears dreary, faceless, and foreboding, and the floating effect seen in the Whitney design is conspicuously absent.

The two bonus floors at the top add too much visual weight, and the building is more reminiscent of a sinking tombstone than a grand public monument.

Because Atlanta’s infantile leaders putzed around for a solid decade, by the time the library was completed, the Brutalist style was already rapidly falling out of fashion, an embarrassment for a city that so self-consciously tries to sell itself as a modern metropolis on the leading edge (it’s not).

The building initially enjoyed ample sunlight in its windows and skylights, but that quickly changed with the construction of the nearby Georgia-Pacific Center, which has cast a permanent shadow over the library since 1982.

Obsolescence and Renovation

In 1970, Carlton Rochell stated that the planned facility would be adequate for 20 years,⁶³ and when the Central Library was still under construction, Ella Yates confirmed: “Our new edifice…moves us into the year 2000.”⁶⁴

But 20 years in Atlanta might as well be 100, and in 2001, the library was described as “worn” and having suffered from “twenty years of decay and obsolescence.” The director at the time observed that it was “built for a different Atlanta, a different world. It was all pre-computer.”⁶⁵

Circulation at the library had dropped steeply, and since Atlanta never properly maintains its buildings, the facility had predictably fallen into disrepair. The most significant issue was a leaking planter at ground level, which caused a portion of the auditorium’s ceiling to collapse, leading to its closure for five years.⁶⁶

A paltry $3 million renovation began in 2001 and extended into 2002, consisting of little more than essential repairs, new paint and carpeting, and additional computers.^{67 68}

In 2008, the Fulton County Commission held a referendum on a $275 million bond issue, with the stated intention to fund a new 300,000-square-foot library to replace the aging Breuer building.

Like every Atlanta development since the 1996 Olympics, the proposed library was obligatorily described as “world-class,”⁶⁹ although you can be sure it wouldn’t have been.

The bond passed, but—no surprise—Atlanta’s leaders waffled about the library’s fate for nearly a decade.

With the threat of destruction pending, local, national, and even international protests by architects and preservationists mounted, and in 2010, the Central Library was placed on the World Monuments Watch list.

Finally, in July 2016, the county commissioners opted for a full renovation of the building instead of demolition.

However, their decision was motivated more by money than any desire for preservation: the new library proposed eight years earlier was expected to be partially funded by private donations, but those failed to materialize during the Great Recession.⁷⁰

The library closed for renovation in July 2018 and reopened in October 2021.

The renovation was designed by Cooper Carry of Atlanta, likely chosen, in part, because of the firm’s recent work on the new campus for North Atlanta High School (2013),⁷¹ which required the conversion of a hulking suburban office building completed in 1977.⁷²

There was a key difference between the two projects, however: the high school was housed in an unremarkable corporate structure designed by a hometown firm,⁷³ while the library was a landmark civic building credited to an internationally renowned architect.

That the city’s leaders decided local designers were qualified to rework a Breuer building tells you everything you need to know about Atlanta.

Preservationists were most concerned about Cooper Carry’s decision to add strips of windows to the front of the Central Library to increase sunlight, although that turned out to be one of their better decisions—I would argue it was an improvement.

On the exterior, the entrance plaza was obliterated: the sunken garden was filled in, and a large metal sculpture added in 1983 (Wisdom Bridge by Richard Hunt)⁷⁴ was scrapped.

Neither removal was a huge loss.

The renovation went very wrong in the reworked interior, where no attempt was made to blend the new design with the original Breuer elements.

The project’s designers were clearly more interested in leaving their mark than enhancing the building’s existing character, and the result is as awkward as it is arrogant.

The worst decision was that the building’s original service elevators were ripped out and replaced with a swirling skylit atrium that looks like it was extracted from a Class B office building circa 2010, ineptly styled with glass railings, a tacky hanging sculpture, and a dull gray-and-brown color scheme that was already dated upon completion.

The renovated interior has a confusing, schizophrenic design that clumsily shoehorns a sleek, sterile 21st-century atrium next to a 70s-era stone-and-concrete stairwell.

The second atrium also removed a significant amount of usable floor space on each level, making the interior feel small and cramped—more evocative of a branch location than a flagship library.

Atlanta architecture is third-rate as a rule, but even by the city’s own low standards, the Central Library’s renovation is particularly awful, turning an already flawed work into an incoherent mess that appears both amateurish and cheap, despite a reported $50 million price tag.

The building’s fundamental problems remain, and the library is as grim and lifeless as ever, having all the charm of a minimum-security prison—complete with hostile security guards manning the front door.

At Breuer’s death, Carlton Rochelle claimed “…history will show, that Breuer was one of the three greatest architects of this era”, naming the other two as Eero Saarinen and Mies van der Rohe.⁷⁵

That was a flawed assessment that hasn’t aged well. While Mies is still considered one of the most influential architects of the 20th century, Saarinen is now all but forgotten, with his gimmicky designs viewed as little more than Space Age novelties.

Breuer is arguably even less known than Saarinen, and when Atlanta inevitably demolishes the Central Library for some hideous new structure in the future, not even the most die-hard Breuer admirers—if there are any left—will consider it much of a loss.

Gallery

References

1. Nations, Hugh. “N.Y. Firm Is Hired to Design Library”. The Atlanta Journal, May 21, 1970, p. 2. ↩︎
2. West, Paul. “Carnegie, Where Are You?” The Atlanta Journal and Constitution, June 16, 1974, p. 11-B. ↩︎
3. Bryans, Raleigh. “Architects Ask Library Study.” The Atlanta Journal, August 24, 1971, p. 2. ↩︎
4. “Park and Library Too”. The Atlanta Journal, December 15, 1971, p. 10. ↩︎
5. Murray, Alice. “No News on New Library”. The Atlanta Constitution, June 25, 1973, p. 6. ↩︎
6. Merriner, Jim. “Delays Beset Library Plans”. The Atlanta Constitution, March 29, 1976, p. 11-A. ↩︎
7. Bryans, Raleigh. “The New Library — Where Will It Go?” The Atlanta Journal, December 10, 1975, p. 1. ↩︎
8. West, Paul. “Carnegie, Where Are You?” The Atlanta Journal and Constitution, June 16, 1974, p. 11-B. ↩︎
9. ibid. ↩︎
10. Merriner, Jim. “Books Dry Up In a Library of Decay Here”. The Atlanta Constitution, April 26, 1975, p. 5. ↩︎
11. ibid. ↩︎
12. ibid. ↩︎
13. Bryans, Raleigh. “The New Library — Where Will It Go?” The Atlanta Journal, December 10, 1975, p. 1. ↩︎
14. “Carnegie Library Commission Awarded To Ackerman & Ross”. The Atlanta Constitution, December 23, 1899, p. 1. ↩︎
15. “Will Begin Work Next Week”. The Atlanta Constitution, May 8, 1900, p. 12. ↩︎
16. “Local Talent Is Secured”. The Atlanta Constitution, February 22, 1902, p. 7. ↩︎
17. Crown, Jim. “Both Function and Beauty Could Be Ours”. The Atlanta Journal, November 18, 1970, p. 26-A. ↩︎
18. McCarter, Robert. Breuer. New York: Phaidon Press Limited (2016). ↩︎
19. West, Paul. “Carnegie, Where Are You?” The Atlanta Journal and Constitution, June 16, 1974, p. 11-B. ↩︎
20. Coffin, Alex. “Trustees Approve Plans for New Library.” The Atlanta Constitution, March 10, 1971, p. 9. ↩︎
21. Bryans, Raleigh. “New Library Drawn”. The Atlanta Journal, March 10, 1971, p. 2. ↩︎
22. Stevens, Preston. Building a Firm: The Story of Stevens & Wilkinson Architects, Engineers, Planners Inc. Atlanta (1979), p. 61. ↩︎
23. Bryans, Raleigh. “New Library Drawn”. The Atlanta Journal, March 10, 1971, p. 2. ↩︎
24. Crown, Jim. “Marcel Breuer’s Design First Rate for Atlanta”. The Atlanta Journal, March 10, 1971, p. 22-A. ↩︎
25. Merriner, Jim. “Books Dry Up In a Library of Decay Here”. The Atlanta Constitution, April 26, 1975, p. 5. ↩︎
26. ibid. ↩︎
27. Head, John. “$49 Million City Referendum Voted”. The Atlanta Journal, October 7, 1975, p. 1. ↩︎
28. Allen, Frederick and Jim Merriner. “Library, No; Streets, Yes, Atlantans Say”. The Atlanta Constitution, October 3, 1975, p. 1. ↩︎
29. Allen, Frederick. “Atlantans Kinda Like It Here—Survey”. The Atlanta Constitution, October 3, 1975, p. 18-A. ↩︎
30. Ezell, Hank. “Whites Say No, Blacks Say Yes”. The Atlanta Journal, December 10, 1975, p. 1. ↩︎
31. Gray, Jim. “Library Project Coming Along Slowly”. The Atlanta Constitution, August 5, 1976, p. 9-A. ↩︎
32. Cash, Sarah. “‘It’s Like a Fairy Tale’”. The Atlanta Journal, January 31, 1977, p. 3-B. ↩︎
33. “Expensive Nostalgia”. The Atlanta Journal, March 15, 1977, p. 14-A. ↩︎
34. McCarter, Robert. Breuer. New York: Phaidon Press Limited (2016). ↩︎
35. Woolner, Ann. “Shrinkage of New Library Halted”. The Atlanta Journal, December 16, 1976, p. 2-A. ↩︎
36. ibid. ↩︎
37. “Library Under Way”. The Atlanta Constitution, September 29, 1977, p. 4-A. ↩︎
38. Merriner, Jim. “Delays Beset Library Plans”. The Atlanta Constitution, March 29, 1976, p. 11-A. ↩︎
39. “Rochell Quits”. The Atlanta Constitution, May 20, 1976, p. 4-A. ↩︎
40. “Carlton Rochell”. The Atlanta Journal, May 21, 1976, p. 26-A. ↩︎
41. Woolner, Ann. “Shrinkage of New Library Halted”. The Atlanta Journal, December 16, 1976, p. 2-A. ↩︎
42. Taylor, Ron. “Ella Yates Named Library Director”. The Atlanta Journal, November 24, 1976, p. 2-A. ↩︎
43. “Save-Library Move Gets Boost”. The Atlanta Journal, January 28, 1977, p. 3-B. ↩︎
44. “Plea Made to Save Library”. The Atlanta Journal, February 9, 1977, p. 20-A. ↩︎
45. “Expensive Nostalgia”. The Atlanta Journal, March 15, 1977, p. 14-A. ↩︎
46. Martin, Lyn. “Joint Firm To Get Nod On Library?” The Atlanta Constitution, September 2, 1977, 18-A. ↩︎
47. Cross, Marcia. “New Home For Atlanta Public Library”. The Atlanta Voice, October 29, 1977, p. 1. ↩︎
48. Garner, Phil. “Joint-Venturing: A Piece of the Pie”. The Atlanta Journal and Constitution Magazine, September 28, 1975, p. 8. ↩︎
49. Merriner, Jim. “Delays Beset Library Plans”. The Atlanta Constitution, March 29, 1976, p. 11-A. ↩︎
50. Booth Thomas, Mary. “Library Matters to Go Through Trustees”. The Atlanta Journal, September 9, 1977, p. 1-B. ↩︎
51. Woolner, Ann. “Library-City Controversy Raised Again.” The Atlanta Journal, September 2, 1977, p. 20-A. ↩︎
52. Booth Thomas, Mary. “Panel Wants Building Reins In Hands of Library Board”. The Atlanta Journal, September 16, 1977, p. 11-B. ↩︎
53. “Construction Decision Delayed for Library”. The Atlanta Journal, September 20, 1977, p. 7-B. ↩︎
54. Booth Thomas, Mary. “Mayor Blocked Library Vote?” The Atlanta Journal, September 22, 1977, p. 7-C. ↩︎
55. Martin, Lyn. “Mayor Tells Library Board It Has Power of Decision”. The Atlanta Constitution, September 23, 1977, p. 2-C. ↩︎
56. Lewis, Angelo. “Probe Halts Construction At Library”. The Atlanta Constitution, June 7, 1979, p. 1-C. ↩︎
57. Crawford, Tom. “Jackson, Other Officials Tour Library Structure”. The Atlanta Journal, April 30, 1979, p. 2-C. ↩︎
58. McCarter, Robert. Breuer. New York: Phaidon Press Limited (2016). ↩︎
59. ibid. ↩︎
60. ibid. ↩︎
61. Burnett, W.C. “Vital Asset Added to Atlanta’s Future”. The Atlanta Journal, May 18, 1980, p. 1-E. ↩︎
62. ibid. ↩︎
63. Nations, Hugh. “N.Y. Firm Is Hired to Design Library”. The Atlanta Journal, May 21, 1970, p. 2. ↩︎
64. “A Word From the Director”. The Atlanta Journal and Constitution Magazine, September 23, 1979, p. 46. ↩︎
65. Bennett, D.L. “Library’s Lost Luster”. The Atlanta Journal-Constitution, March 11, 2001, p. G1. ↩︎
66. ibid. ↩︎
67. ibid. ↩︎
68. Yoo, Charles. “Critics say ‘weeding more like clearcutting”. The Atlanta Journal-Constitution, January 31, 2002, p. JN1. ↩︎
69. Judd, Alan. “Beauty, truth and bonds: Is library a classy eyesore?” The Atlanta Constitution, July 28, 2008, p. A1. ↩︎
70. Kass, Arielle. “Library renovation passes major step.” The Atlanta Journal-Constitution, August 4, 2016, p. B5. ↩︎
71. Bluestein, Greg. “This high school is one of a kind”. The Atlanta Journal-Constitution, June 10, 2012, p. D1. ↩︎
72. Hume, Craig R. “New Home for IBM Division”. The Atlanta Constitution, July 15, 1977, p. 14-D. ↩︎
73. Gournay, Isabelle. AIA Guide to the Architecture of Atlanta. Athens, Georgia: The University of Georgia Press (1993). ↩︎
74. Fox, Catherine. “Hunt forges his images with soft-sell approach.” The Atlanta Constitution, April 15, 1983, p. 2-C. ↩︎
75. Burnett, W.C. “Architect Marcel Breuer’s influence memorialized in Atlanta Public Library”. The Atlanta Journal, July 8, 1981, p. 3-B. ↩︎