Monastery at Large

From the Notebook

  • “Journal Model Houses; Residence of Mr. George Wade” (1898)

    The Background

    This is the sixth in a series of articles published by The Atlanta Journal in 1898 featuring illustrations and floor plans of residences designed by Atlanta architects.

    The article highlights the George Wade Residence, designed by C. Walter Smith, who served for many years as a draughtsman and later chief assistant to G.L. Norrman,1 2 before successfully establishing his own firm in 1896.3

    The Wade home’s floor plan hints at how much Smith was responsible for designing Norrman’s residences — I suspect it was quite a bit.

    There isn’t much to criticize about the plan: Smith crafted a solid layout with 4 rooms on each floor clustered around a central stair hall. Each of the bedrooms included a closet, and the second floor contained a standard “trunk room” and dressing room, as seen in previous plans in this series.

    Two oddities were the tiny den tacked on the back of the reception hall, and the massive dining room with an interior wall that awkwardly jutted out into the stairs hall.

    As noted in the article, the Wade House was designed in the nebulous “colonial” style of the 1890s, which, in this case, consisted primarily of dentilled cornices and decorative garlands on the friezes and porch pediment.

    Festive garland ornamentation was Smith’s trademark element — you can find it in nearly all of his surviving buildings, as well as many of G.L. Norrman’s works from Smith’s time in his employment.

    Also note the tapered chimneys, which were incorporated in numerous Norrman projects from the late 1880s to mid-1890s, again indicating the level of Smith’s involvement in Norrman’s firm.

    Still, Norrman must have guided those designs with a fairly heavy hand, because Smith’s solo work lacked the panache of his mentor, and you can clearly see the limits of his ability in the Wade House illustration (pictured above).

    Whereas Norrman consistently produced refined and cohesive compositions, Smith’s buildings often appeared boxy and plain with clumsy touches of embellishment — the Wade design is a prime example.

    Located at 341 Gordon Street (later 249, then 1097 Gordon Street SW) in Atlanta’s West End, the home was occupied by the Wade family for only 3 years. Wade moved to Cedartown, Georgia, circa 1899,4 where he established a knitting mill that manufactured ladies’ underwear.5

    Smith subsequently designed Wade’s home in Cedartown6 7 — which still stands, along with an additional knitting mill,8 which does not.

    Former G.H. Wade House, circa 1914.9

    The former Wade home was occupied for many years by Mr. and Mrs. W.R. Beauprie. Mr. Beauprie died in the home in January 1922,10 while his wife, Carrie E. Beauprie, died in the home over 10 years later, in June 1932.11

    The exact date of the home’s demolition is unclear, but in 1957, a newspaper classified ad said of the property: “Owner Leaving State SACRIFICE FOR QUICK SALE”, noting its commercial zoning and a location “Right in the path of progress.”12 By 1960, the site was occupied by — what else? — a gas station.13

    Journal Model Houses; Residence of Mr. George Wade

    The above cut shows a perspective view of Mr. George Wade’s house on Gordon street, at the corner of Lawton, in West End. It was built 18 months ago from the plans of Mr. Walter Smith of Atlanta, and is one of the prettiest and most comfortable homes in the city. Every inch of space is utilized, and the house is rich in closets and all kinds of conveniences.

    The design of the modern colonial type and the picture shows how it is worked out. The construction is very thorough. The walls are double and the floors are double, with tarred felt between. The interior finish downstairs is antique oak with the exception of the parlor, the sitting room and the den. The parlor is in white enamel, the den in red oak, and the sitting room in curly pine.

    There is a very attractive arrangement of the entrance, reception hall, stair hall and parlor. The reception hall, parlor and sitting room can be thrown together or completely separated by the sliding doors.

    The second floor is natural pine, cabinet finish. The floors are waxed and polished. The windows are fitted with inside blinds and the house is equipped with electric bells, gas lighting and door openers. There are cabinet mantels in every room and in the hall and the stair hall is separated from the reception hall by pretty grill work, and the stairs are finished in antique oak. The foundation is a solid wall, and there is a good brick basement with a furnace room.

    The plumbing is the best and thoroughly ventilated. The workmanship throughout is first class and the house is a gem. It cost when built $5,240, and can be duplicated for about $5,000. The painting is in the prevailing colonial colors.14

    References

    1. “A Card”. The Atlanta Constitution, March 1, 1893, p. 10. ↩︎
    2. Atlanta City Directory Co.’s Greater Atlanta (Georgia) city directory (1894) ↩︎
    3. “Out For Himself.” The Atlanta Constitution, April 19, 1896, p. 20. ↩︎
    4. “Loitering In The Lobbies”. The Atlanta Journal, February 6, 1899, p. 10. ↩︎
    5. “The Wahneta Mills.” The Macon Telegraph, January 2, 1899, p. 8. ↩︎
    6. The Cedartown Standard (Cedartown, Georgia), August 30, 1900, p. 2. ↩︎
    7. “Improvements At Cedartown”. The Atlanta Constitution, September 15, 1900, p. 4. ↩︎
    8. The Cedartown Standard (Cedartown, Georgia), August 16, 1900, p. 3. ↩︎
    9. “Scenes and Streets of Homes in West End”. The Atlanta Journal, August 23, 1914, p. 8H. ↩︎
    10. “Mr. W.R. Beauprie, Well Known in Atlanta, To Be Buried Sunday”. The Atlanta Constitution, January 14, 1922, p. 10. ↩︎
    11. “Fall Injuries Fatal To Mrs. C.E. Beauprie”. The Atlanta Constitution, June 5, 1932, p. 10A. ↩︎
    12. “Business Property 165”. The Atlanta Constitution, June 21, 1957, p. 27. ↩︎
    13. “100 Extra Gold Bond Stamps!” (advertisement). The Atlanta Constitution, June 16, 1960, p. 29. ↩︎
    14. “Journal Model Houses; Residence of Mr. George Wade”. The Atlanta Journal, February 12, 1898, p. 10. ↩︎

  • 191 Peachtree (1990) – Atlanta

    Johnson/Burgee Architects and Kendall/Heaton Associates Inc. 191 Peachtree (1990). Atlanta.1 2 3

    References

    1. Walker, Tom. “‘Skyscraper era’ returns in Atlanta”. The Atlanta Constitution, May 6, 1988, p. 1C. ↩︎
    2. “How much difference a tower makes”. The Atlanta Journal and Constitution, January 11, 1991, p. F-2. ↩︎
    3. One Ninety One Peachtree Tower – Kendall Heaton ↩︎

  • “Journal’s Model Houses; Home of Mr. Ovid Stewart” (1898)

    The Background

    This is the fifth in a series of articles published by The Atlanta Journal in 1898 featuring illustrations and floor plans of residences designed by Atlanta architects.

    The article highlights the E.C. Merry House, designed by G.L. Norrman in 1893 and located in Atlanta’s West End neighborhood. At the time the article was published, the 5-year-old home was owned by Ovid Stewart.

    Norrman was primarily an architect of large residences, and it appears he gave up smaller projects entirely by the late 1890s. Thus, it’s a genuine treat to have an illustration and floor plan for this charming 8-room cottage of his design.

    There are a few interesting aspects here:

    • The plan is described as “simplicity itself”, and that’s no exaggeration: No bathroom was included, and it’s unclear if the home was even wired for electricity — with a total cost of $1,770, it probably wasn’t.
    • The Journal’s description describes the home’s “quaint, homelike Quaker suit”, and it appears the home was at least partially inspired by the vernacular architecture of colonial New England, much like Norrman’s design for the C.D. Hurt House the same year. I prefer this interpretation.
    • Norrman packed in several signature touches here: tapered chimneys, an eyebrow dormer on the front, Tuscan columns on the porch, and a balustrade and finials on the roof.

    Located at 144 Lee Street (later 510 Lee Street SW), the home still belonged to Ovid Stewart when it was “badly burned” by a fire in February 1909,1 2 although the structure was swiftly repaired.3 4

    Within a year, the property was occupied by Mrs. Stewart’s brother and sister-in-law, L.B. Langford and E.E. Langford,5 who spent $1,350 in additions6 — nearly as much as the home originally cost.

    The Stewarts divorced in 1912,7 and after the death of Mrs. Langford in April 1914,8 9 followed by her husband in September 1916,10 11 the home became a rental property.12

    Based on city directories, the house survived another 42 years, meeting the same fate as thousands of other historic homes and buildings in Atlanta when it was apparently demolished circa 1958 for the construction of the East-West Expressway (now I-20).13

    Today, the site is occupied by the eastbound ramp from Lee Street. Progress!

    Journal’s Model Houses; Home of Mr. Ovid Stewart

    The accompanying cuts give the perspective and floor plan of Mr. Ovid Stewart’s pretty cottage on Lee street at the corner of Oak, in West End. It was built by Mr. E.C. Merry in 1893 from the plan of Mr. G.L. Norrman at a cost of $1,770, but could be duplicated now for about $1,400. It is a fine example of the grace and beauty to be found in a simple design when the skill of the architect is bestowed upon it. The plan is simplicity itself, and in a form to be the least expensive in proportion to results attained.

    The floor plan shows the arrangement. This can be varied slightly without material difference in the cost, but care will have to be taken in changing it, for one of the chief beauties in the plan is in the adjustment of proportionate dimensions.

    The construction is thorough and the cottage is exceedingly comfortable. It rests on a solid wall and has double walls and floors. It is painted gray, with white trimmings, which gives it a quaint, homelike Quaker suit.14

    References

    1. “Twelve Fires Within A Day”. The Atlanta Constitution, February 2, 1909, p. 5. ↩︎
    2. “Nine Fire Calls Answered Monday”. The Atlanta Semi-Weekly Journal, February 2, 1909, p. 1. ↩︎
    3. “Personal Mention”. The Atlanta Journal, February 14, 1909, p. H5. ↩︎
    4. “Building Permits”. The Atlanta Journal, February 19, 1909, p. 14. ↩︎
    5. “Mortuary”. The Atlanta Constitution, August 15, 1910, p. 5. ↩︎
    6. “Building Permits”. The Atlanta Journal, September 15, 1910, p. 13. ↩︎
    7. “Notice Notice Notice”. The Atlanta Constitution, February 9, 1912, p. 13. ↩︎
    8. “Deaths and Funerals”. The Atlanta Journal, April 17, 1914, p. 2. ↩︎
    9. “Mortuary”. The Atlanta Constitution, April 18, 1914, p. 2. ↩︎
    10. “Deaths and Funerals”. The Atlanta Constitution, September 1, 1916, p. 2. ↩︎
    11. “Mortuary”. The Atlanta Constitution, September 2, 1916, p. 2. ↩︎
    12. “For Rent–Houses”. The Atlanta Journal, November 20, 1916, p. 17. ↩︎
    13. “Here’s Route Of New East-West Expressway”. The Atlanta Journal and Constitution, March 23, 1958, p. 1-E. ↩︎
    14. “Journal Model House; Home of Mr. Ovid Stewart” The Atlanta Journal, February 5, 1898, p. 9. ↩︎

  • Roswell Presbyterian Church (1840) – Roswell, Georgia

    Willis Ball. Roswell Presbyterian Church (1840). Roswell, Georgia.1

    References

    1. National Register of Historic Places Inventory — Nomination Form: Roswell Historic District ↩︎

  • “Journal’s Model Houses; Home of Paul Romare” (1898)

    G.L. Norrman. Paul Romare Residence (1892, demolished before 1926). Atlanta.

    The Background

    This is the fouth in a series of articles published by The Atlanta Journal in 1898 featuring illustrations and floor plans of residences designed by Atlanta architects.

    Here, the Journal highlighted the Paul Romare Residence, designed by G.L. Norrman and built in 1892.1 2 Like Norrman, Romare was a Swedish immigrant, and although he was 20 years older than Norrman,3 it appears the two men were close friends, and Norrman planned at least 4 projects for the Romare family over 21 years.

    Romare’s large, eclectically styled house — the second Norrman designed for him — was located at 17 East North Avenue4 on what is now the site of the Bank of America Plaza in Midtown Atlanta.

    However, the home was long gone before Bank of America, demolished at some point between 1923 and 1925,5 6 7 and replaced by a car dealership in 1926.8 What else would you expect from Atlanta?

    There are a few things to note about the floor plans shown below:

    • The Journal mislabeled the first story plan as the “Second Floor Plan” and the second story plan as the “Ground Floor Plan”, because of course they did.
    • The first story plan centered around a reception hall with a fireplace, an evolution of the living hall concept Norrman used in the 1880s, prime examples of which can still be seen in the Edward C. Peters House and T.W. Latham House in Atlanta. For the Romare design, a separate stair hall was placed behind the reception hall. So many halls.
    • There were 2 full bathrooms in the Romare house — one per floor. The first-floor bathroom was connected to both the main bedroom and the stair hall, presumably to be shared by guests.
    • Bedroom closets were still a novelty in 1892, and like most homes that had them, the closets in the Romare design were tiny. However, Norrman also included spacious “dressing rooms” with closets in 3 of the 5 bedrooms, undoubtedly designed for Romare’s wife and 2 daughters.
    • Typical of Norrman’s residential designs for wealthy clients, the service areas were well-defined and separate from the rest of the home. Servants would be expected to enter from the rear porch, and the kitchen and rear stairs were buffered from the dining room by a large butler’s pantry.

    Journal’s Model Houses; Home of Paul Romare.

    The above cut represents the residence of Mr. Paul Romare on North avenue. It was built from the plans of Mr. G.L. Norrman at a cost of $12,000, and is one of the best constructed and most comfortable residences in the city. The plan is not altogether of any conventional style, but the details are in that of the renaissance. The interior arrangement fully appears in the floor plans of the first and second stories. The interior finish of the lower story is of hard wood, built in special designs from detail plans by Mr. Norrman. The parlor is finished in sycamore and beautifully frescoed. The diningroom [sic], library and other rooms of the lower story are finished in oak. The details are in keeping with the general style shown in the details of the exterior.

    The workmanship and material from foundation to roof are of the best, and the arrangement makes the residence one of the most comfortable in the city.

    The house is fitted with the best modern appliances for comfort, including electric bells, etc., and everything of that kind.9

    References

    1. “The Home Builders”. The Atlanta Constitution, June 20, 1892, p. 8. ↩︎
    2. “My, How We Do Grow!” The Atlanta Constitution, September 21, 1892, p. 4. ↩︎
    3. “Mr. Paul Romare.” The Atlanta Constitution, February 12, 1893, p. 7. ↩︎
    4. Insurance maps, Atlanta, Georgia, 1911 / published by the Sanborn Map Company ↩︎
    5. “Four Apartment Houses Purchased By Manget; Over $100,000 Involved”. The Atlanta Journal, January 26, 1923, p. 36. ↩︎
    6. “Atlanta Title And Trust Company Publishes Comprehensive Summary Of Atlanta Real Estate Information”. The Atlanta Journal, May 13, 1923, 8F. ↩︎
    7. “Property Transfers”. The Atlanta Journal, January 25, 1925, p. 8F. ↩︎
    8. “Contract Is Signed For $600,000 Home For Motor Agency”. The Atlanta Journal, January 7, 1926, p. 1. ↩︎
    9. “Journal’s Model Houses; Home of Paul Romare”. The Atlanta Journal, January 29, 1898, p. 10. ↩︎

  • Urban Life: The Morning Train

    Looking toward the northbound MARTA train on Donnelly Avenue SW, West End, Atlanta

  • “Journal Model Homes; Residence of Miss Susie Wells” (1898)

    The Background

    This is the third in a series of articles published by The Atlanta Journal in 1898 featuring illustrations and floor plans of residences designed by Atlanta architects.

    The article was published in January 1898 and presented the Susie Wells Residence, designed by Butt & Morris, an architectural duo consisting of James W. Butt and Marshall F. Morris. Butt established his practice in Atlanta in 1893,1 and Morris apparently joined in 1896.2

    Scant information is available about either Butt or Morris, and little of the firm’s work survives in Atlanta. While they appeared to enjoy some success in the late 1890s and early 1900s, their last newspaper mention was in 1905,3 and the partnership seems to have disbanded around 1909.4 5

    There’s also nothing to indicate that Butt & Morris were good designers: city building permits reveal that most of their work consisted of modest, inexpensive homes and buildings, and illustrations and plans of their designs suggest a distinct lack of talent.

    Consider the plans here, which include an awkwardly shaped lavatory tacked on to the first floor, a baffling hall design on the second floor, and oddly-shaped closets shoved into the corners of the bedrooms, among other poor choices.

    Located at the southwest corner of Whitehall and McDaniel Street in what is now Atlanta’s Mechanicsville neighborhood, the Wells home didn’t survive 15 years. Wells rented out the house following the death of her mother in January 19066 7 and then sold it in early 1913,8 when it was replaced by a one-story brick auto garage.9 10

    Journal Model Homes; Residence of Miss Susie Wells

    The accompanying cuts represent one of the handsomest seven-room houses in the city. It was built for Miss Susie Walters at 446 Whitehall Street last summer, and was completed in the early fall at an actual cost of $2,500. It is in design and finish one of the most attractive houses ever built in Atlanta at this price, and the arrangement is exceedingly convenient.

    The foundation is a solid brick wall, and the chimneys are of ample size and well built. The timber is select pine and sized to make even walls. The roof is of shingles, painted black, and has the appearance of a slate roof. The floors are double and storm-sheeting underlies the weather-boarding. The interior finish is select pine of natural color in hard oil.

    The arrangement of the reception hall, parlor and dining room is exceedingly convenient and attractive, and a very pretty grill work separates the reception hall from the stair hall, as will be seen in the illustration. The doors are select pine veneered, showing no joints, and between the reception hall and dining room there are sliding doors.

    The fire places on the lower floor are furnished with club-house grates, tile hearths, and cabinet oak mantels.

    Upstairs the finish is the same with the exception of mirrors above the mantels. Down stairs, in addition to the halls, dining room, parlor and kitchen, there is an ample pantry, conveniently fitted up with bins and shelves, and a well arranged butler’s pantry with sink. There is a lavoratory [sic] down stairs and up stairs a complete bath room with porcelain-lined bath tub. The plumbing is of the best quality, both in material and workmanship. The three chambers up stairs are connected and each has an ample closet.

    At the end of the upper hall there is a large linen closet. The ascent from the first to the second story is by very pretty stairs with a graceful landing divided from the front hall by grill work, as indicated.

    The hardware is of fine quality, all the way through, and the finish is old copper. The gas fixtures are furnished with electric lighting apparatus and a complete system of electric bells extends through the house.

    The painting is three coat work outside and in, and is first class in material and workmanship. The outside is painted in canary, trimmed in white, a very pretty combination. The house is situated on a large lot, at the corner of Whitehall and McDaniel streets, and has attracted much attention.

    The perspective view is taken from the northwest, and shows a very pretty veranda in front of the house. The first and second story floor plans, also represented by illustrations, fully explain themselves.

    The house was designed for Miss Wells by Butt & Morris, of Atlanta.11

    References

    1. “Removal.” The Atlanta Constitution, September 10, 1893, p. 16. ↩︎
    2. “Butt & Morris, Architects”. (advertisement), The Atlanta Journal, May 30, 1896, p. 10. ↩︎
    3. “Advertisement for Bids for Construction of Stable at the Dumping Grounds.” The Atlanta Constitution, May 16, 1905, p. 15. ↩︎
    4. Atlanta City Directory Co.’s Greater Atlanta (Georgia) city directory (1908) ↩︎
    5. Atlanta City Directory Co.’s Greater Atlanta (Georgia) city directory (1909) ↩︎
    6. “Mrs. Eleanor M. Wells Dies Monday Morning”. The Atlanta Journal, January 8, 1906, p. 9. ↩︎
    7. “For Rent–Houses.” The Atlanta Constitution, January 17, 1906, p. 12. ↩︎
    8. “Property Transfers.” The Atlanta Constitution, February 2, 1913, p. 8. ↩︎
    9. “Building Permits”. The Atlanta Journal, November 5, 1912, p. 17. ↩︎
    10. “Atlanta’s Strides From Day To Day”. The Atlanta Constitution, December 17, 1913, p. 13. ↩︎
    11. “Journal Model Homes; Residence of Miss Susie Wells” The Atlanta Journal, January 22, 1898, p. 11. ↩︎

  • Piedmont Natives: Delaware skipper on Joe Pye weed

    Delaware skipper (Anatrytone logan) pollinating Joe Pye weed (Eutrochium purpureum)

  • “Journal Hints on Home Building; Model Houses at Moderate Cost” (1898)

    The Background

    Throughout 1898, The Atlanta Journal published a sporadic series of articles featuring floor plans and illustrations of “moderate cost” residential designs by Atlanta architects, including G.L. Norrman, Bruce & Morgan, C. Walter Smith, and others.

    The series reflected the dire economic conditions at the time: following the Panic of 1896, the United States plunged into its second depression of the decade, and few Atlanta architects had substantial work from 1897 to 1898.

    Just a few years earlier, it would’ve been unthinkable for the city’s top architectural firms to peddle their designs in a local newspaper, but desperate times demand humility.

    The first article is included here, and was published in January 1898, featuring the James F. Meegan Residence, designed by Bruce & Morgan, then the Southeast’s largest architectural firm. The home was located at 23 West North Avenue1 2 (later 33 North Avenue NW) in what is now Midtown Atlanta.

    There are a few interesting aspects of the home’s plan:

    • The rooms are arranged on either side of a central hallway that runs from the front to the back door, a standard 19th-century design that was fairly unfashionable by 1898. In the days before air conditioning, however, it was a highly practical design for circulating air throughout a home.
    • There is only one full bathroom in the house, located on the second floor. A downstairs lavatory is tucked beneath the back stairs.
    • Also note that only 3 of the 5 rooms on the second floor are designated as bedrooms — the other 2 rooms include a “studio” and “trunk room”.

    The Colonial Revival-style home was demolished by 1927 and replaced by a one-story commercial building3 that still stands.

    In fact, of the 8 homes featured in the Journal‘s series, all were demolished in the 20th century. Keep that in mind the next time you hear an Atlantan blame the city’s lack of historic buildings on Sherman.

    Journal Hints on Home Building; Model Houses at Moderate Cost

    First of a Series of Articles To Be Printed By The Journal on a Subject of Interest to All Who Contemplate Building.

    Of the many New Year resolutions which are made in Atlanta in the early days of 1898, there will be none more deserving a speedy execution than the resolve which comes to every man sooner or later in life to build a home of his own.

    The man who lives in other people’s houses until he might be expected to give up all idea of having one of his own, still preserves a place in his affections for the home which he will have constructed some day. This particular home will be different from any he has ever seen or occupied, and will be arranged to suit his individual fancy. In spare moments he will permit his brain to play upon the plans, adding various little touches here and there to enhance the beauty of the imaginary castle.

    Before the days when home building was reduced to a science it was remarked that “fools build houses for wise men to live in,” but this has ceased to be true for many years. The builder is now considered the wisest man of the time.

    In a great home city like Atlanta, where the ranks of home owners are very large, and are being constantly added to, there are always a vast number of people who are thinking of building. The man who wants to build a house for himself and his family feels more greatly interested in a cottage which will suit their needs than in a score of palatial sky-scrapers.

    Despite various assertions to the contrary, the pleasures of home owning appeal as strongly to the city man as to his country cousin, for it is not only in the rural districts or little villages that pleasure is derived from seeing the little “children run to lisp the sire’s return, or climb his knee the envied kiss to share.”

    In order to aid those who desire to construct homes, The Journal will present a series of plans by well known architects which will be found useful in crystalizing the thoughts of its readers. These plans will show houses which have actually been constructed in Atlanta within the past year.

    Accompanying this article are the front view and two floor plans of the residence of Mr. James F. Meegan, on North avenue. The house is one of the prettiest on that street, and since its erection last spring has been greatly admired. The plans are the work of Bruce & Morgan. The building was designed for a 50-foot lot. On the first floor there are the parlor, sitting room and library, on the right.

    On the left are the reception hall, dining room and kitchen. Upstairs are two bedrooms and the studio on the right, while on the opposite side are a bedroom, bathroom and trunkroom.

    The entrance gives a very pleasing effect with the reception hall and pretty stairway. The front veranda, with its circular finish on the corner, gives an artistic effect to the front.

    All the rooms on the right of the hallway, down stairs, are arranged with sliding doors, so that all may be thrown together when it is desired. The dining room and kitchen are connected by a butler’s pantry, and adjoining the latter is a store room. The appointments in the kitchen, store room and pantry are admirably located for the convenience of the occupants.

    Four of the upstairs rooms are provided with closets and dressing rooms. The bathroom, which is large and well fitted, is conveniently located.

    The cost to construct this well appointed residence was $3,500.4

    References

    1. Atlanta City Directory Co.’s Greater Atlanta (Georgia) city directory (1898). ↩︎
    2. Insurance maps, Atlanta, Georgia, 1911 / published by the Sanborn Map Company ↩︎
    3. “Leases Are Active In Realty Mart”. The Atlanta Constitution, March 20, 1927, p. 3C. ↩︎
    4. “Journal Hints on Home Building; Model Houses at Moderate Cost”. The Atlanta Journal, January 8, 1898, p. 3. ↩︎

  • Robert W. Woodruff Library (1969) – Atlanta

    Warner Burns Toan Lunde. Robert W. Woodruff Library for Advanced Studies (1969). Emory University, Atlanta.1

    References

    1. “Emory to Dedicate $7 Million Woodruff Library on Oct. 31”. The Atlanta Constitution, October 24, 1969, p. 6-A. ↩︎