Category: Architectural Movements and Styles

  • United States Post Office (1913) – New York

    McKim, Mead & White. United States Post Office (1913). New York.
    William M. Kendall of McKim, Mead & White. United States Post Office (1913). New York.

    The imposing United States Post Office in New York City was a very late work of McKim, Mead & White—so late that two of the firm’s namesake founders, Charles McKim and Stanford White, had been dead for several years when it was completed in 1913.

    By that point, McKim, Mead & White was a well-oiled machine that ran on an army of anonymous architects, but the project is now primarily credited to William M. Kendall.

    The gleaming white five-story structure occupies two blocks of prime real estate in Midtown Manhattan and was built to complement its original neighbor, Pennsylvania Station,1 also designed by McKim, Mead & White, and demolished in 1963.

    Location of the United States Post Office

    The firm’s output in later years was often unremarkable and derivative, but there’s something special about this building, which is chock-full of exquisite materials and elegant details that reveal thoughtful attention to design despite the project’s massive scale.

    United States Post Office, New York, circa 1913
    United States Post Office, New York, circa 1913

    Built for a hefty $6 million, the original structure included over 400,000 square feet of floor space and was composed of 165,000 cubic feet of Massachusetts granite, 18,000 tons of steel, 7 million bricks, and 200,000 square feet of glass.2

    Most of that glass was used in the giant skylight over the building’s central workroom, which was reportedly the largest room in the United States when the facility opened.3

    Looking at the facade of the United States Post Office, New York
    Looking at the facade of the United States Post Office, New York

    The building’s public-facing interior spaces were elaborately decorated with Tennessee marble on the floors and walls, topped by ornamental plaster ceilings featuring the seals of 10 nations recognized for doing “great things for the advancement of the universal mail service.”4

    A Harvard professor reportedly suggested that the architects add the inscription spanning the building’s facade, quoting Herodotus: “Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed rounds.”5

    The statement originally referred to mail service in ancient Greece, but its inclusion in the building’s design made it an unofficial motto of the U.S. Postal Service.

    Inscription and Corinthian capitals on the facade of the United States Post Office, New York
    Inscription and Corinthian capitals on the facade of the United States Post Office, New York

    A portion of the building is still used as a post office, but the bulk of the structure now houses the Moynihan Train Hall, which opened in 2021.

    The demolition of Penn Station is often cited as the event that launched the historic preservation movement in the United States, and the dark, dank, subterranean maze of low-slung corridors that replaced it is entirely unworthy of one of the world’s great cities.

    Although that unnavigable mess still exists, the conversion of the former post office into a modern train hall has restored much-needed prestige to New York’s landscape, and it’s encouraging to see such a fine building put to a worthy new use.

    Gallery

    Looking at the northeast corner of the United States Post Office, New York
    Looking at the northeast corner of the United States Post Office, New York
    Cornice and Corinthian capital on the facade of the United States Post Office, New York
    Cornice and Corinthian capital on the facade of the United States Post Office, New York
    Inscription on the northeast corner of the United States Post Office, New York
    Inscription on the northeast corner of the United States Post Office, New York
    Inscription on the southeast corner of the United States Post Office, New York
    Inscription on the southeast corner of the United States Post Office, New York
    Fourth-floor windows, inscription, and Corinthian capitals on the facade of the United States Post Office, New York
    Fourth-floor windows, inscription, and Corinthian capitals on the facade of the United States Post Office, New York
    Third-floor window on the facade of the United States Post Office, New York
    Third-floor window on the facade of the United States Post Office, New York
    Looking at the northeast corner of the United States Post Office, New York
    Looking at the northeast corner of the United States Post Office, New York
    Fourth-floor windows, inscription, and Corinthian capitals on the facade of the United States Post Office, New York
    Fourth-floor windows, inscription, and Corinthian capitals on the facade of the United States Post Office, New York
    Ornamental crest on the United States Post Office, New York
    Ornamental crest on the United States Post Office, New York
    Corinthian capitals and entablature on the facade of the United States Post Office, New York
    Corinthian capitals and entablature on the facade of the United States Post Office, New York
    Ornamental iron on the facade of the United States Post Office, New York
    Ornamental iron on the facade of the United States Post Office, New York
    Fifth-floor windows on the facade of the United States Post Office, New York
    Fifth-floor windows on the facade of the United States Post Office, New York
    Inscription and Corinthian capitals on the facade of the United States Post Office, New York
    Inscription and Corinthian capitals on the facade of the United States Post Office, New York
    Niche on the northeast corner of the United States Post Office, New York
    Niche on the northeast corner of the United States Post Office, New York
    Ornamental iron spandrels on the facade of the United States Post Office, New York
    Ornamental iron spandrels on the facade of the United States Post Office, New York
    Columns and front steps of the United States Post Office, New York
    Columns and front steps of the United States Post Office, New York
    Southeast corner of the United States Post Office, New York
    Southeast corner of the United States Post Office, New York
    Front steps of the United States Post Office, New York
    Front steps of the United States Post Office, New York

    Floorplans and Sections6

    First floor plan of the United States Post Office, New York
    Second floor plan of the United States Post Office, New York
    Exterior detail drawings of the United States Post Office, New York
    Interior detail drawings of the United States Post Office, New York

    References

    1. “New York’s New Post Office A $6,000,000 Wonder”. The Sun (New York), March 2, 1913, p. 1. ↩︎
    2. ibid. ↩︎
    3. ibid. ↩︎
    4. ibid. ↩︎
    5. ibid. ↩︎
    6. A Monograph of the Work of McKim Mead & White, 1879-1915. New York: The Architectural Book Publishing Company, 1915. ↩︎
  • First Congregational Church (1908) – Atlanta

    Bruce & Everett. First Congregational Church (1908). Atlanta.
    Bruce & Everett. First Congregational Church (1908). Atlanta.1 2 3 4 5 6
    South facade of First Congregational Church, Atlanta
    South facade of First Congregational Church, Atlanta
    Belvedere on First Congregational Church, Atlanta
    Belvedere on First Congregational Church, Atlanta
    Window on the west facade of First Congregational Church, Atlanta
    Window on the west facade of First Congregational Church, Atlanta
    Reflection of First Congregational Church, Atlanta
    Reflection of First Congregational Church, Atlanta
    Dutch gable on the west facade of First Congregational Church, Atlanta
    Dutch gable on the west facade of First Congregational Church, Atlanta
    Round window and porch gable on the south facade of First Congregational Church, Atlanta
    Round window and porch gable on the south facade of First Congregational Church, Atlanta
    Porch on the south facade of First Congregational Church, Atlanta
    Porch on the south facade of First Congregational Church, Atlanta
    Belvedere on First Congregational Church, Atlanta
    Belvedere on First Congregational Church, Atlanta
    Porch columns on the south facade of First Congregational Church, Atlanta
    Porch columns on the south facade of First Congregational Church, Atlanta
    Cross on the west facade of First Congregational Church, Atlanta
    Cross on the west facade of First Congregational Church, Atlanta
    Cornerstone of First Congregational Church, Atlanta
    Cornerstone of First Congregational Church, Atlanta
    Terra cotta ornamentation on the belvedere of First Congregational Church, Atlanta
    Terra cotta ornamentation on the belvedere of First Congregational Church, Atlanta

    References

    1. “First Congregational Church, Colored, Will Soon Build a New Structure at a Cost of Twenty-Five Thousand Dollars.” The Atlanta Constitution, June 23, 1907, p. 7. ↩︎
    2. “Contract Is Let For $30,000 Church Here”. The Atlanta Journal, April 16, 1908, p. 3. ↩︎
    3. “Colored Congregational Will Break Ground For Handsome New Church”. The Atlanta Georgian and News, June 2, 1908, p. 9. ↩︎
    4. “Dirt To Be Broken For New Negro Church”. The Atlanta Journal, June 2, 1908, p. 13. ↩︎
    5. “Colored Church Is Consecrated”. The Atlanta Journal, December 14, 1908, p. 2. ↩︎
    6. “Colored Church Dedicated Sunday”. The Atlanta Journal, December 14, 1908, p. 5. ↩︎
  • Bank of Buford (1925) – Buford, Georgia

    Ivey & Crook. Bank of Buford (1924). Buford, Georgia.
    Ivey & Crook. Bank of Buford (1924). Buford, Georgia.1 2
    Southwest elevation of the Bank of Buford
    Southwest elevation of the Bank of Buford
    Southwest elevation of the Bank of Buford
    Southwest elevation of the Bank of Buford
    Main entrance of the Bank of Buford
    Main entrance of the Bank of Buford
    Cornice on the Bank of Buford
    Cornice on the Bank of Buford
    Windows on the southwest elevation of the Bank of Buford
    Windows on the southwest elevation of the Bank of Buford
    Ground floor door on the southwest elevation of the Bank of Buford
    Ground floor door on the southwest elevation of the Bank of Buford
    Third floor and cornice on the Bank of Buford
    Third floor and cornice on the Bank of Buford
    First-floor window and pilasters on the facade of the Bank of Buford
    First-floor window and pilasters on the facade of the Bank of Buford
    Inscription on the Bank of Buford
    Inscription on the Bank of Buford
    Second-floor windows on the facade of the Bank of Buford
    Second-floor windows on the facade of the Bank of Buford
    Windows on the southwest elevation of the Bank of Buford
    Windows on the southwest elevation of the Bank of Buford
    Pedestal on the southeast corner of the Bank of Buford
    Pedestal on the southwest corner of the Bank of Buford

    References

    1. Atlanta History Center – Architecture Database ↩︎
    2. “Building in the South”. The Atlanta Journal, May 11, 1924, p. 12C. ↩︎
  • Emory Presbyterian Church (1949) – Atlanta

    Sayward, Williams & Logan. Emory Presbyterian Church (1949). Druid Hills, Atlanta.
    Sayward, Williams & Logan. Emory Presbyterian Church (1949). Druid Hills, Atlanta.1 2 3 4
    Windows on the east facade of Emory Presbyterian Church
    Windows on the east facade of Emory Presbyterian Church
    Window on the south facade of Emory Presbyterian Church
    Window on the south facade of Emory Presbyterian Church
    Pinnacle on the south facade of Emory Presbyterian Church
    Pinnacle on the south facade of Emory Presbyterian Church
    Ornamented window spandrel on the south facade of Emory Presbyterian Church
    Ornamented window spandrel on the south facade of Emory Presbyterian Church
    Looking through the porch windows of Emory Presbyterian Church
    Looking through the porch windows of Emory Presbyterian Church
    Porch gable on the east facade of Emory Presbyterian Church
    Porch gable on the east facade of Emory Presbyterian Church
    Window on the east facade of Emory Presbyterian Church
    Window on the east facade of Emory Presbyterian Church
    Ornamentation over a door on the east elevation of Emory Presbyterian Church
    Ornamentation over a door on the east elevation of Emory Presbyterian Church
    Porch on the east facade of Emory Presbyterian Church
    Porch on the east facade of Emory Presbyterian Church
    Inscription over the window on the south facade of Emory Presbyterian Church
    Inscription over the window on the south facade of Emory Presbyterian Church
    Window on the south facade of Emory Presbyterian Church
    Window on the south facade of Emory Presbyterian Church

    References

    1. “Church Services”. The Atlanta Constitution, October 22, 1949, p. 9. ↩︎
    2. “Church at Emory Gets Own Building”. The Atlanta Journal, October 22, 1949, p. 5. ↩︎
    3. National Register of Historic Places Registration Form: Emory Grove Historic District ↩︎
    4. “Maj. Williams Joins Firm of Architects Here”. The Atlanta Constitution, February 24, 1946, p. 11-A. ↩︎
  • Dana Fine Arts Center – Decatur, Georgia

    John Portman of Edwards & Portman. Dana Fine Arts Center (1966). Agnes Scott College, Decatur, Georgia.
    John Portman of Edwards & Portman. Dana Fine Arts Center (1966). Agnes Scott College, Decatur, Georgia.1 2 3
    Entrance on the south facade of the Dana Fine Arts Center
    Entrance on the south facade of the Dana Fine Arts Center
    North facade of the Dana Fine Arts Center
    North facade of the Dana Fine Arts Center
    Entrance on the south facade of the Dana Fine Arts Center
    Entrance on the south facade of the Dana Fine Arts Center
    Entrance courtyard at the Dana Fine Arts Center
    Entrance courtyard at the Dana Fine Arts Center
    South facade of the Dana Fine Arts Center
    South facade of the Dana Fine Arts Center
    Looking across the south facade of the Dana Fine Arts Center
    Looking across the south facade of the Dana Fine Arts Center
    Gable and brick wall on the south facade of the Dana Fine Arts Center
    Gable and brick wall on the south facade of the Dana Fine Arts Center
    Sign on the east elevation of the Dana Fine Arts Center
    Sign on the east elevation of the Dana Fine Arts Center
    Entrance courtyard entrance of the Dana Fine Arts Center
    Entrance courtyard of the Dana Fine Arts Center
    Looking out the courtyard entrance of the Dana Fine Arts Center
    Looking out the courtyard entrance of the Dana Fine Arts Center

    References

    1. “Agnes Scott’s New Building”. The Atlanta Constitution, October 14, 1965, p. 56. ↩︎
    2. Crown, John. “Agnes Scott Begins $900,000 Arts Building”. The Atlanta Journal, February 11, 1964, p. 8. ↩︎
    3. Portman, John C., and Barnett, JonathanThe Architect As Developer. New York: McGraw-Hill (1976). ↩︎
  • Regenstein’s (1930) – Atlanta

    Pringle & Smith. Regenstein's (1930). Atlanta.
    Pringle & Smith. Regenstein’s (1930). Atlanta.1 2 3 4
    Windows, spandrels, and ornamentation on the facade of Regenstein's
    Windows, spandrels, and ornamentation on the facade of Regenstein’s
    Peters Land Company insignia on the facade of Regenstein's
    Peters Land Company insignia on the facade of Regenstein’s
    Ornamentation on the facade of Regenstein's
    Ornamentation on the facade of Regenstein’s
    Stringcourse on the facade of Regenstein's
    Stringcourse on the facade of Regenstein’s
    Regenstein's circa 1939
    Regenstein’s circa 19395

    References

    1. “Regenstein Plans Peachtree Store”. The Atlanta Constitution, June 23, 1929, p. 1. ↩︎
    2. “Regenstein Company Leases New Peachtree Building”. The Atlanta Journal, June 23, 1929, p. D9. ↩︎
    3. “New Regenstein Home Will Open At 209 Peachtree”. The Atlanta Journal, February 23, 1930, p. 8A. ↩︎
    4. Application for Building Permit, July 27, 1929 ↩︎
    5. “Pages From Regenstein’s Family Album” (advertisement). The Atlanta Constitution, December 14, 1939, p. 5C. ↩︎
  • Siesta Key Beach Pavilion (1959) – Siesta Key, Florida

    Tim Siebert. Siesta Key Beach Pavilion (1959). Sarasota, Florida.
    Tim Seibert. Siesta Key Beach Pavilion (1959). Sarasota, Florida.1 2
    Looking at the Siesta Key Beach Pavilion from the southwest
    Looking at the Siesta Key Beach Pavilion from the southwest

    References

    1. “County Seeks Bid For Landscaping Pavilion”. Sarasota Herald-Tribune (Sarasota, Florida), May 6, 1959, p. 14. ↩︎
    2. Siesta Key Beach Pavilion | Public Architecture — SEIBERT ARCHITECTS ↩︎
  • Baptist Professional Building (1955) – Atlanta

    Stevens & Wilkinson. Baptist Professional Building (1955), Georgia Baptist Medical Center. Old Fourth Ward, Atlanta.
    Stevens & Wilkinson. Baptist Professional Building (1955), Georgia Baptist Medical Center. Old Fourth Ward, Atlanta.1 2 3 4
    West elevation of the Baptist Professional Building
    West elevation of the Baptist Professional Building
    Screen wall and windows on the east facade of the Baptist Professional Building
    Screen wall and windows on the east facade of the Baptist Professional Building
    Cornerstone plaque on Baptist Professional Building
    Baptist Professional Building, circa 1956.
    Baptist Professional Building, circa 1956.5

    References

    1. “Professional Building Job Gets Okay”. The Atlanta Constitution, March 3, 1954, p. 3. ↩︎
    2. “Georgia Baptists OK $1,400,000 For Office Site”. The Atlanta Journal, March 3, 1954, p. 37. ↩︎
    3. “$45 Million in Building Projects Here Will Boost Medical, Health Facilities”. The Atlanta Constitution, August 8, 1955, p. 8. ↩︎
    4. “Hospital Group Honors Peel”. The Atlanta Journal, September 14, 1955, p. 35. ↩︎
    5. Photo credit: Stevens, PrestonBuilding a Firm: The Story of Stevens & Wilkinson Architects, Engineers, Planners Inc. Atlanta (1979), p. 17. ↩︎
  • Relic Signs: The Bootery (1958-2025) – Atlanta

    The Bootery (1958-2025). 81 Peachtree Street, Atlanta.
    The Bootery (1958-2025). 81 Peachtree Street, Atlanta.

    This old parrot was recently toppled from its longtime perch on Atlanta’s Peachtree Street. Squawk!

    The Bootery was a national shoe store chain that first opened in Atlanta in 1946, catering to “Boys and Girls of All Ages,”1 and later touting itself as “Atlanta’s Most Popular Children’s Shoe Store.”2

    When the store moved to 81 Peachtree Street (previously 81 Whitehall Street) in August 1958,3 4 it was an exclusive seller of Poll-Parrot shoes, and the parrot was the brand’s mascot.5 6

    The store closed sometime after 1996,7 but the sign was left to fade and rust for decades, and was finally removed in 2025 as the structure at 81 Peachtree was hollowed out to serve as a courtyard, part of a major renovation of the neighboring Bass Dry Goods building.8

    References

    1. Advertisement. The Atlanta Constitution, March 15, 1946, p. 6. ↩︎
    2. Advertisement. The Atlanta Journal and Constitution, March 30, 1958, p. 9-F. ↩︎
    3. ‘”The Bootery” Shoe Store Grand Opening August 14-16’. Atlanta Daily World, August 13, 1958, p. 3. ↩︎
    4. Advertisement. The Atlanta Constitution, August 14, 1958, p. 16. ↩︎
    5. ibid. ↩︎
    6. Advertisement. The Atlanta Journal and Constitution, March 30, 1958, p. 9-F. ↩︎
    7. Advertisement. The Atlanta Journal-Constitution, July 26, 1996, p. 25. ↩︎
    8. Photo tour: Where South Downtown’s painstaking rebirth stands now | Urbanize Atlanta ↩︎
  • Second Ponce de Leon Baptist Church (1937) – Atlanta

    George H. Bond. Second Ponce de Leon Baptist Church (1937). Buckhead, Atlanta.
    George H. Bond. Second Ponce de Leon Baptist Church (1937). Buckhead, Atlanta.1 2
    Pediments on the facade of the Second Ponce de Leon Baptist Church
    Pediments on the facade of the Second Ponce de Leon Baptist Church
    Swan-neck pediment with urn on the facade of the Second Ponce de Leon Baptist Church
    Swan-neck pediment with urn on the facade of the Second Ponce de Leon Baptist Church
    Door with segmental pediment on the facade of the Second Ponce de Leon Baptist Church
    Door with segmental pediment on the facade of the Second Ponce de Leon Baptist Church
    Cornice and pediment on the facade of the Second Ponce de Leon Baptist Church
    Cornice and pediment on the facade of the Second Ponce de Leon Baptist Church
    Blind arch on the facade of the Second Ponce de Leon Baptist Church
    Blind arch on the facade of the Second Ponce de Leon Baptist Church
    Palladian window on the facade of the Second Ponce de Leon Baptist Church
    Palladian window on the facade of the Second Ponce de Leon Baptist Church
    South elevation of the Second Ponce de Leon Baptist Church
    South elevation of the Second Ponce de Leon Baptist Church
    Oval window on the Second Ponce de Leon Baptist Church
    Oval window on the Second Ponce de Leon Baptist Church
    Windows on the south elevation of the Second Ponce de Leon Baptist Church
    Windows on the south elevation of the Second Ponce de Leon Baptist Church
    Loggia of the steeple on the Second Ponce de Leon Baptist Church
    Loggia of the steeple on the Second Ponce de Leon Baptist Church
    Steeple base on the Second Ponce de Leon Baptist Church
    Steeple base on the Second Ponce de Leon Baptist Church
    Steeple on the Second Ponce de Leon Baptist Church
    Steeple on the Second Ponce de Leon Baptist Church
    Weather vane on the steeple of the Second Ponce de Leon Baptist Church
    Weather vane on the steeple of the Second Ponce de Leon Baptist Church

    References

    1. Gournay, IsabelleAIA Guide to the Architecture of Atlanta. Athens, Georgia: The University of Georgia Press (1993). ↩︎
    2. Inventory of the Church Archives of Georgia. Atlanta: The Georgia Historical Records Survey (1941), p. 26. ↩︎