Category: Architectural Movements and Styles

  • Ravinia Headquarters Complex (1991) – Dunwoody, Georgia

    Kevin Roche of Kevin Roche John Dinkeloo and Associates. Three Ravinia Drive (1991). Dunwoody, Georgia.
    Kevin Roche of Kevin Roche John Dinkeloo and Associates. Three Ravinia Drive (1991). Dunwoody, Georgia.1 2
    Looking up at the northwest corner of Three Ravinia Drive, Dunwoody, Georgia
    Looking up at the northwest corner of Three Ravinia Drive, Dunwoody, Georgia
    Three Ravinia Drive, Dunwoody, Georgia
    Three Ravinia Drive, Dunwoody, Georgia
    Sunshades on Three Ravinia Drive, Dunwoody, Georgia
    Sunshades on Three Ravinia Drive, Dunwoody, Georgia
    Reflection of Three Ravinia Drive, Dunwoody, Georgia
    Reflection of Three Ravinia Drive, Dunwoody, Georgia
    One Ravinia Drive (1984) and Two Ravinia Drive (1986), Dunwoody, Georgia
    One Ravinia Drive (1984) and Two Ravinia Drive (1986), Dunwoody, Georgia
    Column and sunshades on One Ravinia Drive, Dunwoody, Georgia
    Column and sunshades on One Ravinia Drive, Dunwoody, Georgia
    Windows and sunshades on Two Ravinia Drive, Dunwoody, Georgia
    Windows and sunshades on Two Ravinia Drive, Dunwoody, Georgia
    Windows and sunshades on One Ravinia Drive, Dunwoody, Georgia
    Windows and sunshades on One Ravinia Drive, Dunwoody, Georgia
    Windows and sunshades on Three Ravinia Drive, Dunwoody, Georgia
    Windows and sunshades on Three Ravinia Drive, Dunwoody, Georgia
    Looking at Three Ravinia Drive from the northwest, with Stone Mountain in the background
    Looking at Three Ravinia Drive from the northwest, with Stone Mountain in the background

    References

    1. “Design of Third Ravinia Tower Unveiled”. The Atlanta Constitution, October 11, 1989, p. B-2. ↩︎
    2. Three Ravinia Drive/MCI Center – Kendall/Heaton ↩︎
  • Frank Adair Residence (1913) – Atlanta

    Neel Reid of Hentz, Reid & Adler. Frank Adair Residence (1913) – Druid Hills, Atlanta.1 2 3 4 5 6 7

    References

    1. “The Real Estate Field”. The Atlanta Constitution, May 9, 1912, pp. 23-24. ↩︎
    2. “The Real Estate Field.” The Atlanta Constitution, June 13, 1911, p. 18. ↩︎
    3. “The Real Estate Field”. The Atlanta Constitution, June 22, 1912, p. 14. ↩︎
    4. “The Real Estate Field”. The Atlanta Constitution, July 9, 1912, p. 21. ↩︎
    5. “Personals”. The Atlanta Georgian and News, January 3, 1913, p. 9. ↩︎
    6. “Personal”. The Atlanta Georgian and News, March 11, 1913, p. 8. ↩︎
    7. Grady, James H. Architecture of Neel Reid in Georgia. Athens, Georgia: University of Georgia Press (1973). ↩︎
  • The Bank of Georgia (1961) – Atlanta

    Hedrick & Stanley. The Bank of Georgia (1961).
    Hedrick & Stanley. The Bank of Georgia (1961).1 2 3

    This 31-story International-style tower was arguably the first “modern” skyscraper in Atlanta, although it’s now pushing 70 years old and looks every day of it.

    The tower opened in 1961 as the home of The Bank of Georgia and was purported to be the “tallest structure south of Baltimore,”4 but Atlanta’s First National Bank,5 6 built one block away, surpassed it a few years later.

    It’s telling that the Bank of Georgia had to hire an out-of-town firm, Hedrick & Stanley of Dallas, to design the building—none of Atlanta’s architects at the time had the chops for such a large-scale project.

    Top O' Peachtree Restaurant. Photograph from an undated postcard published by Stein Craftsmen of Atlanta
    Top O’ Peachtree Restaurant. Photograph from an undated postcard published by Stein Craftsmen of Atlanta.

    For the first 11 years, the 30th floor of The Bank of Georgia tower was occupied by the Top O’ Peachtree restaurant and “lookout lounge,” later described as ‘”the” place to go for dinner or drinks in its beginning.’7

    Based on photographs, Top O’ Peachtree was no doubt an ideal rendezvous for married bank executives and their secretaries. Oh, come on, you know it happened.

    Wyatt C. Hedrick Company with Willner & Millkey. Fulton National Bank (1955). Atlanta. Photograph from an undated postcard published by Dexter Press, Inc. of West Nyack, New York.
    Wyatt C. Hedrick Company with Willner & Millkey.8 9 Fulton National Bank (1955). Atlanta. Photograph from an undated postcard published by Dexter Press, Inc. of West Nyack, New York.

    When the Bank of Georgia tower was sold in 1979, it was described as one of “the two homeliest buildings in town,” along with the nearby Fulton National Bank building (1955),10 which was entirely accurate—then and now.

    Designed by Wyatt C. Hedrick Company of Dallas,11 which later became Hedrick & Stanley, the Fulton National Bank building has been renamed 55 Marietta and remains in active use as a data center. The Bank of Georgia, however, hasn’t fared as well.

    Windows on The Bank of Georgia (34 Peachtree)
    Windows on The Bank of Georgia (34 Peachtree)

    Later renamed 34 Peachtree, the former Bank of Georgia has passed through a succession of owners and is currently vacant, with upper-floor windows missing and its street-level retail spaces obscured by brown paper.

    A peek through the doors and windows at night reveals the dead escalators in the lobby and dangling ceiling tiles in the office spaces.

    In 2017, pieces of the building’s facade fell to Peachtree Street during a bout of high winds, prompting the closure of several streets.12

    Looking at the north elevation of The Bank of Georgia (34 Peachtree)
    Looking at the north elevation of The Bank of Georgia (34 Peachtree)

    There have been empty promises to convert 34 Peachtree into residential units,13 but that’s typical Atlanta bullshitting and unlikely to transpire, as renovating such behemoths is overwhelmingly prohibitive.

    Office buildings are rapidly becoming a relic of the past, and as more skyscrapers begin to deteriorate, it will be interesting to see what cities like Atlanta do with them, particularly as the United States plunges headfirst into inevitable social and economic decline.

    I suspect that in decades to come, many American cities will be filled with vacant, crumbling towers that no one will have the money to demolish or renovate—unsightly monuments from an age of decadence and arrogance best left forgotten.

    Looking at The Bank of Georgia (34 Peachtree) from Edgewood Avenue
    Looking at The Bank of Georgia (34 Peachtree) from Edgewood Avenue

    References

    1. Erwin, George. “Bank Plans 31-Story Building At 5 Points, Costing 10 Million”. The Atlanta Journal, March 1, 1959, p. 1. ↩︎
    2. The Atlanta Journal and The Atlanta Constitution, April 2, 1961, Bank of Georgia Section. ↩︎
    3. “Bank of Georgia To Open Monday”. The Atlanta Journal, March 28, 1961, p. 33. ↩︎
    4. Veale, Frank. “35,000 Expected At Gala Opening Of New Building”. The Atlanta Journal, April 2, 1961, p. 2-F. ↩︎
    5. Crown, John. “40-Story Bank Building to Rise in Atlanta”. The Atlanta Journal, August 11, 1963, p. 1. ↩︎
    6. “Atlanta Reaches for the Sky–More Giants on Way”. The Atlanta Journal, May 17, 1966, p. 12. ↩︎
    7. Henderson, Barry. “Top O’ Peachtree Sale Set”. The Atlanta Constitution, September 23, 1972, p. 8. ↩︎
    8. “Equipment Came From All Over U.S., Materials From All Over The World”. The Atlanta Journal, October 18, 1955, p. 3-F. ↩︎
    9. “It’s the tops” (advertisement). The Atlanta Constitution, October 19, 1955, p. 2-F. ↩︎
    10. Kossoff, Evan. “New Owner Giving 2 Downtown Buildings a Facelift”. The Atlanta Constitution, December 10, 1979, p. 9-D. ↩︎
    11. “Company Completes 26-story Fulton National Bank Building on schedule!” (advertisement). The Atlanta Journal, October 18, 1955, p. 18-F. ↩︎
    12. Judd, Alan. “Georgia: Irma set to arrive today.” The Atlanta Journal-Constitution, September 11, 2017, p. A1-A6. ↩︎
    13. Torpy, Bill. “Can office conversions save downtown?” The Atlanta Journal-Constitution, July 31, 2023, p. A9. ↩︎
  • Cherokee County Courthouse – Murphy, North Carolina (1892-1895)

    Bruce & Morgan. Cherokee County Courthouse (1892-1895). Murphy, North Carolina.
    Bruce & Morgan. Cherokee County Courthouse (1892-1895). Murphy, North Carolina.

    The Background

    The following article, published in The State Chronicle in March 1890, includes an illustration and a description of the Cherokee County Courthouse in Murphy, North Carolina, designed by Bruce & Morgan.

    A vernacular interpretation of the Romanesque Revival style, the building depicted in the illustration appears to be a competent effort by A.C. Bruce, and an updated version of his plan for the Newton County Courthouse in Covington, Georgia, completed in 1884.

    The only questionable elements in the otherwise cohesive composition are the odd pediment and oversized half-round window above the entrance portico. This wasn’t an exceptional design, by any means, but generally well-proportioned and tastefully executed.

    Location of Cherokee County Courthouse

    The article states that the county’s leaders were unsure whether the courthouse should be built of brick with marble trimmings or “an entire marble face,” a preposterous question for a rural jurisdiction in the Deep South.

    Marble was so cost-prohibitive in the late 19th century that even Atlantans couldn’t afford it as a primary building material, much less the inhabitants of a dirt-poor county in the hills of Carolina.

    Unsurprisingly, the finished courthouse was built primarily of pressed brick, while the foundation and steps were composed of marble.1 The initial cost of the project was reported as $21,5002 by one source and $22,5753 by another, but other reports estimated it at $40,000.4 5 6

    It’s difficult to find a definitive completion date, but the cornerstone was laid in July 1891,7 and most sources say it was finished in 1892, which is a reasonable timeframe.

    Despite this article’s claim that the courthouse would “stand the storm of ages”, the building was destroyed by fire on December 13, 1895,8 less than four years after its completion, although the outer walls were left intact.9

    In early 1896, Bruce & Morgan were hired as architects for the building’s replacement,10 and it appears they essentially replicated the previous design.

    The rebuilt courthouse was also destroyed by fire on January 16, 1926,11 12and replaced with an entirely new structure.13 14

    So much for it being “a monument for centuries to come.”


    Murphy’s New Court House.

    The State Chronicle is glad to be able to present to its readers to day a picture of the new Court House which the Commissioners and Magistrates of Cherokee county have decided to erect at Murphy. It will be a handsome building and an ornament to the town and county, as well as its best advertisement. It is to have a face and trimmings of marble quarried from the Cherokee county quarries. Marble of almost every shade of color is found in Cherokee, and the Western North Carolina Railroad runs in such close proximity to the marble as to enable parties to load it directly from the quarries into the cars. A marble Court House will advertise this marble better than an hundred agents and an hundred newspapers. The Commissioners and Magistrates have not exactly determined whether it shall have an entire marble face, and have advertised for bids with the marble face and only with marble trimming. But they have decided to build it, and it is a decision in which the entire State is interested. It shows that we are going forward. As the Murphy Bulletin well and truly put it: “The Court House will stand the storm of ages and retain its original beauty and magnificence.” The Commissioners and Magistrates have acted wisely, and the Chronicle rejoices that a spirit of faith in the glorious future of their county has been present with them. This marble Court House will be a monument for centuries to come of the wisdom of the men now living in Cherokee.15

    References

    1. “State News.” The Weekly Review (Reidsville, North Carolina). January 21, 1891, p. 7. ↩︎
    2. “Around Town.” Asheville Daily Citizen (Asheville, North Carolina), January 12, 1891, p. 4. ↩︎
    3. “State News.” The Weekly Review (Reidsville, North Carolina). January 21, 1891, p. 7. ↩︎
    4. “Building Notes.” The Atlanta Constitution, February 21, 1890, p. 5. ↩︎
    5. “Murphy’s Marble Court House.” Asheville Daily Citizen (Asheville, North Carolina). December 14, 1895, p. 1. ↩︎
    6. “To Rebuild the Court House.” Asheville Daily Citizen (Asheville, North Carolina), January 7, 1896, p. 1. ↩︎
    7. “Murphy’s Barbecue.” Asheville Daily Citizen (Asheville, North Carolina), July 18, 1891, p. 1. ↩︎
    8. “Murphy’s Marble Court House.” Asheville Daily Citizen (Asheville, North Carolina). December 14, 1895, p. 1. ↩︎
    9. “Cherokee County Court House Swept By Disastrous Fire for Second Time In History, Damage Believed $100,000.” The Sunday Citizen (Asheville, North Carolina), January 17, 1926, p. 20. ↩︎
    10. “To Rebuild the Court House.” Asheville Daily Citizen (Asheville, North Carolina), January 7, 1896, p. 1. ↩︎
    11. “Cherokee Courthouse Is Destroyed By Fire”. The Charlotte News (Charlotte, North Carolina), January 16, 1926, p. 1. ↩︎
    12. “Cherokee County Court House Swept By Disastrous Fire for Second Time In History, Damage Believed $100,000.” The Sunday Citizen (Asheville, North Carolina), January 17, 1926, p. 20. ↩︎
    13. “Start Plans For Cherokee Courthouse”. The Asheville Times (Asheville, North Carolina), January 22, 1926, p. 18. ↩︎
    14. “New Courthouse Will Be Built In Cherokee County”. Salisbury Evening Post (Salisbury, North Carolina), January 28, 1926, p. 6. ↩︎
    15. The State Chronicle (Raleigh, North Carolina), March 11, 1890, p. 3. ↩︎

  • Robert W. Woodruff Library (1982) – Atlanta

    Joseph Amisano of Toombs, Amisano & Wells with J.W. Robinson and Associates, Inc. Robert W. Woodruff Library (1982). Atlanta University Center.
    Joseph Amisano of Toombs, Amisano & Wells with J.W. Robinson and Associates, Inc. Robert W. Woodruff Library (1982). Atlanta University Center.1 2 3 4
    Looking at the Robert W. Woodruff Library from the southeast
    Looking at the Robert W. Woodruff Library from the southeast
    South elevation of the Robert W. Woodruff Library, Atlanta
    South elevation of the Robert W. Woodruff Library, Atlanta
    Windows on the south elevation of the Robert W. Woodruff Library, Atlanta
    Windows on the south elevation of the Robert W. Woodruff Library, Atlanta
    Skylight on the east facade of the Robert W. Woodruff Library, Atlanta
    Skylight on the east facade of the Robert W. Woodruff Library, Atlanta
    Looking at the Robert W. Woodruff Library from the northeast
    Looking at the Robert W. Woodruff Library from the northeast
    North elevation of the Robert W. Woodruff Library, Atlanta
    North elevation of the Robert W. Woodruff Library, Atlanta

    References

    1. Dees, Learned and Hunt, Eunice S. “New AUC Library To Open in Jan.” The Atlanta Voice, November 14, 1981, p. 1B. ↩︎
    2. Salyer, Sharon J. “Library Dedication Is Friday At AUC”. The Atlanta Constitution, April 22, 1982, p. 17-A. ↩︎
    3. Barnes, Beverly. “Woodruff Library Is Dedicated”. The Atlanta Journal-The Atlanta Constitution Weekend, April 24, 1982, p. 14-A. ↩︎
    4. Powell, Kay. “Joe Amisano, admired architect”. The Atlanta Journal-Constitution, April 21, 2008, p. B6. ↩︎

  • Public Comfort Building, Oakland Cemetery (1899) – Atlanta

    C. Walter Smith. Public Comfort Building at Oakland Cemetery (1899). Atlanta.
    C. Walter Smith. Public Comfort Building at Oakland Cemetery (1899). Atlanta.

    The Public Comfort Building in Oakland Cemetery is the only surviving work in Atlanta known to have been designed by C. Walter Smith (1865-1910), an architect who worked for at least seven years as a draughtsman and assistant for G.L. Norrman before embarking on a fairly unremarkable solo career.

    Location of the Public Comfort Building

    Built on a small hill in the western portion of the 48-acre cemetery, this two-story structure includes a full basement and totals 2,800 square feet.1 The exterior is faced in stucco-covered brick2 and rusticated granite trim, and marble flooring3 is used on the front porch and in the basement.

    Modeled after “the old Norman and English castellated churches,“4 the building’s design can be broadly defined as Romanesque, and its focal point is a 50-foot-high crenelated bell tower,5 heavily inspired by similar designs from G.L. Norrman.

    Today, Oakland Cemetery refers to the entire structure as the “Bell Tower.”

    C. Walter Smith. Public Comfort Building at Oakland Cemetery (1899). Atlanta.
    C. Walter Smith. Public Comfort Building at Oakland Cemetery (1899). Atlanta.6

    An illustration from 1899 (pictured above) reveals the building’s original design: a one-story porch topped by battlements originally flanked the south facade, and a porte-cochère to accommodate wagons was attached to the east side.

    Curiously, the final design was reversed, with the porte-cochère moved to the west side of the structure, likely one of “a few slight changes” announced before construction began.7

    Roman arches on the porch and bell tower, and Gothic-style arched windows on the second floor completed the appearance of a small, storybook castle—again, Smith borrowed significantly from Norrman for the aesthetic.

    Looking at the Public Comfort Building from the southeast
    Looking at the Public Comfort Building from the southeast

    In its original conception, the building was one of Smith’s better designs. Despite years of training under “the South’s most prominent architect”8—his words—Smith’s skill never came close to Norman’s high level of artistry, although his work here was at least intriguing.

    Unfortunately, the initial vision was compromised by the later addition of second-floor porches over the front porch and porte-cochère, topped with flat roofs and punctuated by incongruent half-round openings.

    I suspect the porches were added circa 1908, when the cemetery spent $5,000 on a range of improvements9 following its first annual report to the city, which requested $1,000 for “needed changes and repairs in the main building.”10

    The alterations are detrimental: the upper porches add unnecessary visual mass to the structure and pull focus away from the bell tower, robbing the entire composition of the uplifting, monumental effect Smith originally intended.

    West elevation of the Public Comfort Building, Oakland Cemetery, Atlanta
    West elevation of the Public Comfort Building, Oakland Cemetery, Atlanta

    “Public comfort” was a polite 19th-century euphemism for restrooms, which were originally housed on the ground floor of the structure.

    When the building was completed in October 1899, The Atlanta Journal delicately noted: “Here one now finds a convenience and comfort that was lacking for many years.”11 I guess early visitors just had to hold it—or maybe piss on a grave.

    The building initially had six rooms, including a ladies’ parlor and an “apartment for gentlemen.” All six rooms had tiled mantels,12 which was apparently noteworthy. Two of the mantels remain intact.

    The structure also included an office for the cemetery’s sexton,13 and Oakland Cemetery’s website claims the building contained a chapel, with the second floor used as the sexton’s residence. So many uses for such a small structure.

    Second-floor windows on the Public Comfort Building, Oakland Cemetery, Atlanta
    Second-floor windows on the Public Comfort Building, Oakland Cemetery, Atlanta

    Despite its fanciful design, the building was, at heart, purely utilitarian, “suitable for the purposes for which it is intended,”14 as the Journal put it.

    People need to pee, of course, but the building’s other raison d’être was concealed in the basement.15 The structure was built on the site of a converted two-story farmhouse16 known as the “dead house”17 —you can see where this is going.

    As the Journal explained:

    “There is a vault with eight catacombs and sixteen racks. This is as strong and substantial as could be made. For the retention of bodies for any length of time the catacombs will answer every purpose, as they are built to be air-tight for years to come. The racks, as a matter of course, are intended as a temporary place of keeping and are conveniently arranged. When the iron gate to the vault is locked entrance is practically impossible.”18

    Front porch of the Public Comfort Building, Oakland Cemetery, Atlanta
    Front porch of the Public Comfort Building, Oakland Cemetery, Atlanta

    Since Oakland is a public cemetery operated by the city of Atlanta, the building was funded through a city council appropriation.19 The Atlanta Building Company secured the contract with the lowest bid, and the project’s total cost was $4,600,20 with $650 spent on the stone.21

    Construction on the building was initially slated to begin on April 27, 1899,22 but was apparently delayed until June and completed in four months.23

    Although early plans called for one or two additional public comfort buildings in the cemetery,24 those never materialized, and this structure remained the only significant public building on site, altered many times by piecemeal repairs and additions.

    When the Historic Oakland Foundation was formed in 1976 to preserve and maintain the cemetery’s historic integrity, the building became office space for the organization, with the ground floor converted into a small visitors center,25 a function that it served for decades.

    East elevation of the Public Comfort Building, Oakland Cemetery, Atlanta
    East elevation of the Public Comfort Building, Oakland Cemetery, Atlanta

    In 2022, as Oakland Cemetery prepared to build a much larger visitors’ center outside its main entrance, the former Public Comfort Building received a gut renovation designed by Smith Dalia Architects, Atlanta’s finest firm for the adaptive reuse of historic structures.

    The project included tearing out the hodgepodge of rooms on each floor for larger, open spaces, removing god-awful windows added to the second-floor porches, and making necessary accessibility alterations, which altered a portion of the front porch.26 27

    The building reopened later that year28 as an event space: the fallback choice when owners don’t know what to do with a historic structure.

    Bell tower on the Public Comfort Building, Oakland Cemetery, Atlanta
    Bell tower on the Public Comfort Building, Oakland Cemetery, Atlanta

    Following its renovation, the building now appears a little too clean and gleaming—I actually preferred it when it was worn and shabby—but it still has an undeniable anachronistic charm that’s uncommon in Atlanta.

    And as one of just six known extant works by Walter Smith, it’s also a matter of curiosity, if nothing else.

    Cornerstone on the Public Comfort Building, Oakland Cemetery, Atlanta
    Cornerstone on the Public Comfort Building, Oakland Cemetery, Atlanta

    References

    1. Perspectives in Architecture: A new era for Oakland’s historic bell tower – Rough Draft Atlanta ↩︎
    2. “New Building To Be Erected At Oakland Cemetery”. The Atlanta Journal, April 14, 1899, p. 7. ↩︎
    3. “Big Improvement At The Cemetery”. The Atlanta Journal, October 13, 1899, p. 9. ↩︎
    4. “New Building To Be Erected At Oakland Cemetery”. The Atlanta Journal, April 14, 1899, p. 7. ↩︎
    5. Ibid. ↩︎
    6. Illustration credit: Ibid. ↩︎
    7. “Notice to Contractors.” The Atlanta Journal, April 4, 1899, p. 9. ↩︎
    8. “A Card.” The Atlanta Constitution, March 1, 1893, p. 10. ↩︎
    9. “Work Of Joyner For Last Two Years Reviewed”. The Atlanta Constitution, January 5, 1909, p. 4. ↩︎
    10. “Cemetery Commission Makes First Report”. The Atlanta Constitution, January 5, 1908, p. 8. ↩︎
    11. “New Building To Be Erected At Oakland Cemetery”. The Atlanta Journal, April 14, 1899, p. 7. ↩︎
    12. “Big Improvement At The Cemetery”. The Atlanta Journal, October 13, 1899, p. 9. ↩︎
    13. Ibid. ↩︎
    14. Ibid. ↩︎
    15. Ibid. ↩︎
    16. Sections and Landmarks – Oakland Cemetery ↩︎
    17. “Big Improvement At The Cemetery”. The Atlanta Journal, October 13, 1899, p. 9. ↩︎
    18. Ibid. ↩︎
    19. Ibid. ↩︎
    20. “New Building To Be Erected At Oakland Cemetery”. The Atlanta Journal, April 14, 1899, p. 7. ↩︎
    21. “Mosley & Co. Get $390”. The Atlanta Journal, May 25, 1900, p. 5. ↩︎
    22. “New Building To Be Erected At Oakland Cemetery”. The Atlanta Journal, April 14, 1899, p. 7. ↩︎
    23. “Big Improvement At The Cemetery”. The Atlanta Journal, October 13, 1899, p. 9. ↩︎
    24. “Cemetery Commission Makes First Report”. The Atlanta Constitution, January 5, 1908, p. 8. ↩︎
    25. Perspectives in Architecture: A new era for Oakland’s historic bell tower – Rough Draft Atlanta ↩︎
    26. Ibid. ↩︎
    27. Historic Oakland Cemetery Bell Tower – The Georgia Trust ↩︎
    28. Ribbon cutting to be held for Oakland Cemetery’s refurbished Bell Tower – Rough Draft Atlanta ↩︎
  • United States Post Office (1933) – Atlanta

    A. Ten Eyck Brown with A. Barili, Jr., and J.W. Humphreys, associate architects. United States Post Office (1933). Atlanta.
    A. Ten Eyck Brown with A. Barili, Jr., and J.W. Humphreys, associate architects. United States Post Office (1933). Atlanta.1

    Don’t let Atlanta historians fool you: A. Ten Eyck Brown (1878-1940) likely had little to do with the design of this monumental structure, which ranks among the city’s most exquisite buildings.

    Opened in December 19332 as the United States Post Office, the project appears to have been primarily designed by Brown’s associate architects, Alfredo Barili, Jr., and J. Wharton Humphreys, who established their own firm a few years later.3

    Compare the later works credited to Brown with those of his early years, and it’s clear that his own skills were inadequate for the more sophisticated designs that emerged from his firm in the 1920s onwards—this project is no exception.

    East facade of the United States Post Office, Atlanta
    East facade of the United States Post Office, Atlanta

    Designed in the Classical Moderne style, the building sits atop a base of Stone Mountain granite and is sleekly clad in Georgia marble.4

    The structure’s otherwise smooth facades on the east and west are punctuated by a trio of slightly recessed bays that recall Brown’s earlier design for the Fulton County Courthouse, but the effect is much more successful here.

    Indeed, the courthouse design is a joyless mess: the building’s facade is cluttered with windows of varying sizes, and the deeply recessed center bay, supported by six multi-story columns, resembles a giant jail grating.

    In this design, the variation in the bays is much subtler, and the windows are given space to breathe, providing enough contrast and visual balance for a pleasing, cohesive composition.

    This building also shines in its incorporation of fine textural detail, trimmed with pilasters, friezes, and stringcourses in stark geometric patterns, many of which are of pre-Columbian inspiration. Emphasizing the structure’s bold ziggurat form, the design evokes the image of some ancient American temple dropped into a modern metropolis.

    Ornamentation on the United States Post Office, Atlanta
    Ornamentation on the United States Post Office, Atlanta

    The project was completed for the princely sum of $3 million,5 and the volume of materials used in its construction is staggering: the structure is composed of 12,222 marble pieces totaling 4,798,404 pounds, with the largest block weighing 8,400 pounds.6

    Atlanta, of course, never pays for quality architecture, and this bulwark of a building exists only because it was bankrolled by the United States government.

    At the time, federal building projects were supervised by the U.S. Treasury, and Brown was a natural choice to pick as the lead architect, since he began his career in the office of the supervising architect of the Treasury.7 8

    Brown was approaching the end of his life and career in the 1930s and was well-respected in Atlanta and the Southeast. Known as “Tony” to his friends,9 he became one of the city’s wealthiest architects in the early 20th century, with his firm designing dozens of large-scale public buildings across multiple states, though his fortunes appear to have been greatly reduced during the Depression.

    Preston Stevens of Stevens & Wilkinson described him as “debonair and attractive,” and recalled a claim by another architect, Francis P. Smith, who said that ‘”Tony” could almost hypnotize his clients by sitting across the table from them and sketching designs upside down.’10

    Bay on the southwest corner of the United States Post Office, Atlanta
    Bay on the southwest corner of the United States Post Office, Atlanta

    I can’t criticize Brown too much for claiming primary credit on this project, as most architects of the era did the same. The myth of the lone designer had long become untenable, and by the turn of the 20th century, every Atlanta architect managed a team of design assistants.

    As building projects grew increasingly large, costly, and complex to manage, most prominent architects effectively became figureheads, promoting their businesses and securing commissions while delegating the actual design work to their employees.

    It’s well documented that numerous projects credited to Atlanta architects of the time, like W.T. Downing, Morgan & Dillon, W.A. Edwards, and Hentz, Reid & Adler—to name a few—were designed by assistants, many of whom went on to establish their own firms.

    Brown at least had the decency to share credit with the actual designers of his projects—often listing them as associate architects or supervising architects—a practice he began in 1922, when he was appointed the supervising architect for more than twenty public school buildings in Atlanta,11 12 nearly all of which were designed by other architects.13 14

    Contrast his approach with, say, G. Lloyd Preacher, who claimed credit for every work produced by his firm, even though it was abundantly clear which projects weren’t his own. The most striking example is Atlanta’s fine neo-Gothic city hall, credited to Preacher but designed by one of his employees, George H. Bond,15 who was infinitely more talented.

    Looking at the United States Post Office, Atlanta, from the southwest
    Looking at the United States Post Office, Atlanta, from the southwest

    Questions of credit aside, the former United States Post Office (later renamed the Martin Luther King, Jr. Federal Building) is one of the few structures in the city with any actual design caliber, and its quality of craftsmanship and attention to detail are unknown to modern architecture, in Atlanta or elsewhere.

    Gallery

    Looking at the United States Post Office, Atlanta, from the northeast
    Looking at the United States Post Office, Atlanta, from the northeast
    Bas-relief string course and windows on the United States Post Office, Atlanta
    Bas-relief stringcourse and windows on the United States Post Office, Atlanta
    First-floor window and bas-relief string course on the facade of the United States Post Office, Atlanta
    First-floor window and bas-relief string course on the facade of the United States Post Office, Atlanta
    Windows on the south elevation of the United States Post Office, Atlanta
    Windows on the south elevation of the United States Post Office, Atlanta
    Center bay on the facade of the United States Post Office, Atlanta
    Center bay on the facade of the United States Post Office, Atlanta
    Bas-relief ornamentation and first-floor window on the facade of the United States Post Office, Atlanta
    Bas-relief ornamentation and first-floor window on the facade of the United States Post Office, Atlanta
    Main entrance of the United States Post Office, Atlanta
    Main entrance of the United States Post Office, Atlanta
    Nickel-alloy transom panels and sconce at the entrance of the United States Post Office, Atlanta
    Nickel-alloy transom panels and sconce at the entrance of the United States Post Office, Atlanta
    Nickel-alloy sconce at the entrance of the United States Post Office, Atlanta
    Nickel-alloy sconce at the entrance of the United States Post Office, Atlanta
    Marble block on the United States Post Office, Atlanta
    Marble block on the United States Post Office, Atlanta
    Inscription and windows on the facade of the United States Post Office, Atlanta
    Inscription and windows on the facade of the United States Post Office, Atlanta
    A pair of windows on the facade of the United States Post Office, Atlanta
    A pair of windows on the facade of the United States Post Office, Atlanta
    Cornice on the facade of the United States Post Office, Atlanta
    Cornice on the facade of the United States Post Office, Atlanta
    Bas-relief stringcourse, ornamentation over a first-floor window on the United States Post Office, Atlanta
    Bas-relief stringcourse, ornamentation over a first-floor window on the United States Post Office, Atlanta
    Bas-relief stringcourse and dentilled cornice on the south elevation of the United States Post Office, Atlanta
    Bas-relief stringcourse and dentilled cornice on the south elevation of the United States Post Office, Atlanta
    Bas-relief ornamentation on the facade of the United States Post Office, Atlanta
    Bas-relief ornamentation on the facade of the United States Post Office, Atlanta
    Windows on the south elevation of the United States Post Office, Atlanta
    Windows on the south elevation of the United States Post Office, Atlanta
    Granite base, pedestal, and steps on the United States Post Office, Atlanta
    Granite base, pedestal, and steps on the United States Post Office, Atlanta
    Cornerstone of the United States Post Office, Atlanta
    Cornerstone of the United States Post Office, Atlanta

    References

    1. National Register of Historic Places Continuation Sheet: United States Post Office, Federal Annex ↩︎
    2. Hamilton, Tom J., Jr. “Leaders Laud Administration Policies at Dedication of Atlanta’s New $3,000,000 Post Office Building”. The Atlanta Journal, December 3, 1933, p. 1. ↩︎
    3. “Barili & Humphries Architectural Firm Is Announced Here”. The Atlanta Journal, February 21, 1937, p. 6-D. ↩︎
    4. “New Post Office Is Dedicated And Accepted By City”. The Atlanta Journal, February 19, 1933, p. 1-B. ↩︎
    5. Hamilton, Tom J., Jr. “Leaders Laud Administration Policies at Dedication of Atlanta’s New $3,000,000 Post Office Building”. The Atlanta Journal, December 3, 1933, p. 1. ↩︎
    6. Ibid. ↩︎
    7. “New P.O. Building Praised”. The Atlanta Constitution, March 27, 1931, p. 7. ↩︎
    8. “Noted Architect Succumbs Here At Age of 62”. The Atlanta Constitution, June 9, 1940, p. 1. ↩︎
    9. Stevens, Preston. Building a Firm: The Story of Stevens & Wilkinson Architects, Engineers, Planners Inc. Atlanta (1979), p. 67. ↩︎
    10. ibid. ↩︎
    11. “A. Ten Eyck Brown Made Supervising School Architect”. The Atlanta Constitution, January 21, 1922, p. 1. ↩︎
    12. “May Start Building Of 30 New Schools In Near Future”. The Atlanta Journal, January 22, 1922, p. 1. ↩︎
    13. “School Building Program Adopted By Board Friday”. The Atlanta Constitution, March 25, 1922, p. 1. ↩︎
    14. “Architect To Split School Plan Work”. The Atlanta Journal, March 25, 1922, p. 9. ↩︎
    15. Stevens, Preston. Building a Firm: The Story of Stevens & Wilkinson Architects, Engineers, Planners Inc. Atlanta (1979), p. 70. ↩︎
  • Relic Signs: Pink Motel (1957) – Cherokee, North Carolina

    Pink Motel (1957). 1306 Tsali Boulevard, Cherokee, North Carolina.
    Pink Motel (1957). 1306 Tsali Boulevard, Cherokee, North Carolina.

    Nothing makes a night better than pink.

    This sign in Cherokee, North Carolina, debuted at the Pink Motel’s opening in 1957. And if you’re wondering about the origin of the name, a newspaper report from the time helpfully explained:

    “If you are a motel operator, supplying your own linen, name-tagged and all, you will often get back from the laundry the linen of some other operator. So, if you have pink bed sheets and towels, how’s anyone but a colorblind person going to get your linens mixed-up with that of white-linen folks?

    “So, that’s how the name “Pink Motel” started. It was only logical to carry the pink idea still further until it was “done up pink.” The outside of the Pink Motel is painted pink. The walls, furniture, vertical venetian blinds, the bathroom tile, the furnishings…even the soap…are all pink.”1

    Location of Pink Motel

    References

    1. “20-Unit Pink Motel At Cherokee Is Original Color Scheme Idea”. Asheville Citizen-Times (Asheville, North Carolina), July 14, 1957, p. B11. ↩︎

  • Hall County Courthouse (1938) – Gainesville, Georgia

    Daniel & Beutell. Hall County Courthouse (1938). Gainesville, Georgia.
    Daniel & Beutell. Hall County Courthouse (1938). Gainesville, Georgia.1 2 3 4 5

    This stark but stately county courthouse in Gainesville, Georgia, exists because of the United States federal government.

    Built at the height of the Great Depression, the structure is primarily in the Classical Moderne style, with some Beaux-Arts ornamentation, and was designed by Daniel & Beutell of Atlanta.

    Construction began three months after an April 1936 tornado that destroyed much of the city’s business district, including the former courthouse.

    Pediment on the Hall County Courthouse, Gainesville, Georgia
    Pediment on the Hall County Courthouse, Gainesville, Georgia

    The building was a quintessential New Deal project: funded by the Public Works Administration and built by workers from the similarly named Works Progress Administration.

    When the courthouse was completed in March 1938, it was dedicated in a gala ceremony attended by President Franklin D. Roosevelt. Not shabby.

    Gallery

    Cornice and bas-relief ornamentation on the Hall County Courthouse, Gainesville, Georgia
    Cornice and bas-relief ornamentation on the Hall County Courthouse, Gainesville, Georgia
    Clock tower on the Hall County Courthouse, Gainesville, Georgia
    Clock tower on the Hall County Courthouse, Gainesville, Georgia
    Second-floor windows and spandrels on the facade of the Hall County Courthouse, Gainesville, Georgia
    Second-floor windows and spandrels on the facade of the Hall County Courthouse, Gainesville, Georgia
    Bas-relief stringcourse on the facade of the Hall County Courthouse, Gainesville, Georgia
    Bas-relief stringcourse on the facade of the Hall County Courthouse, Gainesville, Georgia
    Inscription on the Hall County Courthouse, Gainesville, Georgia
    Inscription on the Hall County Courthouse, Gainesville, Georgia
    Clock tower and marble blocks on the Hall County Courthouse, Gainesville, Georgia
    Clock tower and marble blocks on the Hall County Courthouse, Gainesville, Georgia
    Bas-relief ornamentation on the Hall County Courthouse, Gainesville, Georgia
    Bas-relief ornamentation on the Hall County Courthouse, Gainesville, Georgia
    Light and pedestal at the entrance of the Hall County Courthouse, Gainesville, Georgia
    Light and pedestal at the entrance of the Hall County Courthouse, Gainesville, Georgia
    Cornice on the facade of the Hall County Courthouse, Gainesville, Georgia
    Cornice on the facade of the Hall County Courthouse, Gainesville, Georgia

    References

    1. “Gainesville Gets $40,000 RFC Loan For Civic Center”. The Atlanta Journal, June 12, 1936, p. 13. ↩︎
    2. “PWA Approves $126,000 Grant For New Hall County Courthouse”. The Atlanta Journal, July 9, 1936, p. 9. ↩︎
    3. “PWA Soon To Launch Gainesville Building”. The Atlanta Constitution, July 10, 1936, p. 10. ↩︎
    4. “More Than 50,000 To Hear Roosevelt At Gainesville Wednesday”. The Atlanta Journal, March 22, 1938, p. 1. ↩︎
    5. “Georgia Hails President Roosevelt at Mighty Celebration in New Gainesville”. The Atlanta Journal, March 23, 1938, p. 12. ↩︎
  • One World Trade Center (2014) – New York

    SOM. One World Trade Center (2014). New York.
    SOM. One World Trade Center (2014). New York.1
    Looking at One World Trade Center from the south, with 19 Rector Street (1930) in the foreground2
    Looking at One World Trade Center from the south, with 19 Rector Street (1930) in the foreground2
    Looking at One World Trade Center from Brooklyn
    Looking at One World Trade Center from Brooklyn
    Looking up at One World Trade Center from the east
    Looking up at One World Trade Center from the east

    References

    1. One World Trade Center – SOM ↩︎
    2. Art Deco Landmarks Reports – Art Deco Society of New York ↩︎